Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1447539 By The Beatles. By George Harrison, John Lennon, Paul McCartney, and Richard Starkey. Arranged by James Pybus. Contemporary,Pop,Rock. 18 pages. James Pybus #1027323. Published by James Pybus (A0.1447539). Now and Then is a song by the English rock band the Beatles, released on 2 November 2023. Dubbed the last Beatles song, it appeared on a double A-side single, paired with a new stereo remix of the band's first single, Love Me Do (1962), with the two serving as bookends to the band's history. Both songs were included on the expanded re-issues of the 1973 compilations 1962–1966 and 1967–1970, released on 10 November 2023.The song is a psychedelic soft rock ballad that John Lennon wrote in the late 1970s. He recorded a solo five-minute piano demo around 1977 on a tape recorder at his home in the Dakota building in New York City; it was left unfinished. The final version features additional lyrics by McCartney. Lennon's voice was extracted from the demo using the machine-learning-assisted audio restoration technology commissioned by Peter Jackson for his 2021 documentary The Beatles: Get Back. Jackson also directed the music video for Now and Then. The song received much critical acclaim. This arrangement for SSAB or SSSB Clarinet Quartet is suitable for a variety of performance settings and should be appealing to audiences of all ages. The performance time is 3:46. Contact me at james.pybus56@gmail.com.

Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.1329286 By Hugh Levey. By Charles Coote Jnr. Arranged by Hugh Levey. 19th Century,Chamber,Children,Christmas,Holiday. 23 pages. Woodwindly.com #917264. Published by woodwindly.com (A0.1329286). Clarinet Quartet (4 Clt. or 3 Clt. + Bass Clt.) Looking for some familiar, yet very different Christmas Music? Look no further than the Snowdrift Galop written by British composer, Charles Coote Jnr. It starts off just like Jingle Bells - and the Jingle Bells theme keeps coming back, but is it actually Jingle Bells? It also has a march-like theme and a lovely Trio section. All players get to play important melodic material in this arrangement.Snowdrift Galop was published in London in 1868 in a small collection of works by various composers. The opening theme is immediately recognisable as the popular holiday favourite, Jingle Bells, which was published 11 years earlier, yet the composer gives no reference or credit to the earlier work. Although the opening theme is the same as Jingle Bells, we get a stately march instead of the familiar Jingle Bells chorus. A lovely Trio introduces another new tune which is played by clarinet 3, then bass clarinet before returning to the opening section.Charles Coote Jnr (1831-1916) was a prolific English composer of popular music, including quadrilles, waltzes and galops. His music was written for society balls and subsequently published for piano, so that others could play them at local dances or in their ownhomes. He was the son of composer and bandmaster, Charles Coote (1809-1880). Coote Snr worked for the 6th Duke of Devonshire for 30 years, conducted his private orchestra, and was referred to by the Duke as his ‘personal pianist’. Growing up in this environment would have ensured that Coote Jnr was well connected with British ‘society’.Duration - 4 minutes.

Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - Digital Download SKU: A0.1143527 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 10 pages. Woods Only, Arrangements #743843. Published by Woods Only, Arrangements (A0.1143527). This arrangement adapted for clarinet quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.

Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.647117 Composed by Christoph Willibald Von Gluck. Arranged by Nick Lacanski. Baroque. 7 pages. Theupperstaff #9127. Published by theupperstaff (A0.647117). This dance from the opera is very playable and perfect as an occasional piece as well as the concert stage. Thanks to the arrangement it is very easy to shorten or lengthen the timing if it is used as a processional or a recessional. It is arranged for clarinet quartet consisting of 3 B flat and a bass. It may be performed as a quartet or an ensemble.

Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - Digital Download SKU: A0.1137849 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738108. Published by Woods Only, Arrangements (A0.1137849). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for clarinet quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.

Woodwind Ensemble,Woodwind Quartet Bass Clarinet - Level 5 - Digital Download SKU: A0.581937 Composed by John Gibson. Contemporary. 17 pages. JB Linear #3459833. Published by JB Linear (A0.581937). Extinction Events (4th movement - Yaguaretê* Surprise) by John Gibson was written as a submission to the International Clarinet Association's 2018 Composition Competition. Written for 3 Bb clarinets and 1 bass clarinet, it is a four movement work for very advanced players. This is the fourth movement only...the others may be purchased separately: Buzzy Delights, It Isn't Easy Being a Cuckoo, and Walrus Jump. The entire set of 4 movements may also be purchased. Simply type extinction events Gibson in the search bar at the top. *(Yaguartë = Argentine Jaguar)Each movement imagines a different animal or insect living in its habitat as it gradually deteriorates. One might think this would be sad, violent music, but each earthly creature is shown in its musical habitat where it happily does what it does best....bees buzzing around flowers, cuckoos gently calling in the forest, Walruses jumping not so gracefully onto sea ice, Jaguars quietly stalking their prey. The habitat changes are depicted by gradual use of unstable scales, and the sometimes hidden ancient tune of the Dies Irae, the Day of Wrath.The point I wish to make is how humans must be watchful of wildlife habitats because we are all in this limited world together. Where wild creatures go, so do we. It was best said by Jane Goodall: Only if we understand can we care. Only if we care will we help. Only if we help shall they be saved.Argentine Jaguars (Yaguareté) are experiencing shrinking habitats due to human population growth and cutting of forests. In this piece I imagined a Jaguar slowly stalking its prey, moving silently on velvet paws. She moves carefully but with barely hidden energy, pausing, then freezing, then suddenly pouncing. Surprise! Sadly, the Dies Irae music plays on. .

Bass Clarinet Solo - Level 3 - Digital Download SKU: A0.784329 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288649. Published by Slide Ride (A0.784329). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.·     Choose a tempo.·     Choose a dynamic.·     Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!

Clarinet Solo - Level 3 - Digital Download SKU: A0.784327 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288647. Published by Slide Ride (A0.784327). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.·     Choose a tempo.·     Choose a dynamic.·     Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!

Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 2 - Digital Download SKU: A0.1353739 Composed by Scott Joplin & Arthur Marshall. Arranged by Catherine Quinlan. 20th Century,Chamber,Jazz,Ragtime. 17 pages. Catherine Quinlan #938480. Published by Catherine Quinlan (A0.1353739). This is a great toe-tapper! Although this was originally a piano piece, it works particularly well for clarinets, which give it an authentic ragtime 20s feel.  The tune is shared amongst the 3 clarinets so that no-one has the oompah notes for too long. Meanwhile the bass clarinet holds things together and drives the music on.  In short, everyone is important! (If necessary the bass clarinet part can be played on Bb clarinet).

Clarinet Quartet,Woodwind Ensemble Clarinet - Level 4 - Digital Download SKU: A0.1313567 Composed by James Lord Pierpont. Arranged by Ander. Children,Christmas. 31 pages. Woods Only, Arrangements #902301. Published by Woods Only, Arrangements (A0.1313567). Are you looking for a fun and creative way to play Jingle Bells, the famous Christmas song? Then you will love this arrangement for Clarinet Quartet, which explores the theme in different styles, from waltz to samba. In this arrangement, you will find a slow and gentle opening, which introduces the theme of the melody with delicacy and elegance, followed by a cheerful and lively version, which follows the original version of the song, with striking rhythm and simple harmony. Then, you will be charmed by a waltz version, which gives a different charm to the music, with smooth and graceful movements, and be infected by a samba version, which brings a Brazilian touch to the music, with dancing beat and elements of the samba root. Next, you will be moved by a sad and melancholic version, in minor tone, which shows a touching side of the music, with expressiveness and sensitivity. Finally, you will have fun with a return of the cheerful version, which explores the theme in different tones, with solos divided among all the voices of the arrangement, creating an impression of jumping party. This arrangement is ideal for Christmas parties, in chamber music groups, and can be used in recitals and concerts, inside or outside the academy. It is a different and innovative way to perform this beautiful music, which will surprise and delight your audience. Do not miss this opportunity to acquire this exclusive and fun arrangement of Jingle bells in Different Styles!

Woodwind Ensemble,Woodwind Quartet Clarinet - Digital Download SKU: A0.891835 Composed by Alfredo d'Ambrosio. Arranged by Stephen Davies. 20th Century. 15 pages. Stephen Davies #3465460. Published by Stephen Davies (A0.891835). In my quest to bring old forgotten music back to life, I happened upon this quirky little piece by Alfredo D'Ambrosio, who was apparently mildly popular back in his day,and it's a little piece of pure Victorian whimsy! Originally called 'En Badinant' it roughly translates to A Musical Jest, which it certainly is!! It cunjures up concerts on the Bandstand from long ago, and has special instructions at the end! If your feet are not tapping by bar 13, then you need to turn it up a lot!! A pleasant and entertaining little programme filler for sure!! (Sax and Woodwind Quartets available here too))

Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.549861 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 18 pages. Jmsgu3 #3557469. Published by jmsgu3 (A0.549861). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore. Instrumentation: 2 Bb clarinets, 1 alto clarinet, 1 bass clarinet.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival               Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbrevia.

Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.734286 Composed by African - American Spiritual. Arranged by Dennis Ruello. Concert,Gospel,Jazz,Spiritual. 9 pages. Chicory Music #2065755. Published by Chicory Music (A0.734286). Wade in the Water was a popular instrumental hit in 1966 for the Ramsey Lewis Trio, which prompted further instrumental recordings by Herb Alpert and the Tijuana Brass, and Billy Preston (both 1967). The melody was used for the 1988 Tony! Toni! Toné! hit Little Walter.It was also used to warn slaves back then that a Slave Hunter or a Bounty Hunter was nearby and it was to warn them to go in the opposite direction.Wade in the Water, Children is a 2008 American Documentary directed and produced by Elizabeth Wood and Gabriel Nussbaum. It was filmed by a group of 8th grade students at the first school to reopen in New Orleans in the aftermath of Hurricane Katrina. The film offers a shockingly intimate look into life as a child in the ruined city. This jazz treatment of the tune is for four clarinets (SSAB or SSSB) and includes a full score.

Clarinet Quartet,Woodwind Ensemble Bass Clarinet,Bassethorn,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1308807 Composed by Johann Sebastian Bach. Arranged by Richard J. Alder, Jr. Baroque,Chamber,Classical,Early Music,Religious. 32 pages. AMA Editions #898055. Published by AMA Editions (A0.1308807). Flexible Instrumentation:Transposed Score(E♭, B♭, Alto, Bass)I. E♭ or B♭ ClarinetII. B♭ Clarinet, Basset Horn, or Alto ClarinetIII. B♭ Clarinet, Basset Horn, Alto Clarinet, or Bass ClarinetIV. Bass Clarinet or E♭ Contra-Alto ClarinetLength: 5 minutesDifficulty: Intermediate/AdvancedNotes:J.S. Bach’s Prelude and Fugue BWV 549a in D-minor is one of his earlier works, believed to have been transcribed later to C-minor (BWV 549). This arrangement has been scored for clarinet quartet using flexible instrumentation for increased accessibility. The score has been written for E♭, B♭, alto, and bass clarinet, however, any combination of the included parts is acceptable.A B♭ clarinet part has been included for Part III to allow for one of the most common and accessible clarinet quartet settings of three B♭ clarinets and one bass clarinet, however, it required transposing a couple passages up an octave when it became too low, so using a basset horn, alto clarinet, or bass clarinet is preferable. The bass clarinets do not require the extended low range. (AMA-008).Richard originally arranged BWV 549 in C-minor for SATB saxophone quartet (AMA-006) and I adapted it for clarinets (AMA-007), then made the BWV 549a in D-minor version. The editing of this arrangement has been in consult­­ation with the Bärenreiter (1972) and Breitkopf & Härtel (2013) Urtext editions for organ.Dr Jason Alder, editor.

Woodwind Ensemble,Woodwind Quartet Clarinet - Digital Download SKU: A0.924054 By Harpers Bizarre. By Harry Warren. Arranged by Dominic McGonigal. Contemporary. 14 pages. C8 Music #4278569. Published by C8 Music (A0.924054). A Glenn Miller classic, depicting a train ride from New York to Chattanooga, Tennessee, passing through Baltimore and North Carolina. It starts with the old steam train slowly pulling out of the station, then rattling along with one of the great big band tunes. This arrangement includes optional train whistles, played by the players to enhance the railway experience. It ends with two cheeky chords for the final whistle, Whoo Whoo. It's suitable for any clarinet quartet with a bass. Older audiences remember the tune. Younger ones want to know more about Glenn Miller and the big band era. Duration 2'.