Oboe Solo - Level 1 - Digital Download

SKU: A0.1183101

By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carvalho. 20th Century,March,Traditional. Individual part. 1 pages. Zedas Couve #782821. Published by Zedas Couve (A0.1183101).

The Eagles' Victory Song was the creation of Charles Borrelli and Richard Courtland Harrison, a Washington, D.C. music teacher and arranger for jazz guitarist Charlie Byrd. The song was mistakenly credited to R. Courtland by the Copyright office and in various editions of Eagles programs from the late 1950s through the 1960s.

In 1963, Jerry Wolman purchased the Philadelphia Eagles. Wolman was a sports fan growing up and loved hearing the Washington Redskins' fight song Hail to the Redskins at games. Spawning from his admiration for the Redskins' song, Wolman searched for musicians to implement a team song for the Eagles, and founded The Philadelphia Eagles' Sound of Brass band in 1964. The group included 200 musicians and dancers, and was led by Arlen Saylor, who was appointed as the Eagles' entertainment director in 1966 and is credited with penning an arrangement of the fight song that the band played at home games during halftime in the 1960s. Wolman's push to popularize the fight song flew under the radar, however, and in 1969 the Sound of Brass band was discontinued.

The song came back into light in 1997, when Bobby Mansure, founder of an unofficial Eagles pep band, asked team management to allow the band to play in the parking lot during home games. Management gave Mansure's pep band an audition, allowing them to play at two preseason games to gauge fan reaction. The song went over so well that Mansure and the band retained a permanent position as the official Philadelphia Eagles Pep Band.

In 1998, following Mansure's reintroduction of the song, Eagles management attempted to rebuild its popularity among fans by changing some aspects of the song: they modified the key, changed the opening lyric from Fight, Eagles Fight to Fly, Eagles Fly, and re-marketed the song with that as the title. In addition, they appended the popular E-A-G-L-E-S chant—which had emerged in the 1980s—to the end of the song. While management planned to play the song throughout the 1998 season, the Eagles' poor performance that year caused them to hold off reintroducing the song until the following year. The Eagles fared better during their 1999 season, and subsequently, the fight song was played after every score.

Oboe Solo - Level 2 - Digital Download

SKU: A0.588328

By The Beatles. By George Harrison. Arranged by David McKeown. Rock. Individual part. 4 pages. David McKeown #5318217. Published by David McKeown (A0.588328).

Here Comes the Sun first appeared on The Beatles’ 1969 album, Abbey Road. It was written by George Harrison on a warm spring day whilst walking around Eric Clapton’s garden. The recording of Here Comes the Sun was one of the first British songs to feature a Moog synthesiser. In the digital age, Here Comes the Sun is the most streamed Beatles song by some distance.

This full version of Here Comes the Sun is arranged in a suitable key and range for solo Oboe. Chord symbol accompaniment is included above the stave.

This arrangement of Here Comes the Sun is ideal for musicians at an early intermediate level. There are syncopated rhythms  throughout and the changing time signatures may present a challenge for some. The overall performance time is around three minutes.

There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

Oboe Solo - Level 2 - Digital Download

SKU: A0.1346567

By Tate McRae. By Amy Allen, Jasper Harris, Ryan Tedder, and Tate McRae. Arranged by Guillaume Martin. 21st Century,Contemporary,Film/TV,Instructional,Pop. Individual part. 2 pages. Guillaume Martin #931359. Published by Guillaume Martin (A0.1346567).

Pop Songs Collection - GREEDY (TATE MCRAE)


POP SONGS COLLECTION brings together arrangements (in easy keys) of the most popular songs, featuring sheet music for more than fifteen different instruments.


Copyright © 2023 CONCORD COPYRIGHTS / JASPER JAMS / SINGLES ONLY PLEASE / T8 ENTERTAINMENT INC.

Oboe Solo - Level 3 - Digital Download

SKU: A0.1306689

By Tate McRae. By Amy Allen, Jasper Harris, Ryan Tedder, and Tate McRae. Arranged by Douglas Cameron. 21st Century,Contemporary,Pop. Individual part. 3 pages. Darkstream Music #896018. Published by Darkstream Music (A0.1306689).

Play along with the original track with this transcription for solo oboe of global smash hit Greedy by Tate McRae!

The Play-Along Series from Darkstream Music provides accurate transcriptions of popular songs, arranged in the same key as the original track, perfect if you want to play along with your favorite songs.

For less experienced players many of the songs are also available in our Easy-Play Series, with simplified rhythms and key signatures.

Oboe Solo - Level 2 - Digital Download

SKU: A0.574480

By The Beatles. By George Harrison. Arranged by Gabriel Altali - @altalibrocchine. 20th Century,Pop,Rock. Individual part. 2 pages. Gabriel Altali #183517. Published by Gabriel Altali (A0.574480).

Something - written by George Harrison. From The Beatles' Abbey Road. Original version in C Major adapted for solo oboe, with guitar cue. Famous singer Frank Sinatra said: 'Something' is one of the greatest love songs ever written without even mentioning 'I love you'.

Oboe Solo - Level 4 - Digital Download

SKU: A0.927664

Composed by Joseph Hollings. 20th Century,Contemporary. Individual part. 3 pages. Joseph Hollings Publishing #6683341. Published by Joseph Hollings Publishing (A0.927664).

Duration: approx 4:00

The Cry of Beltane for solo oboe was written for and premiered by an advanced, young oboe student, Leo Sherwood, and first performed in May 2017 as part of the Cleveland Composers Guild’s Creativity: Learning through Experience program. The piece was the program opener and is ideally suited to open a recital.

Beltane is the anglicized name of the Celtic festival held on May Day, a pagan festival signifying the beginning of summer. The piece is intended to evoke a ritualistic, call to summer; a crying out and calling forth of sun and growth. The piece should sound aggressive and the oboe should aim to make the most of its harder-edged timbre, rather than its lyrical qualities. While the notation is precise, the piece should sound as if the performer had improvised it. The bigger the contrast in dynamics the better.

Joseph Hollings (ASCAP) is a composer, arranger and music educator, and has taught music to students of all levels for over twenty five years. His arrangements have been performed internationally, including in London's West End, and have been recorded by the Onyx Brass Quintet and members of the Cleveland Orchestra. He studied composition with Harrison Birtwistle at King's College London, worked for the D'Oyly Carte Opera Company, and established Really Nearly Records with the ever-imaginative Tim Ten Yen. 

Joseph Hollings is a member of ASCAP. Learn more about the composer at www.josephhollings.com 

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