Composed by Joseph Bodin Boismortier (1689-1755). Arranged by Mikio Kamada. Baroque Period. Score, Set of Parts. 18 pages. Published by ACORDO Sheet Music (S0.37319). - Score,Set of Parts - Baroque Period - ACORDO Sheet Music

Composed by Joseph Bodin de Boismortier (1689-1755). Arranged by Mikio Kamada. Baroque Period. Score, Set of Parts. 19 pages. Published by ACORDO Sheet Music (S0.37631). - Score,Set of Parts - Baroque Period - ACORDO Sheet Music

Composed by Franz Joseph Haydn (1732-1809). Arranged by Lisa Ochoco. Classical Period, Recital. Score, Set of Parts. 19 pages. Published by Lisa Ochoco

Composed by Franz Joseph Haydn (1732-1809). Arranged by Lisa Ochoco. Classical Period, Recital. Score, Set of Parts. 29 pages. Published by Lisa Ochoco

Woodwind Ensemble,Woodwind Quartet Clarinet - Level 5 - Digital Download SKU: A0.530443 Composed by Various. Arranged by Daniel Kelley. Baroque,Christmas,Classical. 43 pages. Last Resort Music Publishing #3604133. Published by Last Resort Music Publishing (A0.530443). Part 3 for Clarinet in Bb #75133Music for Four, Christmas Volume - Traditional Christmas MusicFantastic holiday arrangements for quartet with flexible instrumentation, featuring Christmas favorites like The Nutcracker Suite, Silent Night, Pat-A-Pan, We Wish You A Merry Christmas and more! Perfect for String Quartet, Wind Quartet, Piano Quartet, Sax Quartet, & More! The keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played.Parts available for the following instruments:Part 1 Flute or Oboe or ViolinPart 1 Clarinet in Bb (available by digital download)Part 2 Flute or Oboe or ViolinPart 2 Clarinet in Bb (available by digital download)Part 3 ViolaPart 3 Violin in C (available by digital download)Part 3 French Horn or English Horn in F (available by digital download)Part 3 Clarinet in Bb (available by digital download)Part 4 Cello or BassoonPart 4 Bass Clarinet in BbKeyboard or GuitarScore (Parts 1-4 in C) (available by digital download)Table of ContentsAngels We Have Heard on High Away in a Manger Deck the Halls Bring Your Torches, Jeanette, Isabella Sing We Now of Christmas Noel Nouvelet God Rest Ye Merry Gentlemen Good Christian Men, Rejoice Greensleeves It Came Upon a Midnight Clear Holly and the Ivy, The I Saw Three Ships Jolly Old Saint Nicholas O Come, O Come, Emmanuel Pat-a-Pan The Nutcracker (Chinese Dance, Dance of the Reed Flutes,   Dance of the Sugar Plum Fairy, March,Overture, Trepak,   and Waltz of the Flowers) Silent Night Wassail Song We Three Kings of Orient Are We Wish You a Merry Christmas arranged by Last Resort Music Publishing www.lastresortmusic.comavailable on Sheet Music Plus and www.lastresortmusic.com

Clarinet Solo - Level 3 - Digital Download SKU: A0.784327 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288647. Published by Slide Ride (A0.784327). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.·     Choose a tempo.·     Choose a dynamic.·     Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!

Bass Clarinet Solo - Level 3 - Digital Download SKU: A0.784329 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288649. Published by Slide Ride (A0.784329). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.·     Choose a tempo.·     Choose a dynamic.·     Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!

Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - Digital Download SKU: A0.942673 Composed by Antonin Dvorak. Arranged by Jennifer Lindberg. Romantic Period. 75 pages. Jennifer Lindberg #4367056. Published by Jennifer Lindberg (A0.942673). This woodwind quartet can be played with many different combinations of woodwinds. Just choose any of the following instruments for each of the four parts. * Part 1: Flute, Oboe, or Eb Clarinet* Part 2: Alto Flute, Oboe, or Bb Clarinet   * Part 3: English Horn or Bb Clarinet   * Part 4: Bassoon, Bass Clarinet (or Cello)   See the related scores for the other instruments not included in this version of the score.

Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - Digital Download SKU: A0.576625 Composed by David Warin Solomons. 20th Century,Christian,Contemporary,Sacred. 6 pages. David Warin Solomons #44123. Published by David Warin Solomons (A0.576625). The Our Father setting, which I set as part of my Preces and Responses, is now also published separately in various versions: choral (with doxology and without doxology [1662 BCP version]), brass quartet (various combinations of brass instruments), string quartet, flute quartet, clarinet quartet, saxophone quartet, woodwind quartet, - all in appropriate keys for the various combinations of instruments. ==== The music is lyrical and is reminiscent of the early 1662 settings complete with an English cadence at the end, but with a curious addition of a quote from Tchaikovksy's fate theme at the deliver us from evil section. === The pdf files of the instrumental versions contain score and parts. The sound samples are all electronic previews.

Clarinet quartet Clarinet - Level 3 - Digital Download SKU: A0.532820 Composed by Jules Demersseman. Arranged by Paul Wehage. Christian,Contemporary,Romantic Period,Sacred,Wedding. 24 pages. Musik Fabrik Music Publishing #38025. Published by Musik Fabrik Music Publishing (A0.532820). Jules Demersseman was born on January 9, 1833 in Hondschoote, a small town in the north of France now near the border of Belgium. He entered the Paris Conservatory in 1844 in the class of Jean-Louis Tulou and won a first prize in flute in 1845. Demersseman had a career as a pedogogue and soloist, often performing his own compositions. A close friend of Adolphe Sax, he wrote some of the first works ever written for the saxophone, as well as for the saxhorn and for Sax‘s valved trombone, most of which were published by Sax himself.. Demersseman died in Paris on December 1, 1866 at the age of 33. Two versions of this work were published by the Adolphe Sax puublishing company: a version for voice and organ and a version for voice with Alto Saxophone, Sax Valved Trombone and Bass Saxhorn, an interesting combination which is perhaps not as easy to find as it was in Sax's showroom, where the piece was likely performed to show the qualities of Sax's instruments. These versions are also published by Musik Fabrik in seperate editions. This current version was arranged using the first edition of the trio version as its source, and the saxophone and voice parts remain essentially as in the original, with some editorial dynamic changes. The version may be performed in three possible ways: either as a piece for Clarinet Quartet, as a work with Voice and Clarinet Trio, or as a work with Voice and clarinet quartet, with Clarinet 1 doubling the voice. A voical part (in C) is included with the set.