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Flute II - Digital Download

SKU: S9.Q9660

Composed by Martin Mundo. Arranged by Bruno Doering and Wilhelm Lutz. This edition: separate part. Downloadable, Individual part. Schott Music - Digital #Q9660. Published by Schott Music - Digital (S9.Q9660).

(2 Floten (2. auch Piccolo), 2 Oboen, 2 Fagotte, Klarinette in Es, 3 Klarinetten in B, 2 Alt-Saxophone in Es, 2 Tenorhorner in B, 4 Horner in Es, 4 Trompeten in B, 3 Posaunen, 2 Flugelhorner in B, 3 Tenorhorner in B, Bariton, 2 Tuben, Schlagzeug (Glockenspiel, kleine Trommel, grosse Trommel, Becken))

(2 Flöten (2. auch Piccolo), 2 Oboen, 2 Fagotte, Klarinette in Es, 3 Klarinetten in B, 2 Alt-Saxophone in Es, 2 Tenorhörner in B, 4 Hörner in Es, 4 Trompeten in B, 3 Posaunen, 2 Flügelhörner in B, 3 Tenorhörner in B, Bariton, 2 Tuben, Schlagzeug (Glockenspiel, kleine Trommel, große Trommel, Becken)).

Heile, heile Gänsje
Flute (partie séparée)

$1.99 1.85 € Flute (partie séparée) PDF SheetMusicPlus

Flute I - Digital Download

SKU: S9.Q9659

Composed by Martin Mundo. Arranged by Bruno Doering and Wilhelm Lutz. This edition: separate part. Downloadable, Individual part. Schott Music - Digital #Q9659. Published by Schott Music - Digital (S9.Q9659).

(2 Floten (2. auch Piccolo), 2 Oboen, 2 Fagotte, Klarinette in Es, 3 Klarinetten in B, 2 Alt-Saxophone in Es, 2 Tenorhorner in B, 4 Horner in Es, 4 Trompeten in B, 3 Posaunen, 2 Flugelhorner in B, 3 Tenorhorner in B, Bariton, 2 Tuben, Schlagzeug (Glockenspiel, kleine Trommel, grosse Trommel, Becken))

(2 Flöten (2. auch Piccolo), 2 Oboen, 2 Fagotte, Klarinette in Es, 3 Klarinetten in B, 2 Alt-Saxophone in Es, 2 Tenorhörner in B, 4 Hörner in Es, 4 Trompeten in B, 3 Posaunen, 2 Flügelhörner in B, 3 Tenorhörner in B, Bariton, 2 Tuben, Schlagzeug (Glockenspiel, kleine Trommel, große Trommel, Becken)).

Heile, heile Gänsje
Flute (partie séparée)

$1.99 1.85 € Flute (partie séparée) PDF SheetMusicPlus

Flute - Digital Download

SKU: S9.Q9631

Composed by Carl Zulehner. Arranged by Wilhelm Lutz. This edition: separate part. Downloadable, Individual part. Schott Music - Digital #Q9631. Published by Schott Music - Digital (S9.Q9631).

(Piccolo, Flote, Klarinette in Es, 3 Klarinetten in B, 2 Alt-Saxophone in Es, Tenor-Saxophon in B, Bariton-Saxophon in Es, 3 Horner in Es, 3 Trompeten in B, 3 Posaunen, 2 Flugelhorner in B, 3 Tenorhorner in B, Bariton, 2 Tuben, Schlagzeug (Lyra, Schellen))

(Piccolo, Flöte, Klarinette in Es, 3 Klarinetten in B, 2 Alt-Saxophone in Es, Tenor-Saxophon in B, Bariton-Saxophon in Es, 3 Hörner in Es, 3 Trompeten in B, 3 Posaunen, 2 Flügelhörner in B, 3 Tenorhörner in B, Bariton, 2 Tuben, Schlagzeug (Lyra, Schellen)).

Mainzer Narrhalla-Marsch
Flute (partie séparée)

$2.99 2.78 € Flute (partie séparée) PDF SheetMusicPlus

Flute - easy - Digital Download

SKU: S9.Q2953

(Die Kinder von Girouan). Composed by Hans-Georg Wolos. This edition: separate part. Downloadable, Individual part. Duration 120 minutes. Schott Music - Digital #Q2953. Published by Schott Music - Digital (S9.Q2953).

German.

Durch einen geheimnisvollen blauen Strahl eines Zauberers werden in einem kleinen französischen Dorf alle Erwachsenen in Schlaf versenkt. Die Kinder des Dorfes nehmen ihre Selbstversorgung und zugleich die Reorganisation des ziemlich verlotterten Gemeinwesens in die Hand, bis zum guten Schluss alles wieder ins Lot kommt. Diese Science-Fiction-Vorgabe dient als Folie für klare pädagogische Botschaften, die zum Zeitpunkt der Erstveröffentlichung der Romanvorlage sicher aktuell waren und von denen einige genannt seien: Ursache allen Übels ist der Alkoholmissbrauch, denn er führt zu Streit und Faulheit. Disziplin, Ordnung, Sauberkeit, Gruppenkonformes und normales Rollenverhalten (die Mädchen sorgen für die Harmonie und das Kochen, die Jungen können gut rechnen, sind handwerklich begabt und haben das Sagen) sind die besten Heilmittel gegen die Entgleisungen der Erwachsenenwelt und werden von den Kindern exemplarisch durchexerziert. Aber auch unter den Kindern gibt es Außenseiter: sie kommen von außerhalb des Dorfes, sind Fremde mit niederem sozialen Status (Kesselflicker), stehlen, sind aufsässig, wortbrüchig, voll krimineller Energie und müssen im Sinne der Gruppe diszipliniert werden. Da dies jedoch nicht gelingt, bleibt nur die Ausweisung aus dem Dorf, abgemildert durch die Gabe einiger Brote, damit die Ausgewiesenen nicht hungern müssen. Die Musik des in seinen Absichten eindeutigen Stückes ist recht jugendwirksam aufgemacht.

Frieden auf dieser Welt
Flute (partie séparée)

$9.99 9.27 € Flute (partie séparée) PDF SheetMusicPlus

Flute - easy - Digital Download

SKU: S9.Q49837

Ein deutsches Weihnachtsliederspiel nach oberbayerischen und tiroler Weisen. Composed by Joseph Haas. This edition: separate part. Downloadable, Individual part. Op. 85. Duration 90 minutes. Schott Music - Digital #Q49837. Published by Schott Music - Digital (S9.Q49837).

German.

Ãœber 100 Aufführungen unmittelbar nach der Uraufführung, eine bis heute ungebrochene Präsenz in den Konzertsälen und im Repertoire von Jugendmusikschulen: das Weihnachtsliederspiel Christnacht des großen Komponisten und Pädagogen, bei dem eine ganze Generation junger Komponisten wie Unger, Jochum, Bresgen und Hartmann „in die Lehre†ging, gehört zu den Klassikern des geistlichen Spiels. Haas hatte den Mangel an auch für Laien spiel- und singbarer Oratorienliteratur zur Weihnachtszeit beklagt. „Nichts lag näher, als die altbekannten lieben weihnachtlichen Volksweisen zu einem einheitlichen Liederspiel zu vereinigen. Als ich den Plan durchdachte, wurde es mir klar, dass sich nur solche Melodien, die der gleichen deutschen Landschaft angehören, zu einem stilistisch einwandfreien Organismus verbinden können. Der mir befreundete Münchener Gesangspädagoge, Professor Anton Schiegg, ein gründlicher Kenner süddeutscher Volkskunst, machte mich auf den kostbaren Schatz der bezaubernden oberbayerischen und tiroler Krippenlieder aufmerksamâ€, so beschreibt Joseph Haas die Anregung zu seinem Spiel.

Christnacht
Flute (partie séparée)

$7.99 7.42 € Flute (partie séparée) PDF SheetMusicPlus

Flute Solo - Level 5 - Digital Download

SKU: A0.1018922

Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Published by Benjamin Sajo (A0.1018922).

Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.

This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?

There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.

Future Performances: If you are interested in performing this work, please e-mail me.

ABOUT THE COMPOSER:

Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 1
Flute (partie séparée)

$3.50 3.25 € Flute (partie séparée) PDF SheetMusicPlus

Flute Solo - Level 5 - Digital Download

SKU: A0.1018923

Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072949. Published by Benjamin Sajo (A0.1018923).

Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.

This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?

There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.

Future Performances: If you are interested in performing this work, please e-mail me.

ABOUT THE COMPOSER:

Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 2
Flute (partie séparée)

$3.50 3.25 € Flute (partie séparée) PDF SheetMusicPlus


1 16 31 ....91




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