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Level 4 - Digital Download SKU: A0.1136040 By Budapest Scoring. By King Henry VIII (attrib.). Arranged by David Warin Solomons. Classical,Contemporary. Full Performance. Duration 144. David Warin Solomons #736065. Published by David Warin Solomons (A0.1136040). Hélas madame is attributed to King Henry VIII. It is part of a secular collection, found on a manuscript that was used in Henry's court. The originality of the song has been questioned, with various parts of the song allegedly taken from similar pieces in Europe. The song itself is a courtship conversation in Middle French between a man and woman. Hélas madame, celle que j’ayme tant: Souffrez que soye vostre humble servant; Vostre humble servant je serays a toujours Et tant que je viv’ray aultr’ n’aymeray que vous. Hélas, beau sire, vous estez bel et bon, Sage et courtoys et de noble maison, Et aussi bon que l’on scairoit finer, Mais cil que j’ayme, ne scairoye oublier. Hellas, ma dame, pences en vostre cas: Entre nous deulx ne fault point d’avocatz. Certes non pas, et vous le scavez bien. Allez vous en, car vous ne faictez rien. Mon cueur souspire et se plaint tendrement, Quant il ne peult trouver allegement. Ne scay comment on me veult dechasser; S’il est ainsi, j’ayray ailleurs chasser. Hellas, ma dame, et n’en seray-je point? Certes beau sire, je ne le vous dis point. Servez a point: il vous sera mery. Hellas, ma dame, de bon cueur vous mercy. Alas my lady, whom I do so love: Suffer me to be your humble servant; Your humble servant I shall always be. And while I live, I'll love none else but you. Alas, fair sir, you are good and kind, Wise and courteous and from a noble house, And as good as one could find, But I can't forget the one I love. Alas my lady, think upon your case: Between us two, no need for advocate. Certainly not, and you know it well. Be gone, for you are doing nothing. My heart sighs and tenderly complains, When it cannot find relief. I know not how it wants me to woo; If it is so, I'll go wooing elsewhere. Alas my lady, and shall I not? Certainly, fair sir, I have not said so. Behave rightly and you will be rewarded. Alas my lady, from my whole heart, thank you. Performed by Anita Szabó Ildikó Szabady Iza Nagy Boglárka Dávid.
Variations on hélas madame for flute quartet (mp3)
Quatuor de Flûtes : 4 flûtes
Budapest Scoring
$4.50 3.88 € Quatuor de Flûtes : 4 flûtes PDF SheetMusicPlus

Flute Solo - Level 3 - Digital Download SKU: A0.784325 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288633. Published by Slide Ride (A0.784325). Donut Etudes vol. 3: Don’t Step in the Holes!1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.·      Choose a tempo.·      Choose a dynamic.·      Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
Donut Etudes vol. 3: Don’t Step in the Holes! - Flute Quartet
Quatuor de Flûtes : 4 flûtes

$5.00 4.31 € Quatuor de Flûtes : 4 flûtes PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Flute - Level 2 - Digital Download SKU: A0.590388 Composed by Various. Arranged by David McKeown. Christian,Holiday,Praise & Worship,Sacred. 68 pages. David McKeown #6209651. Published by David McKeown (A0.590388). 15 Favourite Hymns for Thanksgiving and Harvest for Flute Quartet is a beautiful collection of well-known traditional Thanksgiving and Harvest hymns. They are arranged in four parts for four Flutes. Also included is an alternative fourth part for Alto Flute. Separate parts are included with the score in one single pdf file.15 Favourite Hymns for Thanksgiving and Harvest for Flute Quartet are simply arranged in easy keys and are fun to play for musicians with a year or two’s experience and above. Teachers and students alike will find 15 Favourite Hymns for Thanksgiving and Harvest for Flute Quartet useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…·     All Things Bright and Beautiful, (The 29thMay)·     Come Thou Fount of Every Blessing, (Nettleton)·     Come, Ye Thankful People Come, (St George’s, Windsor)·     Count Your Blessings, (Blessings)·     For All the Blessings of the Year, (Oldbridge)·     For the Beauty of the Earth, (Dix)·     Now Thank We All Our God, (Nun Danket)·     O Store Gud, (Trad. Swedish)·     Rejoice Today with One Accord, (Ein Feste Burg)·     Praise God from Whom All Blessings Flow, (Old Hundredth)·     Praise My Soul, the King of Heaven, (Laude Anima)·     Praise to the Lord, the Almighty, (Lobe den Herren)·     We Gather Together, (Kremser)·     We Plough the Fields and Scatter, (Wir Pflügen)·     When Morning Gilds the Skies, (Laudes Domini) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
15 Favourite Hymns for Thanksgiving and Harvest for Flute Quartet
Quatuor de Flûtes : 4 flûtes

$9.99 8.61 € Quatuor de Flûtes : 4 flûtes PDF SheetMusicPlus

Level 4 - Digital Download SKU: A0.1136050 By Budapest Scoring. By Robert Lowry. Arranged by David Warin Solomons. Classical,Spiritual. Full Performance. Duration 263. David Warin Solomons #736075. Published by David Warin Solomons (A0.1136050). Variations on the hymn by Robert Lowry. The variations include various melismas and Scotch Snaps and also a section in minor mode. Words of the original hymn: Shall we gather at the river, Where bright angel feet have trod, With its crystal tide forever Flowing by the throne of God? Refrain: Yes, we’ll gather at the river, The beautiful, the beautiful river; Gather with the saints at the river That flows by the throne of God. On the margin of the river, Washing up its silver spray, We will talk and worship ever, All the happy golden day. Ere we reach the shining river, Lay we every burden down; Grace our spirits will deliver, And provide a robe and crown. At the smiling of the river, Mirror of the Savior’s face, Saints, whom death will never sever, Lift their songs of saving grace. Soon we’ll reach the silver river, Soon our pilgrimage will cease; Soon our happy hearts will quiver With the melody of peace. Performed by Anita Szabó Ildikó Szabady Iza Nagy Boglárka Dávid.
Variations on Shall we gather at the river for flute quartet (live version) (mp3)
Quatuor de Flûtes : 4 flûtes
Budapest Scoring
$4.50 3.88 € Quatuor de Flûtes : 4 flûtes PDF SheetMusicPlus

Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - Digital Download SKU: A0.1266468 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859199. Published by jmsgu3 (A0.1266468). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior. 
Solage: Le basile for Flute Quartet
Quatuor de Flûtes : 4 flûtes

$32.95 28.39 € Quatuor de Flûtes : 4 flûtes PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.507894 By Justin Timberlake. By Chris Godbey, Garland Mosley, James Fauntleroy, Jerome Harmon, Justin Timberlake, and Tim Mosley. Arranged by Alison Hall. Dance,Pop. 17 pages. Alison Hall #2837273. Published by Alison Hall (A0.507894). Mirrors by Justin Timberlake Arrangement by Alison Hall for Flute Quartet. Thank you for stopping by and considering purchasing this piece. The pdf file is just the score (Concert Pitch Score). Level: Intermediate The range is from low C (below the staff) to high C (just above the staff). Duration of Work: 3 minutes and 48 seconds   Please hear the whole audio by visiting my YouTube channel. That has a link below to it.   Performance practice suggestions: Take things slow. Practice makes Permanent. Listen to each other.   This is not appropriate for church services. This is appropriate with most schools and students in this century. This version does not have lyrics.   Social Media Channels are below and Feel Free to Stop by and say Hi! https://www.facebook.com/musicteacherdoghousesit/ https://www.linkedin.com/in/alisonhall https://www.youtube.com/channel/UChsWIo9k2WfBsMV514npmjw I recommend that you copy and paste the links.   Once again, thank you for stopping by and I hope to hear from you! Sincerely, Alison Hall
Mirrors
Quatuor de Flûtes : 4 flûtes
Justin Timberlake
$10.00 8.62 € Quatuor de Flûtes : 4 flûtes PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Flute - Digital Download SKU: A0.889303 Composed by Mary Jane Lang. Standards. 35 pages. MaryJaneLang #32371. Published by MaryJaneLang (A0.889303). This is written in one broad movement for a Flute in C quartet. I wrote it because I love the flute and want to incorporate a theme and variations approach. Each terrace gets a little more involved with counterpoint, etc., in the tonal fabric, building up to a dramatic tension point and then a D.C. back to the beginning to hold it all together and come to a final cadence. It is loosely based and inspired by the Baroque dance suite approach, very freely using the drama, echoes, tensions and cadences, telling a story. It is motivated by universal human experiences in living life (the drama of the terrace dynamics), making the most of opportunities using available resources -- all that good stuff! The title page is a dramatic photo of the Northern Lights from Alaska showing terraces, starting with our earth and looking upwards to infinity. The audio clip is not a sample, but a MIDI rendition of the whole composition.
Terraces
Quatuor de Flûtes : 4 flûtes

$15.99 13.78 € Quatuor de Flûtes : 4 flûtes PDF SheetMusicPlus


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