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Flute Solo - Level 4 - Digital Download SKU: A0.1018943 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078667. Published by Benjamin Sajo (A0.1018943). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  â€ƒThe second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Kommos (Lamentation) / "When the World Moved On" - Flute 2
Flute (partie séparée)

$3.50 3.07 € Flute (partie séparée) PDF SheetMusicPlus

Full Orchestra - Digital Download SKU: AX.00-PC-0015972_F2 2nd Flute. By The Blues Brothers. By Cab Calloway and Irving Mills. Arranged by Ralph Ford. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015972_F2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015972_F2). UPC: 038081453538.A jazz classic that has stood the test of time, this arrangement captures all the magic of this great Cab Calloway tune from the 1930s. Also known as the Hi-dee-ho song, it was re-popularized by Cab himself in a 1970's comedy film that featured two brothers singing the blues that were on a mission from God. Included in this arrangement for your orchestra is the famous vocal scat that made this a huge hit that spans generations. Audiences of all ages are sure to enjoy joining in the fun and singing along on your next concert! (2:30).
Minnie the Moocher: 2nd Flute
Flute (partie séparée)
The Blues Brothers
$3.00 2.63 € Flute (partie séparée) PDF SheetMusicPlus

Full Orchestra - Digital Download SKU: AX.00-PC-0016098_F2 2nd Flute. Arranged by Calvin Custer. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016098_F2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016098_F2). UPC: 029156208528.The Big Apple! There can be no doubt in anyone's mind about which city we are referring. The glamour, the vibrant life that is like no other city on the earth. Musically, our salute includes Theme from New York, New York, Forty-Second Street, Lullaby of Broadway, and New York, New York. Audiences and musicians will be thrilled with this stunning work that contains sophisticated and supremely atmospheric sounds! (6:48).
A Salute to the Big Apple: 2nd Flute
Flute (partie séparée)

$3.00 2.63 € Flute (partie séparée) PDF SheetMusicPlus

Jazz Ensemble - Digital Download SKU: AX.00-PC-0017180_F1 Flute. Composed by Gordon Goodwin. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017180_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017180_F1). UPC: 038081379869.If you want to play Gordon Goodwin charts but they are too challenging, check this one out! Composed and arranged by Gordon, himself, specifically for middle or high school level, this funky chart is totally hot! Lead trumpet range is to written G on top of the staff, written-out solos are for alto, tenor, bari, trumpet, and trombone, along with backgrounds on cue, plus optional parts. This chart is very playable by a good middle or a high school jazz band. It's the Big Phat Band sound---but accessible for your band. Play it now! (4:45) This title is available in SmartMusic.
Hit the Bricks: Flute
Flute (partie séparée)

$3.00 2.63 € Flute (partie séparée) PDF SheetMusicPlus

Flute Solo - Level 5 - Digital Download SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Published by Benjamin Sajo (A0.1018922). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 1
Flute (partie séparée)

$3.50 3.07 € Flute (partie séparée) PDF SheetMusicPlus

Flute Solo - Level 5 - Digital Download SKU: A0.1018923 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072949. Published by Benjamin Sajo (A0.1018923). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 2
Flute (partie séparée)

$3.50 3.07 € Flute (partie séparée) PDF SheetMusicPlus

Flute Solo - Level 5 - Digital Download SKU: A0.1018961 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6086593. Published by Benjamin Sajo (A0.1018961). Programme Notes: Fanfare: Grit evokes the brassy and rousing tropes of adventure movie soundtracks and Saturday morning cartoons, such as those written by John Williams, Shirley Walker, among others. Writing this piece was an escapade to my own musical roots for this was the first type of music I had been exposed to as a child: incidental music accompanying perilous quests, hairbreadth escapes, and other trials blocking the hero’s path to victory and redemption. I wanted to compose a piece that harkens back to the music that I first fell in love with, that opened up the gates of a legacy--symphonic classical music--that’s always been my solace in trying times. What is grit? Grit is the dirt between smiles and between barefoot toes. Grit is a hard-boiled detective. Grit is tilling the tough soil for the possibility of a beautiful blossoming of flowers.   Grit is saying, See you soon, and making sure it happens. Grit is helping others when it’s hard to help yourself. Grit isn’t easy bravery, but the kind of courage you need to build up brick by brick. The obligatory synonyms: courage, bravery, pluck, mettle, and spirit. Finally, this composition, the fourth of my so-called Beethoven Episodes, was written to accompany Ludwig van Beethoven’s 4th Symphony. This work was written on his 250th anniversary, coincidentally during the Covid-19 Pandemic of 2020, and is the sum of my feelings wrought from that experience. Yet this work was completed on Canadian Thanksgiving, and is also an expression of all that I am grateful for, from the bottom of my heart.
Fanfare: "Grit" - Flute 2
Flute (partie séparée)

$3.50 3.07 € Flute (partie séparée) PDF SheetMusicPlus

Jazz Ensemble - Digital Download SKU: AX.00-PC-0017166_F1 Flute. Composed by Gordon Goodwin. Arranged by Peter Blair. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017166_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017166_F1). UPC: 038081372013.This hot Gordon Goodwin chart is now for the younger player. Slick and funky describes this very accessible arrangement. There are written solos for 1st alto (cued for 2nd alto) and a 1st trumpet solo cued in all four trumpet parts. Lead trumpet has a written A above the staff, but technically this chart is not difficult and will come together quickly to earn a spot in your program. (3:40) This title is available in SmartMusic.
Act Your Age: Flute
Flute (partie séparée)

$3.00 2.63 € Flute (partie séparée) PDF SheetMusicPlus






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