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Oboe Solo - Level 3 - Digital Download SKU: A0.1198384 By Pink. By Amy Wadge and David Hodges. Arranged by Samuel Sequeira. Pop,Singer/Songwriter. Individual part. 4 pages. Samuel Sequeira #797567. Published by Samuel Sequeira (A0.1198384). When I Get There - Pink - OboePlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.Experience the emotional depth and beauty of Pink's When I Get There in a whole new way with this expertly crafted arrangement for solo oboe. Featuring the key of D Major, this arrangement perfectly captures the essence of the song and allows the oboe to shine.The oboe part has been meticulously crafted to include the vocal melody while also showcasing the beauty and versatility of the instrument. Suitable for intermediate and advanced players, this arrangement offers a challenge while still remaining accessible and enjoyable to play.Whether you're an oboist looking to perform the song or a fan of Pink's music, this arrangement is sure to enchant. Experience the power and emotional impact of When I Get There by Pink with this solo oboe arrangement in the key of D Major.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!
When I Get There
Hautbois (partie séparée)
Pink
$4.99 4.77 € Hautbois (partie séparée) PDF SheetMusicPlus

Oboe Solo - Level 3 - Digital Download SKU: A0.1198386 By Pink. By Amy Wadge and David Hodges. Arranged by Samuel Sequeira. Pop,Singer/Songwriter. Individual part. 4 pages. Samuel Sequeira #797570. Published by Samuel Sequeira (A0.1198386). When I Get There - Pink - OboePlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.Experience the emotional depth and beauty of Pink's When I Get There in a whole new way with this expertly crafted arrangement for oboe with chords. Featuring the key of D Major, this arrangement perfectly captures the essence of the song and allows the oboe to shine.The oboe part has been meticulously crafted to include the vocal melody while also showcasing the beauty and versatility of the instrument. The chords provide a rich harmonic texture and enhance the emotional impact of the arrangement.Suitable for intermediate and advanced players, this arrangement offers a challenge while still remaining accessible and enjoyable to play. Whether you're an oboist looking to perform the song or a fan of Pink's music, this arrangement is sure to enchant.Experience the power and emotional impact of When I Get There by Pink with this oboe arrangement with chords in the key of D Major.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!
When I Get There
Hautbois (partie séparée)
Pink
$4.99 4.77 € Hautbois (partie séparée) PDF SheetMusicPlus

Oboe Solo - Level 3 - Digital Download SKU: A0.885472 Composed by African American Spiritual. Arranged by Gerard Willmes. Concert,Easter,Sacred,Spiritual. Individual part. 6 pages. Gerard Willmes #3594237. Published by Gerard Willmes (A0.885472). A 2018 Instrumental Arranging Contest Entry.This new setting for oboe and piano will make an excellent addition to any church service as prelude, postlude, or special music, or will provide a quiet, contemplative moment in your recital.  Opening with solo oboe, the accompaniment joins as the oboe transitions to a simple transcription of this timeless hymn.  New music is combined with old until the solo oboe returns to pose the question Were you there? one last time.  .
Were You There
Hautbois (partie séparée)

$4.99 4.77 € Hautbois (partie séparée) PDF SheetMusicPlus

Oboe Solo - Level 2 - Digital Download SKU: A0.875198 Composed by Grape-Mason. Arranged by Dr Jerry Nelson. Christian,Easter,Sacred. Individual part. 6 pages. Jerry Nelson #3874539. Published by Jerry Nelson (A0.875198). The two songs in this medley combine perfectly for an Easter or Communion service.  A very sensitive arrangement with key changes plus a huge dynamic peak near the end, settling back into a worshipful finish.  Progress rapidly using Jerry Nelson's unique Dual Staff System.  Bonus (3 performance options):  Written PNO Accompaniment included, plus Chord Chart for live rhythm. Or perform with this worshipful Orchestral Accompaniment Track (#SO.432427).  Visit www.JerryNelsonMusic.com for your FREE Mega-Medley Arrangement and optional TrackCongrats!  You found the Gold Mine!  Whether you play winds or strings or '88 keys' â€“ you discovered awesome arrangements at multiple challenge levels.  SEARCH Jerry Nelson (plus your instrument's name and, if you wish, include a Title or a Genre).The Tag Team audio demo employs a variety of alternating instruments playing at Challenge Level 4.  (Time 4:23)  
Jesus Paid It All with There Is A Fountain (Arrangements Level 2-4 for OBOE + Written Acc) Hymn
Hautbois (partie séparée)

$4.99 4.77 € Hautbois (partie séparée) PDF SheetMusicPlus

Full Orchestra - Digital Download SKU: AX.00-PC-0015676_O1 Oboe. Composed by Haven Gillespie, John Frederick Coots, Kim Gannon, Steve Nelson, and Walter Kent. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015676_O1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015676_O1). UPC: 038081302287.Holiday classics come to life in this orchestral version of some of the most familiar and enduring popular songs of the Christmas season. Featuring I'll Be Home for Christmas, Have Yourself a Merry Little Christmas, Santa Claus Is Coming to Town, and Frosty the Snowman. Audiences, young and old, will delight in recapturing the memories of this very special time of year. This title is available in SmartMusic.
There's Christmas in the Air: Oboe
Hautbois (partie séparée)

$3.00 2.87 € Hautbois (partie séparée) PDF SheetMusicPlus

Oboe Solo - Level 5 - Digital Download SKU: A0.1018926 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072953. Published by Benjamin Sajo (A0.1018926). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 1
Hautbois (partie séparée)

$3.50 3.34 € Hautbois (partie séparée) PDF SheetMusicPlus

Oboe Solo - Level 5 - Digital Download SKU: A0.1018925 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072955. Published by Benjamin Sajo (A0.1018925). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 2
Hautbois (partie séparée)

$3.50 3.34 € Hautbois (partie séparée) PDF SheetMusicPlus


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