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Jazz Ensemble - Digital Download SKU: AX.00-PC-0017269_F1 Flute. Composed by Alfred James Ellis. Arranged by Kris Berg. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017269_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017269_F1). ISBN 9780757934124. UPC: 654979997412.Whoa, hold on to your feathers! If you want energy and excitement and a funky groove, then check out Kris Berg's chart, The Chicken. The legendary electric bassist Jaco Pastorius recorded this powerhouse tune and arranger Kris Berg has adapted it for the Jazz Band Series. If you have a strong electric bass player, then you have found yourself a showstopper with this arrangement. The tenor sax solo (written solo provided), the optional guitar solo, and the solo bass line will showcase your soloists. Your ensemble will totally devour The Chicken. Guaranteed to pluck the audience right out of their seats!
The Chicken: Flute
Flute (partie séparée)

$3.00 2.57 € Flute (partie séparée) PDF SheetMusicPlus

Flute Solo - Level 5 - Digital Download SKU: A0.1018923 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072949. Published by Benjamin Sajo (A0.1018923). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 2
Flute (partie séparée)

$3.50 3 € Flute (partie séparée) PDF SheetMusicPlus

Flute Solo - Level 5 - Digital Download SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Published by Benjamin Sajo (A0.1018922). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 1
Flute (partie séparée)

$3.50 3 € Flute (partie séparée) PDF SheetMusicPlus

Jazz Ensemble - Digital Download SKU: AX.00-PC-0016192_F1 Flute. Composed by Anthony Newley and Leslie Bricusse. Arranged by Craig Skeffington. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016192_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016192_F1). UPC: 038081341804.If you haven't heard this gorgeous ballad from Willie Wonka and the Chocolate Factory, now is the time. This sensational alto sax ballad, scored with lush harmonies and backgrounds, includes a written solo for the lead alto player and lead trumpet range to written A, above the staff. Newsflash: this will be your new favorite tune! (3:15) This title is available in SmartMusic.
Pure Imagination (from Willy Wonka and the Chocolate Factory): Flute
Flute (partie séparée)

$3.00 2.57 € Flute (partie séparée) PDF SheetMusicPlus

Jazz Ensemble - Digital Download SKU: AX.00-PC-0017180_F1 Flute. Composed by Gordon Goodwin. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017180_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017180_F1). UPC: 038081379869.If you want to play Gordon Goodwin charts but they are too challenging, check this one out! Composed and arranged by Gordon, himself, specifically for middle or high school level, this funky chart is totally hot! Lead trumpet range is to written G on top of the staff, written-out solos are for alto, tenor, bari, trumpet, and trombone, along with backgrounds on cue, plus optional parts. This chart is very playable by a good middle or a high school jazz band. It's the Big Phat Band sound---but accessible for your band. Play it now! (4:45) This title is available in SmartMusic.
Hit the Bricks: Flute
Flute (partie séparée)

$3.00 2.57 € Flute (partie séparée) PDF SheetMusicPlus

Full Orchestra - Digital Download SKU: AX.00-PC-0016907_F2 2nd Flute. By Trans-Siberian Orchestra. By Paul O'neill, Peter Ilych Tchaikovsky, and Robert Kinkel. Arranged by Bob Phillips. Rock. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0016907_F2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016907_F2). UPC: 038081501529.As performed in the fabulous Trans-Siberian Orchestra live concert, experience Trepak from The Nutcracker as you never have before in the full orchestra setting. An optional electric violin part provides the perfect spot to feature an electric instrument. If you haven't seen TSO, check it out online. (4:25).
A Mad Russian's Christmas: 2nd Flute
Flute (partie séparée)
Trans-Siberian Orchestra
$3.00 2.57 € Flute (partie séparée) PDF SheetMusicPlus






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