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Jazz Ensemble - Digital Download SKU: AX.00-PC-0017221_F1 Flute. Composed by Gordon Goodwin. Arranged by Peter Blair. Jazz. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017221_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017221_F1). UPC: 038081431734.An easy-to-play shuffle swing adapted from Gordon Goodwin's high-end chart for the grade 2 level. Arranger Peter Blair gets it right with accessible rhythms, written solos for alto and trumpet and this catchy melody. While not a trumpet section feature, the trumpets get most of the spotlight melody lines with lead trumpet range to written G on top of the staff with one last note A above the staff. It's good to play Goodwin! This title is available in SmartMusic.
That's How We Roll: Flute
Flute (partie séparée)

$3.00 2.56 € Flute (partie séparée) PDF SheetMusicPlus

Full Orchestra - Digital Download SKU: AX.00-PC-0016343_F2 2nd Flute. Arranged by Michael Story. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016343_F2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016343_F2). UPC: 038081465791.Reinforce legato, staccato, and ensemble phrasing with this piece while ushering in the joyous holiday season with musical glee. Opening with a clear unison statement and slowly adding textures and harmonic voices, the work develops to a joyous tutti statement that continues to build in intensity to a glorious conclusion. This arrangement is scored for full orchestra; however, it is also completely playable by string orchestra alone, or with any number of added winds or percussion. (2:30) This title is available in SmartMusic.
Tidings of Comfort and Joy!: 2nd Flute
Flute (partie séparée)

$3.00 2.56 € Flute (partie séparée) PDF SheetMusicPlus

Jazz Ensemble - Digital Download SKU: AX.00-PC-0017269_F1 Flute. Composed by Alfred James Ellis. Arranged by Kris Berg. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017269_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017269_F1). ISBN 9780757934124. UPC: 654979997412.Whoa, hold on to your feathers! If you want energy and excitement and a funky groove, then check out Kris Berg's chart, The Chicken. The legendary electric bassist Jaco Pastorius recorded this powerhouse tune and arranger Kris Berg has adapted it for the Jazz Band Series. If you have a strong electric bass player, then you have found yourself a showstopper with this arrangement. The tenor sax solo (written solo provided), the optional guitar solo, and the solo bass line will showcase your soloists. Your ensemble will totally devour The Chicken. Guaranteed to pluck the audience right out of their seats!
The Chicken: Flute
Flute (partie séparée)

$3.00 2.56 € Flute (partie séparée) PDF SheetMusicPlus

Jazz Ensemble - Digital Download SKU: AX.00-PC-0017539_F1 Flute. Arranged by Victor Lopez. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017539_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017539_F1). ISBN 9780757934698. UPC: 654979178989.This ballad is ideal for a change of pace in your program. Thelonious Monk's jazz classic, carefully scored here by Victor LA3pez, showcases your trumpet or flugelhorn player. Because LA3pez made this chart very accessible, with ranges for solo trumpet to A-flat and trombone to F, and because Monk wrote interesting chord changes, the band will sound great and enjoy playing it. Perfect for festivals or concerts, 'ROUND MIDNIGHT is one of those jazz standards all students of jazz should learn and play. Here's a perfect opportunity to teach phrasing, style and blend with this fine chart.
'Round Midnight: Flute
Flute (partie séparée)

$3.00 2.56 € Flute (partie séparée) PDF SheetMusicPlus

Full Orchestra - Digital Download SKU: AX.00-PC-0015659_F2 2nd Flute. Composed by Monty Norman. Arranged by Victor Lopez. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0015659_F2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015659_F2). UPC: 038081280899.In his James Bond Medley arrangement, Victor LA3pez shows that the 007 agent is alive and well. The medley features five classic hits, the James Bond Theme, For Your Eyes Only, Goldfinger, Live and Let Die, and No Body Does It Better. Although this arrangement is written for intermediate full orchestra, it has been scored in such a way that it will also sound as effective with strings only. Careful considerations have been given to tonality and rhythmical issues as related to the strings. Bowings have also been included to facilitate playability. For more additional flexibility, solo parts have been cued throughout. With solid scoring, adequate ranges and classic selections, this James Bond Medley is a sure winner! (9:23).
James Bond Medley: 2nd Flute
Flute (partie séparée)

$3.00 2.56 € Flute (partie séparée) PDF SheetMusicPlus

Jazz Ensemble - Digital Download SKU: AX.00-PC-0014730_F1 Flute. Composed by Benny Goodman, Chick Webb, and Edgar Sampson. Arranged by Mike Lewis. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014730_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014730_F1). UPC: 654979090540.Feature your bass player! Arranger Mike Lewis has taken this classic Benny Goodman swing tune and turned it into a unique melodic showcase for the bass. Mike provides solo space with written-out solos for 1st tenor sax and piano, and modest brass ranges. The chart swings easily and optional parts are included. Sounds great with electric or acoustic bass. Superb chart! (3:04).
Stompin' at the Savoy: Flute
Flute (partie séparée)

$3.00 2.56 € Flute (partie séparée) PDF SheetMusicPlus

Flute Solo - Level 5 - Digital Download SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Published by Benjamin Sajo (A0.1018922). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 1
Flute (partie séparée)

$3.50 2.99 € Flute (partie séparée) PDF SheetMusicPlus

Flute Solo - Level 5 - Digital Download SKU: A0.1018923 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072949. Published by Benjamin Sajo (A0.1018923). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 2
Flute (partie séparée)

$3.50 2.99 € Flute (partie séparée) PDF SheetMusicPlus






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