Oboe Solo - Level 3 - Digital Download SKU: A0.597956 By Passenger. By Michael David Rosenberg. Arranged by Kevin Busse. Rock. Individual part. 3 pages. Kevin Busse #3129255. Published by Kevin Busse (A0.597956). This is a transcription of Passenger's Let Her Go for Oboe. This sheet music may be played along with the official recording of this song.

Oboe Solo - Level 2 - Digital Download SKU: A0.605998 By Passenger. By Michael David Rosenberg. Arranged by Kevin Busse. Rock. Individual part. 3 pages. Kevin Busse #4313519. Published by Kevin Busse (A0.605998). This is a transcription of Let Her Go in a good range for Oboe.

Oboe Solo - Level 1 - Digital Download SKU: A0.600671 By Passenger. By Michael David Rosenberg. Arranged by Kevin Busse. Rock. Individual part. 4 pages. Kevin Busse #3477807. Published by Kevin Busse (A0.600671). This is a simple transcription of Let It Go in the easy key of C for Oboe

Oboe Solo - Level 3 - Digital Download SKU: A0.1018945 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078673. Published by Benjamin Sajo (A0.1018945). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  â€ƒThe second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Oboe Solo - Level 4 - Digital Download SKU: A0.1018944 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078671. Published by Benjamin Sajo (A0.1018944). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  â€ƒThe second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Oboe Solo - Level 2 - Digital Download SKU: A0.1300736 By Kumiko. By Joe Hisaishi. Arranged by Glauco Fernandes. Chamber,Film/TV,Wedding. Individual part. 3 pages. Glauco Fernandes #890497. Published by Glauco Fernandes (A0.1300736). Offer a captivating musical experience with our intermediate arrangement of The Merry-Go-Round of Life from the movie Howl's Moving Castle for oboe, complete with chord symbols.Title: The Merry-Go-Round of Life Sheet Music for Oboe with Chord SymbolsImmerse yourself in the enchanting world of Howl's Moving Castle as you play this iconic melody on the oboe. Our meticulously crafted sheet music offers:- Precise musical notations for the oboe.- Chord symbols for easy harmonization.- An arrangement that captures the beauty and emotion of the original composition.Whether you're an oboist with an affinity for film soundtracks, this arrangement is your ideal choice. Transport yourself to the skies of a moving castle and bring this captivating music to life.Elevate your musical interpretation to the next level with our The Merry-Go-Round of Life sheet music for oboe. Purchase it now and embark on a magical musical journey inspired by the world of Howl's Moving Castle..

Oboe Solo - Level 5 - Digital Download SKU: A0.1018926 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072953. Published by Benjamin Sajo (A0.1018926). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Oboe Solo - Level 5 - Digital Download SKU: A0.1018925 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072955. Published by Benjamin Sajo (A0.1018925). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Oboe - intermediate - Digital Download SKU: C7.CGIN7 Arrangements for Solo Instrument to Full Orchestra; Flexible for any number or combination of instruments with piano or CD accompaniment. Composed by arr. Stan Pethel. Arranged by Stan Pethel. Advent; Christmas; Epiphany; Transfiguration; Christ’s Gracious Life; Palm Sunday; Easter; Eastertide; Pentecost; Holy Trinity; Reformation; All Saints’; Christ the King; Communion; Stewardship; Thanksgiving; General. With Piano or orchestrated audio CD accompaniment. Part. 24 pages. Chorister's Guild - Digital #CGIN7. Published by Chorister's Guild - Digital (C7.CGIN7). UPC: 749193024058.Hymns of Praise is designed to allow for maximum flexibility of use. The uses range from solo instrument with piano (or CD) to full orchestra. A listing of the various books in this series may be found below, as well as on the back covers of each book. With the exception of the Percussion book, each book includes a Solo and an Ensemble part for each hymn. Contents: Crown Him with Many Crowns (Praise to the Living God; Christ, the Eternal Lord); Morning Has Broken (Praise and Thanksgiving; Child in the Manger; Christ Beside Me); Go, Tell It on the Mountain; Lord, Whose Love Through Humble Service (As We Gather at Your Table; Jesus, at Your Holy Table; God, Whose Giving Knows No Ending); Lift Up Your Heads, O Mighty Gates (Christ Is Alive! Let Christians Sing!; High in the Heavens, Eternal God); Joyful, Joyful, We Adore Thee (Christ Is Risen, Shout Hosanna!; Sing with All the Saints in Glory); The Church’s One Foundation (We All Are One in Mission; O Living Bread from Heaven); Now the Green Blade Rises (Sing We Now of Christmas); Love Divine, All Loves Excelling (Come, Thou Long-Expected Jesus; God, Who Stretched the Spangled Heavens); Let All Things Now Living (Sent Forth by God’s Blessing; The Fruit of the Spirit; The Master Hath Come).