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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1325229 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Classical,Easter,Film/TV,Opera,Romantic Period. 15 pages. RBMusic #913462. Published by RBMusic (A0.1325229). In 1889, a struggling composer called Pietro Mascagni heard about a sponsored competition for one-act operas, specifically for young Italian composers who had not yet had an opera performed, only two months before the deadline. With little time, he selected the subject for his opera and asked his childhood friend, Giovanni Targioni-Tozzetti (who was helped by Guido Menasci), to write a libretto for him. Mascagni selected a story that he had seen as a play in Milan in early 1884 by realist writer Giovanni Verga, “Rustic Chivalryâ€, or Cavalleria rusticana. A passionate love tragedy featuring seduction, adultery, revenge and murder, it is surprising set on Easter morning.Mascagni received only a few verses at a time from his librettists, but he was not worried because he had the opera clear in his mind: “I identified with the drama to such an extent that I felt it within myself in terms of music.†After two months’ of work, the music for Cavalleria rusticana was finished but he feared the opera would fail and put the music in a draw. Fortunately, his wife sent it off, he unanimously won the competition and was soon the talk of Europe. (At the premiere in May 1890 in Rome, Mascagni received no fewer than 60 curtain calls.) Unfortunately, it was a one-hit wonder with Mascagni unable to repeat its success, saying towards the end of his life that “it is a pity I wrote Cavalleria first for I was crowned before I became king.†He died, penniless, in 1945.Today, few people have heard of Mascagni’s name, and, if they have, it is rarely in relation to anything but one piece from Cavalleria rusticana, the Intermezzo. A short piece of purely orchestral music that is uses to denote the passage of time, the orchestration is very simple but it is such an indulgently beautiful melody (based on a hymn heard earlier in the short opera) that perfectly captures the peace of country living in Sicily against the intense feelings of the main characters and the looming tragedy to come.The piece is so popular that (along with the “Easter Hymn†from the same opera), it is the only reason Mascagni features in the Classic FM’s Hall of Fame.The piece was used in the 1980 film Raging Bull and the 1990 film The Godfather Part III.This arrangement includes alternative parts for clarinet in E-flat and alto clarinet in E-flat. A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=Kgr-I1y1_2M.Other searchable terms: Italy, Martin Scorsese, Robert De Niro, Joe Pesci, Cathy Moriarty, Nicholas Colasanto, Theresa Saldana, Frank Vincent, Al Pacino, Diane Keaton, Talia Shire, Andy García, Eli Wallach, Joe Mantegna, Bridget Fonda, George Hamilton, Sofia Coppola.
Intermezzo from "Cavalleria rusticana" (Mascagni) - Clarinet Quartet
Quatuor de Clarinettes: 4 clarinettes

$15.99 13.8 € Quatuor de Clarinettes: 4 clarinettes PDF SheetMusicPlus

Woodwind Ensemble Bass Clarinet - Level 5 - Digital Download SKU: A0.581932 Composed by John Gibson. Contemporary. 71 pages. JB Linear #3452175. Published by JB Linear (A0.581932). Extinction Events by John Gibson was written as a submission to the International Clarinet Association's 2018 Composition Competition. Written for 3 Bb clarinets and 1 bass clarinet, it is a four movement work lasting about 11 minutes and is for very advanced players. The movements are: Buzzy Delights (Honey Bees), It Isn't Easy Being a Cuckoo, Walrus Jump, and Yaguarete Surprise (Argentine Jaguar).Each movement imagines a different animal or insect living in its habitat as it gradually deteriorates. One might think this would be sad, violent music, but each earthly creature is shown in its musical habitat where it happily does what it does best....bees buzzing around flowers, cuckoos gently calling in the forest, Walruses jumping not so gracefully onto sea ice, Jaguars quietly stalking their prey.  The habitat changes are depicted by gradual use of unstable scales, and the sometimes hidden ancient tune of the Dies Irae, the Day of Wrath.The point I wish to make is how humans must be watchful of wildlife habitats because we are all in this limited world together.  Where wild creatures go, so do we. It was best said by Jane Goodall: Only if we understand can we care. Only if we care will we help. Only if we help shall they be saved.Each movement will also be made available separately as time goes by....just waiting for special days like World Wildlife Day!
Extinction Events for Clarinet Quartet
Quatuor de Clarinettes: 4 clarinettes

$17.50 15.1 € Quatuor de Clarinettes: 4 clarinettes PDF SheetMusicPlus

Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 2 - Digital Download SKU: A0.1211754 By Pete Seeger. By Trad. Arranged by Thomas Graf. Patriotic,Pop,Spiritual,Traditional. 16 pages. Thomas Graf - the-hit-factory.com #809370. Published by Thomas Graf - the-hit-factory.com (A0.1211754). Hymn and protest song song from the African-American Civil Rights and Peace Mouvement. Made famous by Pete Seeger, Joan Baez and many more.About this arrangement: Composed by: trad.Arranged by: Thomas H. GrafInstrumentation: Full Score and Parts as listed below:Part I Clarinet in BbPart II Clarinet in BbPart III Clarinet in BbPart IV Bass Clarinet in BbDrum SetPianoAny individual arrangement and substitute parts are available on request.Call +49 (0) 172 2515987  E-Mail: info@the-hit-factory.com.  www.the-hit-factory.comfacebook: https://www.facebook.com/hitfactorymusic
We shall overcome - Clarinet Quartet
Quatuor de Clarinettes: 4 clarinettes
Pete Seeger
$12.00 10.36 € Quatuor de Clarinettes: 4 clarinettes PDF SheetMusicPlus

Clarinet Quartet,Woodwind Ensemble - Level 5 - Digital Download SKU: A0.1220113 By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda. Arranged by Robert Newth. Broadway,Film/TV,Latin,Musical/Show. 14 pages. Robert Newth #816476. Published by Robert Newth (A0.1220113). We Don't Talk About Bruno is the hit song from Disney's 2021 film Encanto. It topped both the US Billboard Hot 100 and UK Singles charts making it Disney's most successful song ever. This arrangement is for standard clarinet quartet of 3 Bb clarinets and one bass clarinet.The PDF download contains a full score and all four parts.If you have enjoyed this arrangement, please leave a review!
We Don't Talk About Bruno
Quatuor de Clarinettes: 4 clarinettes
Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy
$12.99 11.21 € Quatuor de Clarinettes: 4 clarinettes PDF SheetMusicPlus

Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1266048 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Medieval,Traditional. 8 pages. Jmsgu3 #858782. Published by jmsgu3 (A0.1266048). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.
Solage: Le basile for Clarinet Quartet
Quatuor de Clarinettes: 4 clarinettes

$32.95 28.44 € Quatuor de Clarinettes: 4 clarinettes PDF SheetMusicPlus

Woodwind Ensemble B-Flat Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.786241 Composed by Felix Bartholdy Mendelssohn. Arranged by Bill Malcolm. Romantic Period,Standards. 24 pages. Bill Malcolm #6072731. Published by Bill Malcolm (A0.786241). This arrangements features E-flat clarinet, B-flat clarinet, alto clarinet and bass clarinet. Alternate B-flat parts are provided for the E-flat and alto clarinet parts but are not recommended for performance, The sound clip skips the repeat but the piece is still over 6 minutes long. Mendelssohn wrote this when he was about 12 or 13, but it is a wonderful work and sounds glorious on clarinets.
Allegro from String Symphony 7 for clarinet quartet
Quatuor de Clarinettes: 4 clarinettes

$15.00 12.95 € Quatuor de Clarinettes: 4 clarinettes PDF SheetMusicPlus

Clarinet Quartet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1386176 By Hugh Levey. By Hugh Levey. Arranged by Hugh Levey. Blues,Chamber,Classical,Contemporary,Jazz. 15 pages. Woodwindly.com #970126. Published by woodwindly.com (A0.1386176). 4 Bb Clarinets or 3 Bb Clarinet and Bass ClarinetFugue in Blue started out as a Clarinet Trio called Jazz Fughetta, indicating that it was a simple fugue in a jazz style, but without the formality of a fully worked out fugue. In this rewritten Clarinet Quartet version, the first three voices enter fugally with the second beginning on the dominant and the third back in the tonic. After a contrapuntal interlude based on the opening rhythms, the fourth voice enters on the sub-dominant.The original work was a student composition exercise, combining a conventional classical form (fugue) with a syncopated jazz style. Many years later it has been reworked in swing style with a more laid back feel and some more inventive harmony and jazz articulation. Of course, it has also had a fourth part added to create the clarinet quartet that is published here.The work is well suited to recital programmes, as a light-hearted opener or relaxed interlude in a more serious concert. It is also suited to younger players who wish to combine the discipline of ‘classical’ chamber music while learning about jazz articulation, such as falls and short notes at the ends of phrases.
Fugue in Blue for Clarinet Quartet
Quatuor de Clarinettes: 4 clarinettes
Hugh Levey
$12.50 10.79 € Quatuor de Clarinettes: 4 clarinettes PDF SheetMusicPlus

Small Ensemble Bass Clarinet,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1129905 Composed by Converse/Scriven. Arranged by Phil Beaman. Blues,Sacred,Spiritual,Standards. Score and parts. 7 pages. Phil Beaman #730314. Published by Phil Beaman (A0.1129905). Traditional hymn reinterpreted in the Gospel/Blues/Spiritual genre. This piece is all about the harmony in 4 part chorale style. The Time Signature changes every measure, with irregular measures and offbeats and syncopation, but a steady pulse. A soulful piece for service or recital. Advanced Intermediate because of rhythm. part ranges - 10th 3 page score, 1 page @ part 3:00 minutes.
What a Friend-brass and clarinet quartet
Quatuor de Clarinettes: 4 clarinettes

$7.99 6.9 € Quatuor de Clarinettes: 4 clarinettes PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.844477 Composed by Phil Beaman. 20th Century,Instructional,Jazz. 5 pages. Phil Beaman #3412079. Published by Phil Beaman (A0.844477). Offbeat in Two is a vibrant piece that is all about the rhythmic drive! The downbeat is always a rest as are most of the cardinal beats. The notes are easy; the difficulty level depends on how well you feel offbeat rhythms. I have marked it as Intermediate not only because of rhythms, but also because it is all tongued and up tempo. For some instruments, Parts 1 & 4 might push the upper and lower range limits. Form is AA, bridge, BB, D.C., Coda with the A theme in a contrasting key. Individually the parts are not difficult, but it is the dynamic way they pulse together and interact that creates interest and excitement. It is a wild ride for one and a half minutes! With the right drive and energy this can be a real showpiece!5 pages score and parts; recording is a piano reduction of parts.This version is for Clarinet Quartet. Go for it!
Offbeat in Two - Clarinet Quartet
Quatuor de Clarinettes: 4 clarinettes

$7.99 6.9 € Quatuor de Clarinettes: 4 clarinettes PDF SheetMusicPlus


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