Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 2 - Digital Download SKU: A0.1284506 Composed by Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt. Arranged by Antti Hakkarainen. Film/TV. 17 pages. Antti Hakkarainen #875678. Published by Antti Hakkarainen (A0.1284506). From 'Pirates Of The Caribbean: The Curse Of The Black Pearl'.Score and all parts included.

Clarinet Quartet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1179822 Composed by Scott Joplin. Arranged by César Madeira. 20th Century,Children,Film/TV,Jazz,Ragtime. 11 pages. Sheet Music To Play Editions #779771. Published by Sheet Music To Play Editions (A0.1179822). The Entertainer by Scott Joplin for Bb Clarinet Quartet. With Full Score and Individual Parts. Enjoy it!Scott Joplin (c. 1868 - 1917) was an American composer and pianist. Joplin achieved fame for his ragtime compositions and was dubbed the King of Ragtime. During his brief career, he wrote over 100 original ragtime pieces, one ragtime ballet, and two operas. One of his first and most popular pieces, the Maple Leaf Rag, became ragtime's first and most influential hit, and has been recognized as the archetypal rag.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play

Woodwind Ensemble,Woodwind Quartet Clarinet - Digital Download SKU: A0.955302 By Hank Williams Jr. By Harry Brooks and Thomas Fats Waller. Arranged by Neal Fitzpatrick. Jazz. 14 pages. Neal Fitzpatrick Editions #4966171. Published by Neal Fitzpatrick Editions (A0.955302). The classic jazz standard Ain't Misbehavin' here is arranged for Clarinet Quartet. This arrangement is in the key of A flat Major. Great for schools, ensemble lessons and private studios. Parts are available on Sheetmusicplus. It can be a nice addition to any flute quartets repertoire is great for gigs.Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied  extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com

Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 2 - Digital Download SKU: A0.1389903 Composed by Robert Lowry. Arranged by Henrique Oliveira. Christian,Easter,Holiday,Religious,Sacred. 8 pages. Henrique Oliveira #973503. Published by Henrique Oliveira (A0.1389903). Beautiful and simple arrangement of the Easter Hymn Up From the Grave He Arose for Clarinet Quartet. This piece is ideal for performances with friends, students and family members. You'll receive immediate access to a PDF file containing both the individual parts and the full score. For more unique arrangements like this, be sure to visit my page! 🙂.

Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.567697 Composed by Traditional. Arranged by Thomas Graf. Contemporary,Holiday,Love. 21 pages. Thomas Graf - the-hit-factory.com #423175. Published by Thomas Graf - the-hit-factory.com (A0.567697). The famous folk song is the best choice for any celebration party: Birthday, Wedding, Holiday, ….- This exceptional arrangement features all parts. I can be played by a small concert band as it consists of mainly of 5 melodic parts and rhythm. While beginning with a festive introduction it ends up with a melodic modulation: The best way, to say: thank you to a really Jolly good fellow! Players and audience will love it! Enjoy!  Instrumentation:  Clarinet 1 & 2 in Bb, Basset Horn/Clarinet 3 in Bb, Bass Clarinet in Bb            Listen to the recording - a challenge for your ensemble.  Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much!              ï»¿Check out our latest uploads:  http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N...                      ï»¿Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic             ï»¿ Video: https://www.youtu.be/Thj0UmNsERg

Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - Digital Download SKU: A0.793397 By Hank Williams Jr. By Harry Brooks and Thomas Fats Waller. Arranged by by Hadley Hazen. Jazz. 12 pages. Hadley Hazen #3866741. Published by Hadley Hazen (A0.793397). Ain't Misbehavin' is a 1929 stride jazz/early swing song. Andy Razaf wrote the lyrics to a score by Thomas Fats Waller and Harry Brooks[2] for the Broadway musical comedy play Connie's Hot Chocolates.It has a thirty-two-bar form (AABA) at a slow-to-moderate tempo.[citation needed] Waller said the song was written while lodging in prison (for an alimony violation), and that is why he was not misbehaving.This piece was arranged for full clarinet choir, also clarinet quartet. Enjoy!

Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - Digital Download SKU: A0.750908 Composed by Traditional. Arranged by Brendan Elliget MAGA 537. Holiday. 6 pages. BJE Music #4795111. Published by BJE Music (A0.750908). For He’s a Jolly Good Fellow is a song that is sung to congratulate a person on a significant event, such as a promotion, a birthday, a wedding (or playing a major part in a wedding), a wedding anniversary, the birth of a child, or the winning of a championship sporting event.The melody originates from the French song Marlbrough s’en va-t-en guerre (Marlborough Has Left for the War). The traditional children’s song The Bear Went Over the Mountain is sung to the same tune. This arrangement is for Clarinet Quartet including a Bass Clarinet Part. There is also an arrangement for String Quartet, Brass Quartet and Full Concert Band with Optional Strings.The MP3 was recorded with NotePerformer 3.Grade = 2.5 Duration = 40 secs

Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.549861 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 18 pages. Jmsgu3 #3557469. Published by jmsgu3 (A0.549861). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore. Instrumentation: 2 Bb clarinets, 1 alto clarinet, 1 bass clarinet.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival               Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbrevia.

Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.891910 Composed by Eugene Gigout. Arranged by Stephen Davies. 20th Century. 18 pages. Stephen Davies #3475055. Published by Stephen Davies (A0.891910). This unusual piece by Eugene Gigout is simplistic and complex, plain and colourful, in other words as we say in the Uk '... its bit like Marmite!' ie. you either like it or you don't! Fugal in style and very melodic with a modern feel harmonically. And I like Marmite!! Gigout was born in Nancy in France and became a pupil Saint-Saens. He mainly wrote for the Organ, his Toccata is still played today and very popular as an encore piece. He was also Organist at the St Augustin Church in Paris for 62 years!

Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1325229 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Classical,Easter,Film/TV,Opera,Romantic Period. 15 pages. RBMusic #913462. Published by RBMusic (A0.1325229). In 1889, a struggling composer called Pietro Mascagni heard about a sponsored competition for one-act operas, specifically for young Italian composers who had not yet had an opera performed, only two months before the deadline. With little time, he selected the subject for his opera and asked his childhood friend, Giovanni Targioni-Tozzetti (who was helped by Guido Menasci), to write a libretto for him. Mascagni selected a story that he had seen as a play in Milan in early 1884 by realist writer Giovanni Verga, “Rustic Chivalry�, or Cavalleria rusticana. A passionate love tragedy featuring seduction, adultery, revenge and murder, it is surprising set on Easter morning.Mascagni received only a few verses at a time from his librettists, but he was not worried because he had the opera clear in his mind: “I identified with the drama to such an extent that I felt it within myself in terms of music.� After two months’ of work, the music for Cavalleria rusticana was finished but he feared the opera would fail and put the music in a draw. Fortunately, his wife sent it off, he unanimously won the competition and was soon the talk of Europe. (At the premiere in May 1890 in Rome, Mascagni received no fewer than 60 curtain calls.) Unfortunately, it was a one-hit wonder with Mascagni unable to repeat its success, saying towards the end of his life that “it is a pity I wrote Cavalleria first for I was crowned before I became king.� He died, penniless, in 1945.Today, few people have heard of Mascagni’s name, and, if they have, it is rarely in relation to anything but one piece from Cavalleria rusticana, the Intermezzo. A short piece of purely orchestral music that is uses to denote the passage of time, the orchestration is very simple but it is such an indulgently beautiful melody (based on a hymn heard earlier in the short opera) that perfectly captures the peace of country living in Sicily against the intense feelings of the main characters and the looming tragedy to come.The piece is so popular that (along with the “Easter Hymn� from the same opera), it is the only reason Mascagni features in the Classic FM’s Hall of Fame.The piece was used in the 1980 film Raging Bull and the 1990 film The Godfather Part III.This arrangement includes alternative parts for clarinet in E-flat and alto clarinet in E-flat. A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=Kgr-I1y1_2M.Other searchable terms: Italy, Martin Scorsese, Robert De Niro, Joe Pesci, Cathy Moriarty, Nicholas Colasanto, Theresa Saldana, Frank Vincent, Al Pacino, Diane Keaton, Talia Shire, Andy García, Eli Wallach, Joe Mantegna, Bridget Fonda, George Hamilton, Sofia Coppola.

Clarinet quartet - Digital Download SKU: IZ.IMF1710 Composed by Franz Schubert. Arranged by Rebecca Mindock. Score and Parts. 26 pages. Imagine Music - Digital #IMF1710. Published by Imagine Music - Digital (IZ.IMF1710). 9 x 12 in inches.Nineteenth-Century Austrian composer Franz Schubert (1797-1828) is renowned as one of the great masters of German Lieder, having composed over 600 works in the genre. He wrote his setting of Gretchen am Spinnrade (Gretchen at the Spinning Wheel), derived from Goethe's Faust, when he was 17 years old. Originally for voice and piano, Gretchen provides a first-person account of the feelings of its titular character as she works at her spinning wheel while reflecting on her conflicted emotions regarding Faust. The constant motion in the accompaniment part, echoing the tireless spinning of the wheel and the regular fall of her foot on the pedal, churns over a swiftly changing series of harmonies, representing both how swept away she is by her feelings for Faust but also her pain of not being able to be with him. The wheel's only pause comes when Gretchen reflects on Faust's kiss; it is the only moment in the song where she completely forgets her task at hand, so wrapped up is she in her tumultuous thoughts. As the musical patterns of the spinning wheel slowly but insistently return, Gretchen's composure is regained, and she returns to her task. This transcription for four clarinets employs a fluid exchange of the spinning wheel pattern across all four parts, and Gretchen's lyrical melody is also passed throughout the ensemble, allowing each player to have moments of both technical challenge and lyrical expressiveness.

Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.567652 Composed by Traditional. Arranged by Thomas Graf. Folk,Multicultural,Pop,Wedding,World. 14 pages. Thomas Graf - the-hit-factory.com #34539. Published by Thomas Graf - the-hit-factory.com (A0.567652). The oft-repeated refrain  Die Gedanken sind frei  stays in your head. This is a good song for discussion about freedom and human rights. He it comes in polyphonic entertaining arrangement to be highlight in your concert. The arrangement features all instruments.      Instrumentation:  Clarinet 1 & 2 in Bb, Basset Horn/Clarinet 3 in Bb, Bass Clarinet in Bb             Listen to the recording - a challenge for your ensemble.  Check out our latest uploads:  http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N...                                Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic               Video: https://www.youtu.be/palv8mOq0OI  

Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.527656 Composed by Johann Strauss Jr. Arranged by Diego Marani. Classical,Holiday,Instructional,Romantic Period,Standards. 20 pages. Diego Marani #3066917. Published by Diego Marani (A0.527656). Tritsch-Tratsch-Polka, Op. 214, is a polka written by Johann Strauss II in 1858 after a successful tour of Russia where he performed in the summer concert season at Pavlovsk, Saint Petersburg. The title may be interpreted as Chit-chat and may refer to the Viennese passion for gossip. Strauss may also have been referencing the single act burlesque Der Tritsch-tratsch (with music by Adolf Müller, Sr.) by the famous Austrian dramatist and actor Johann Nestroy, which premiered in 1833 and was still in the stage repertoire when the polka was written. Many point out that the title may also have meant his first wife's (Henrietta Treffz) poodle, also named Tritsch-tratsch, but this etymology remains unsubstantiated as well. The mood of the piece is jaunty and high-spirited, as were many of Strauss' polkas.This arrangement for clarinet quartet includes the following parts: Bb Clarinet 1 or Eb Clarinet, Bb Clarinet 2, Bb Clarinet 3 or Eb Alto Clarinet, Bb Bass Clarinet.

Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1266048 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Medieval,Traditional. 8 pages. Jmsgu3 #858782. Published by jmsgu3 (A0.1266048). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.