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Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.760251 Composed by Johann Sebastian Bach. Arranged by Raymond Fenech. Baroque,Christmas,Holiday,Instructional,Standards. 9 pages. Raymond Fenech #3540555. Published by Raymond Fenech (A0.760251). The Minuet in G major is found in the 1725 Notebook for Anna Magdalena Bach, where it appears with its companion piece, Minuet in G minor, as a pair to be performed da capo. The notebook in question, which belonged to Johann Sebastian Bach's second wife Anna Magdalena, is a compilation of music by various composers of the late 17th and early 18th century. The Level is Intermediate and the duration is approximately 1.40 minutes. It could be played in any type of recital/concert.
Minuet in G Major - J.S.Bach - Flute Choir Quartet
Quatuor de Flūtes : 4 flūtes

$5.95 5.72 € Quatuor de Flūtes : 4 flūtes PDF SheetMusicPlus

Level 4 - Digital Download SKU: A0.1136040 By Budapest Scoring. By King Henry VIII (attrib.). Arranged by David Warin Solomons. Classical,Contemporary. Full Performance. Duration 144. David Warin Solomons #736065. Published by David Warin Solomons (A0.1136040). HĆ©las madame is attributed to King Henry VIII. It is part of a secular collection, found on a manuscript that was used in Henry's court. The originality of the song has been questioned, with various parts of the song allegedly taken from similar pieces in Europe. The song itself is a courtship conversation in Middle French between a man and woman. HĆ©las madame, celle que jā€™ayme tant: Souffrez que soye vostre humble servant; Vostre humble servant je serays a toujours Et tant que je vivā€™ray aultrā€™ nā€™aymeray que vous. HĆ©las, beau sire, vous estez bel et bon, Sage et courtoys et de noble maison, Et aussi bon que lā€™on scairoit finer, Mais cil que jā€™ayme, ne scairoye oublier. Hellas, ma dame, pences en vostre cas: Entre nous deulx ne fault point dā€™avocatz. Certes non pas, et vous le scavez bien. Allez vous en, car vous ne faictez rien. Mon cueur souspire et se plaint tendrement, Quant il ne peult trouver allegement. Ne scay comment on me veult dechasser; Sā€™il est ainsi, jā€™ayray ailleurs chasser. Hellas, ma dame, et nā€™en seray-je point? Certes beau sire, je ne le vous dis point. Servez a point: il vous sera mery. Hellas, ma dame, de bon cueur vous mercy. Alas my lady, whom I do so love: Suffer me to be your humble servant; Your humble servant I shall always be. And while I live, I'll love none else but you. Alas, fair sir, you are good and kind, Wise and courteous and from a noble house, And as good as one could find, But I can't forget the one I love. Alas my lady, think upon your case: Between us two, no need for advocate. Certainly not, and you know it well. Be gone, for you are doing nothing. My heart sighs and tenderly complains, When it cannot find relief. I know not how it wants me to woo; If it is so, I'll go wooing elsewhere. Alas my lady, and shall I not? Certainly, fair sir, I have not said so. Behave rightly and you will be rewarded. Alas my lady, from my whole heart, thank you. Performed by Anita SzabĆ³ IldikĆ³ Szabady Iza Nagy BoglĆ”rka DĆ”vid.
Variations on hélas madame for flute quartet (mp3)
Quatuor de Flūtes : 4 flūtes
Budapest Scoring
$4.50 4.32 € Quatuor de Flūtes : 4 flūtes PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1259387 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #852663. Published by jmsgu3 (A0.1259387). INSTRUMENTATION: 2 Alto flutes, 2 Bass Flutes1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass.Ā Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century.Ā The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period.Ā Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
Machaut: La Messe de Nostre Dame for Flute Quartet - Score Only
Quatuor de Flūtes : 4 flūtes

$49.95 47.98 € Quatuor de Flūtes : 4 flūtes PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Alto Flute,Bass Flute - Level 2 - Digital Download SKU: A0.1260536 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 86 pages. Jmsgu3 #853678. Published by jmsgu3 (A0.1260536). INSTRUMENTATION: 2 ALTO FLUTES, 2 BASS FLUTES1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass.Ā Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century.Ā The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period.Ā Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
Machaut: La Messe de Nostre Dame for Flute Quartet
Quatuor de Flūtes : 4 flūtes

$74.95 71.99 € Quatuor de Flūtes : 4 flūtes PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Flute - Level 2 - Digital Download SKU: A0.1143525 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 10 pages. Woods Only, Arrangements #743841. Published by Woods Only, Arrangements (A0.1143525). This arrangement adapted for flute quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
Turkish March by Beethoven for Flute Quartet
Quatuor de Flūtes : 4 flūtes

$7.99 7.67 € Quatuor de Flūtes : 4 flūtes PDF SheetMusicPlus

Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.1092455 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. 7 pages. Regis Bookshar #696547. Published by Regis Bookshar (A0.1092455). Kyrie - by Francesco Durante; Flute Quartet ā€“ Intermediate ā€“ Digital Download. ā€œKyrieā€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Flute Quartet. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensembleā€™s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Santā€™Onofrio. He is said to have succeeded Scarlatti in 1725 at Santā€™Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Duranteā€™s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Duranteā€™s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this ā€œKyrieā€. In addition to this arrangement for a Flute Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. Iā€™m certain that this beautiful arrangement of Francesco Duranteā€™s ā€œKyrieā€ will continue to entertain both performers and audiences alike for years to come.
Kyrie (Durante) (Flute Quartet)
Quatuor de Flūtes : 4 flūtes

$10.00 9.61 € Quatuor de Flūtes : 4 flūtes PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.1031437 Composed by Franz Xaver Gruber. Arranged by Jenifer Aragon - Jennyflute Music. Christmas. 3 pages. Jennyflute Music #3859511. Published by Jennyflute Music (A0.1031437). 2018 Holiday Contest Entry Silent NightArranged for Flute Quartet (or Choir) by Jenifer Aragon Silent Night, probably the best known Christmas melody, was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr in the small town of Oberndorf bei Salzburg, Austria. It was the arrangerā€™s objective in writing this four verse set to bring the most beautiful harmonies and variations possible to give something new and unusual to this tune. It works equally well as a performance piece or as a piece where people can sing along. The arrangement keeps interest with a variety of tonalities and occasional dissonants which resolve into lovely harmonies. The first verse starts with a lovely duet between the first and second flutes joined by the Alto and Bass flutes with chordal support. The second verse has the first and second flutes conversing in a call and response. The lower instruments support with moving harmonies. In the third verse, the first flute plays a lovely descant over the traditional Silent Night melody and in the fourth verse you hear a delicate obbligato played by the piccolo while the lower flutes play the melody.  While the actual parts are two C flutes and piccolo), Alto and Bass, the arranger has included transposed parts - Alto to C flute, 2nd flute in lower register ā€“ to expand to Flute Choir. It is suggested the Alto flute and Bass flute parts be doubled to create maximum depth in the performance of this piece.    
Silent Night -
Quatuor de Flūtes : 4 flūtes

$12.99 12.48 € Quatuor de Flūtes : 4 flūtes PDF SheetMusicPlus

Flute Quartet,Woodwind Ensemble Alto Flute - Level 3 - Digital Download SKU: A0.559766 Composed by John Dowland. Arranged by Lisa Ochoco. Renaissance. 66 pages. Lisa L Ochoco #4726485. Published by Lisa L Ochoco (A0.559766). John Dowland (1562 ā€“ 1626) was a lutenist and singer in the Renaissance Period. The lute was a stringed instrument, most closely related to our guitar. He wrote quite a lot of music that is still played and sung by guitarists and singers today. Although his music was written for stringed instruments in general, many arrangers have adapted his works for wind instruments.This collection of 20 songs from his Third Book of Songs is arranged for flute quartet ā€“ 4 C flutes or 3 C flutes and alto. Most of these songs are rather short, so it is recommended that each song is played in its entirety at least twice. I arranged these songs so that the 1st flute always has the melody. To practice fairness in all parts, the parts should be rotated, to give each musician a chance to play the melody. Song list: 1.    Farewell Too Fair 2.    Time Stands Still 3.    Behold a Wonder Here 4.    Daphne Was Not so Chaste 5.    Me, Me, and None but Me 6.    When Phoebus First did Daphne Love 7.    Say Love if Ever Thou Didst Find 8.    Flow Not so Fast Ye Fountains 9.    What if I Never Speed? 10.  Love Stood Amazā€™d 11.  Lend Your Ears to My Sorrow 12.  By a Fountain Where I Lay 13.  O What Hath Overwrought 14.  Farewell Unkind 15.  Weep You no More, Sad Fountains 16.  Fie on This Feigning 17.  I Must Complain 18.  It was a Time When Silly Bees 19.  The Lowest Trees Have Tops 20.  What Poor Astronomers are They If each song is played twice in its entirety, you will have almost an hour's worth of music. If you love Renaissance music, this will be a great addition to your repertoire!
The Third Book of Songs for Flute Quartet
Quatuor de Flūtes : 4 flūtes
a Fountain Where I Lay

13   O What Hath Overwrought

14
$12.00 11.53 € Quatuor de Flūtes : 4 flūtes PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.528040 Composed by Georges Bizet. Arranged by Diego Marani. Baroque,Classical,Instructional,Sacred,Standards. 11 pages. Diego Marani #4608781. Published by Diego Marani (A0.528040). L'ArlĆ©sienne Suite No. 2 was arranged and published in 1879, four years after Bizet's death, by Ernest Guiraud, using Bizet's original themes (although not all of them were from the L'ArlĆ©sienne incidental music). The second suite is generally credited to Bizet since he wrote the themes and the basic orchestration. This arrangement for flute quartet (Flute 1, Flute 2, Flute 3, Flute 4 or Alto Flute) includes the second movement of the suite (Intermezzo), a marvelous melody where Guiraud added to it the Latin sacred text of the Agnus Dei.
Intermezzo from "L'Arlesienne Suite No. 2" for Flute Quartet
Quatuor de Flūtes : 4 flūtes

$12.90 12.39 € Quatuor de Flūtes : 4 flūtes PDF SheetMusicPlus

Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1243900 Composed by Edward MacDowell. Arranged by Andrew Middleton. Classical,Romantic Period. 10 pages. Andrew Middleton #838872. Published by Andrew Middleton (A0.1243900). To a Wild Rose is the first movement of Edward MacDowell's 1896 Woodland Sketches. It is said that the music is inspired by the wild roses that grew near his log cabin where he did most of his work. This arrangement for flute quartet is ideal for the beginner/intermediate performer.For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber.
To A Wild Rose arranged for Flute Quartet
Quatuor de Flūtes : 4 flūtes

$8.99 8.64 € Quatuor de Flūtes : 4 flūtes PDF SheetMusicPlus






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