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1 16 31 ....301

Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.528464 Composed by Jerry Gray. Arranged by Diego Marani. 20th Century,Contemporary,Instructional,Jazz,Standards. 19 pages. Diego Marani #6026397. Published by Diego Marani (A0.528464). A String of Pearls is a 1941 song composed by Jerry Gray with lyrics by Eddie DeLange. It was notably recorded by Glenn Miller and His Orchestra on RCA Bluebirdthat November, becoming a #1 hit. The song is a big band and jazz standard.This arrangement for flute quartet (Flute 1, Flute 2, Flute 3, Flute 4 or Alto Flute) reflects faithfully the original and includes also the transcriptions of famous solos of saxes (Babe Russin, Tex Beneke) and trumpet (Bobby Hackett).It is suitable for classroom, repertoire and recital.
A String Of Pearls
Quatuor de Flûtes : 4 flûtes

$19.99 17.36 € Quatuor de Flûtes : 4 flûtes PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.1509402 By Francesco Leone. By Isaac Albeniz. Arranged by Francesco Leone. Romantic Period. 24 pages. Glissato Edizioni Musicali #1084641. Published by Glissato Edizioni Musicali (A0.1509402). Discover the vibrant rhythms and passionate melodies of Isaac Albéniz's Sevilla in a fresh and compelling arrangement for flute quartet by Francesco Leone. This piece, part of the celebrated Suite Española No. 1, Op. 47, has been skillfully adapted to capture the essence of Spanish music and culture, offering an advanced-level challenge for flute ensembles. Leone's arrangement brings out the color and dynamics of Albéniz's composition, making it a perfect addition to the repertoire of ambitious flute quartets seeking to explore the richness of Spanish classical music.Arrangement Highlights:Instrumentation: This exquisite arrangement is scored for 3 C Soprano Flutes and 1 Bass Flute, creating a balanced blend of bright and deep tones that echo the lively streets and serene landscapes of Spain. The thoughtful distribution of parts ensures that each musician can contribute to the full expression of the piece, from the intricate melodies to the robust, rhythmic undercurrents.Level: Advanced. Designed for flute quartets ready to take on a more challenging repertoire, this arrangement demands precision, control, and a deep understanding of musical expression. It's an opportunity to showcase technical skill and interpretive depth, all while navigating the intricate harmonies and rhythms that define Spanish music.Score and Parts: The e-book includes a full score and individual parts, all clearly notated and meticulously prepared to facilitate a smooth rehearsal process. The arrangement is crafted to ensure that performers can fully engage with the music, allowing for a performance that is both technically sound and emotionally compelling.Exclusive Online Resources:An audio demo of this stunning arrangement is available at www.glissato.it, product code: EG1117. This demo serves as an essential reference for tempo, articulation, and ensemble balance, helping musicians to align their interpretation with the spirited essence of Sevilla. It's a valuable tool for both individual practice and group rehearsals, ensuring that the quartet can achieve a cohesive and dynamic performance.Embrace the Spirit of Sevilla:Francesco Leone's arrangement for flute quartet invites musicians to immerse themselves in the heart of Spanish culture through the lens of Isaac Albéniz's masterful composition. Whether preparing for a performance, competition, or simply exploring the depth of classical repertoire, this piece offers a rich, rewarding experience. Dive into the spirited world of Sevilla and let your flutes sing with the passion and elegance of Spanish tradition.
Sevilla - Flute Quartet score & parts
Quatuor de Flûtes : 4 flûtes
Francesco Leone
$15.00 13.03 € Quatuor de Flûtes : 4 flûtes PDF SheetMusicPlus

Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1169321 Composed by Simon Franglen. Arranged by Lisa Ochoco. Contemporary,Film/TV. 14 pages. Lisa L Ochoco #769675. Published by Lisa L Ochoco (A0.1169321). Avatar: The Way of Water, is the long-awaited sequel to the award-winning film from 2009. The soundtrack for the new film was written by Simon Franglen, who originally wrote 5 hours of music to cover any and all situations in the almost 3-hour movie.The Songcord is a beautiful song that is heard twice in the film – at the beginning and at the end. A songcord is a mnemonic device used by the Na’vi that assists them in storytelling. In this song, Neytiri is thanking Eywa – the Great Mother - for her family.This arrangement is scored for flute quartet - 2 C, alto, and bass.An optional part of this piece is what helps create the mood, which is the part called “Shimmerâ€. In an interview, Simon Franglen said that an important part of the music is the feeling of light, and he achieved that by including shimmering sounds into his tunes. The “Shimmer†part can be played by hanging a few keys (house keys, car keys, etc.) that have different pitches on short lengths of string. Use a small metal or wooden object to lightly hit the keys to create little “dingsâ€. You can also use wind chimes, a little xylophone, bells, etc. The idea is to create a magical mood without overpowering the music. Play this part wherever there is a note in the measure.Duration: 3.75 minutes.
The Songcord
Quatuor de Flûtes : 4 flûtes

$16.00 13.89 € Quatuor de Flûtes : 4 flûtes PDF SheetMusicPlus

Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - Digital Download SKU: A0.1266468 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859199. Published by jmsgu3 (A0.1266468). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior. 
Solage: Le basile for Flute Quartet
Quatuor de Flûtes : 4 flûtes

$32.95 28.61 € Quatuor de Flûtes : 4 flûtes PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1259387 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #852663. Published by jmsgu3 (A0.1259387). INSTRUMENTATION: 2 Alto flutes, 2 Bass Flutes1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
Machaut: La Messe de Nostre Dame for Flute Quartet - Score Only
Quatuor de Flûtes : 4 flûtes

$49.95 43.38 € Quatuor de Flûtes : 4 flûtes PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Alto Flute,Bass Flute - Level 2 - Digital Download SKU: A0.1260536 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 86 pages. Jmsgu3 #853678. Published by jmsgu3 (A0.1260536). INSTRUMENTATION: 2 ALTO FLUTES, 2 BASS FLUTES1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
Machaut: La Messe de Nostre Dame for Flute Quartet
Quatuor de Flûtes : 4 flûtes

$74.95 65.09 € Quatuor de Flûtes : 4 flûtes PDF SheetMusicPlus

Flute Solo - Level 3 - Digital Download SKU: A0.784325 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288633. Published by Slide Ride (A0.784325). Donut Etudes vol. 3: Don’t Step in the Holes!1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.·      Choose a tempo.·      Choose a dynamic.·      Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
Donut Etudes vol. 3: Don’t Step in the Holes! - Flute Quartet
Quatuor de Flûtes : 4 flûtes

$5.00 4.34 € Quatuor de Flûtes : 4 flûtes PDF SheetMusicPlus

Flute Quartet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1169759 Composed by Simon Franglen. Arranged by Lisa Ochoco. Contemporary,Film/TV. 15 pages. Lisa L Ochoco #770123. Published by Lisa L Ochoco (A0.1169759). Avatar: The Way of Water, is the long-awaited sequel to the award-winning film from 2009. The soundtrack for the new film was written by Simon Franglen, who originally wrote 5 hours of music to cover any and all situations in the almost 3-hour movie. The Songcord is a beautiful song that is heard twice in the film – at the beginning and at the end. A songcord is a mnemonic device used by the Na’vi that assists them in storytelling. In this song, Neytiri is thanking Eywa – the Great Mother - for her family. This arrangement is scored for flute quartet - 4 C or 3 C and alto. An optional part of this piece is what helps create the mood, which is the part called “Shimmerâ€. In an interview, Simon Franglen said that an important part of the music is the feeling of light, and he achieved that by including shimmering sounds into his tunes. The “Shimmer†part can be played by hanging a few keys (house keys, car keys, etc.) that have different pitches on short lengths of string. Use a small metal or wooden object to lightly hit the keys to create little “dingsâ€.  You can also use wind chimes, a little xylophone, bells, etc.  The idea is to create a magical mood without overpowering the music.  Play this part wherever there is a note in the measure. Duration: 3.75 minutes.
The Songcord
Quatuor de Flûtes : 4 flûtes

$16.00 13.89 € Quatuor de Flûtes : 4 flûtes PDF SheetMusicPlus


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