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Oboe Solo - Level 4 - Digital Download

SKU: A0.877717

Composed by Brandyn Metzko, ASCAP. 20th Century,Concert,Contemporary,Standards. Individual part. 2 pages. Brandon Joseph Metzko #4363017. Published by Brandon Joseph Metzko (A0.877717).

S.O.S. was written in 2012 as a saxophone solo for a dear saxophonist friend of mine, Rob Kinninmont, when he was going through a particularly difficult period in his life.  A few years later I revisited the piece and created editions for flute and for oboe. 

        A morse-code rhythm: the S.O.S distress call ( . . . - - - . . . ) and the hollow-sounding intervals of the perfect fourth and the perfect fifth form central themes early in the piece, which is about the struggle through life's chaos.  Digital or print scores of the work may be ordered at http://bit.ly/2DgdtgN (flute) or http://bit.ly/2tfxBuJ (saxophone.)

S.O.S. for Oboe alone
Hautbois (partie séparée)

$9.69 9.23 € Hautbois (partie séparée) PDF SheetMusicPlus

Oboe Solo - Level 3 - Digital Download

SKU: A0.918877

By Jubal's Lyre Music. By Johann Sebastian Bach. Arranged by Martin Dicke. Baroque,Classical,Contest,Festival,Sacred,Wedding. Individual part. 15 pages. Jubal's Lyre Music Publishers #6330615. Published by Jubal's Lyre Music Publishers (A0.918877).

This beloved work by J. S. Bach is arranged here for Oboe with a fully realized keyboard part that is accessible to intermediate players and can be played on piano, organ, or harpsichord. It is perfect for weddings, concerts, or solo/ensemble repertoire and is able to be used with the Choral Edition, which provides a new translation. For worship, it can be performed almost any time since it exudes peace and joy, but it is particularly suited for Advent and Christmas since it comes from Cantata 147, Herz und Mund und Tat und Leben (Heart and Mouth and Deeds and Life), a cantata about Mary, the mother of Jesus, visiting her cousin Elizabeth and singing the Magnificat (see Luke 1:26-56). An optional part is provided for Cello/Bassoon. An arrangement with an easier keyboard part is also available as are arrangements for other instruments and ensembles. For more music and information, visit www.jubalslyre.com/music.

www.jubalslyre.com/music.

Jesu, Joy of Man's Desiring (Oboe and Keyboard) Hautbois (partie séparée)
Jubal's Lyre Music
$4.99 4.75 € Hautbois (partie séparée) PDF SheetMusicPlus

Oboe Solo - Level 4 - Digital Download

SKU: A0.1018903

Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6064741. Published by Benjamin Sajo (A0.1018903).

Programme Notes:

 Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or dawn song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. A song for the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences, camping in Northern Canada, a simpler and less demanding time.

 This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection in this case is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves--the dawn of his special genius.

About the Composer:

Programme Notes:

 It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller

 Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time.

 This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.

About the Composer:

 Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.


Aubade: A Pairing with Beethoven's Symphony #1 - Oboe 1
Hautbois (partie séparée)

$3.50 3.33 € Hautbois (partie séparée) PDF SheetMusicPlus

Oboe Solo - Level 2 - Digital Download

SKU: A0.918884

By Jubal's Lyre Music. By Johann Sebastian Bach. Arranged by Martin Dicke. Baroque,Classical,Contest,Festival,Sacred,Wedding. Individual part. 15 pages. Jubal's Lyre Music Publishers #6339187. Published by Jubal's Lyre Music Publishers (A0.918884).

This beloved work by J. S. Bach is arranged here for Oboe with an EASY keyboard part that is accessible to early intermediate players and can be played on piano, organ, or harpsichord. It is perfect for weddings, concerts, or solo/ensemble repertoire and is able to be used with the Choral Edition, which provides a new translation. For worship, it can be performed almost any time since it exudes peace and joy, but it is particularly suited for Advent and Christmas since it comes from Cantata 147, Herz und Mund und Tat und Leben (Heart and Mouth and Deeds and Life), a cantata about Mary, the mother of Jesus, visiting her cousin Elizabeth and singing the Magnificat (see Luke 1:26-56). An optional part is provided for Cello/Bassoon. An arrangement with a fully realized keyboard part is also available as are arrangements for other instruments and ensembles. For more music and information, visit www.jubalslyre.com/music.

Jesu, Joy of Man’s Desiring (Oboe with Easy Accompaniment) Hautbois (partie séparée)
Jubal's Lyre Music
$4.99 4.75 € Hautbois (partie séparée) PDF SheetMusicPlus

Oboe Solo - Level 5 - Digital Download

SKU: A0.1092932

By Rainer's Rainbow. By Claude Debussy 1862-1918. Arranged by R G Roth. 20th Century,Baroque,Classical,Instructional,Romantic Period. Individual part. 18 pages. Rainer's Rainbow #697024. Published by Rainer's Rainbow (A0.1092932).

Debussy wrote his Children's Corner Suite for Piano in1908. It has been transcribed here to be performed as an unaccompanied an Oboe or Sax solo. It is meant more as a technical study or exercise. Chords are included in case the soloist finds a piano or guitar player to improvise an accompaniment. Alternative Oboe, English Horn, Alto Sax and Tenor Sax parts are included. Learn them all.

Debussy 1908 Children's Corner Doctor Gradus ad Parnassum Oboe or Sax Study
Hautbois (partie séparée)
Rainer's Rainbow
$2.99 2.85 € Hautbois (partie séparée) PDF SheetMusicPlus

Oboe Solo - Level 5 - Digital Download

SKU: A0.1018876

Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6056061. Published by Benjamin Sajo (A0.1018876).

Programme Notes:

 Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph.

 This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.

About the Composer:

Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Oboe 1
Hautbois (partie séparée)

$3.50 3.33 € Hautbois (partie séparée) PDF SheetMusicPlus

Oboe Solo - Level 5 - Digital Download

SKU: A0.1018926

Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072953. Published by Benjamin Sajo (A0.1018926).

Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.

This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?

There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.

Future Performances: If you are interested in performing this work, please e-mail me.

ABOUT THE COMPOSER:

Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 1
Hautbois (partie séparée)

$3.50 3.33 € Hautbois (partie séparée) PDF SheetMusicPlus

Oboe Solo - Level 5 - Digital Download

SKU: A0.1018925

Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072955. Published by Benjamin Sajo (A0.1018925).

Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.

This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?

There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.

Future Performances: If you are interested in performing this work, please e-mail me.

ABOUT THE COMPOSER:

Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 2
Hautbois (partie séparée)

$3.50 3.33 € Hautbois (partie séparée) PDF SheetMusicPlus

Oboe Solo - Level 5 - Digital Download

SKU: A0.1018877

Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6056069. Published by Benjamin Sajo (A0.1018877).

Programme Notes:

 Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph.

 This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.

About the Composer:

Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Oboe 2
Hautbois (partie séparée)

$3.50 3.33 € Hautbois (partie séparée) PDF SheetMusicPlus

Oboe Solo - Level 4 - Digital Download

SKU: A0.983174

Composed by Craig Wadley. 21st Century,Chamber,Contemporary,Contest,Festival. Individual part. 5 pages. Wadley Publications #4980645. Published by Wadley Publications (A0.983174).

The title of Sonar’s Riddle is an anagram of Dr. Daniel Ross, and stands as a tribute to a musician known for both his kindness and humor.

Dr. Daniel F. Ross (1944-2019) was a Professor of Music at Arkansas State University, where he taught the double reed studio from 1968 to 2018. During his illustrious career, he became known as not only a world-class musician, but an innovator in the field of reed-making with his Ross Gouging Machine. As a performer, he served as Principal Oboist with the Arkansas Symphony and performed with the North Arkansas Symphony, Arkansas Philharmonic Orchestra, Tupelo Symphony, Delta Symphony, Atlanta Symphony, Nashville Symphony, the St. Louis Symphony, and the St. Louis Chamber Music Society. He was a frequent soloist with the Forum Sinfonia of Krakow, Poland, touring with them in the United Stated and Europe. He held the title of Visiting Professor of Oboe at the Academy of Music in Krakow, Poland and has been a soloist with the St. Petersburg and Moscow Philharmonic orchestras in Russia.

As a teacher, Dr. Ross stressed the importance of expression. For him, being a musician was an extension of being human. In order to make music, one must cross the threshold from producing technically accurate sounds into a mysterious and sometimes elusive realm of heart, love, compassion, gentleness, and joy. In Dan Ross’ studio, one learned that a musician capable of evoking strong emotions must first be a person of great character.

Dan Ross excelled in all things musical, but more importantly, he was an excellent man. He may well be remembered as a great musician, a great performer and teacher, or as an innovator in the art of reed making. But his true legacy lies in the hearts that he touched and the lives that he molded.

I count myself fortunate to have been one of many.

Sonar’s Riddle is a brief musical portrait of Dr. Dan Ross, attempting to capture the essence of his kind spirit and boundless humor.

Sonar's Riddle (Oboe)
Hautbois (partie séparée)

$12.99 12.38 € Hautbois (partie séparée) PDF SheetMusicPlus

Oboe Solo - Level 4 - Digital Download

SKU: A0.1018905

Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6064747. Published by Benjamin Sajo (A0.1018905).

Programme Notes:

 It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller

 Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time.

 This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.

About the Composer:

 Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.


Aubade: A Pairing with Beethoven's Symphony #1 - Oboe 2
Hautbois (partie séparée)

$3.50 3.33 € Hautbois (partie séparée) PDF SheetMusicPlus






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