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1 16 31 ....106

Oboe Solo - Level 3 - Digital Download

SKU: A0.1277456

By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Benzaiten Editions. 21st Century,Film/TV,Pop. Individual part. 2 pages. Benzaiten Editions #869155. Published by Benzaiten Editions (A0.1277456).

Hey there! Are you a oboe player who's eager to learn the enchanting melody of What Was I Made For? by Billie Eilish, featured in the Barbie movie? You're definitely in the right spot!

What Was I Made For? by Billie Eilish - Intermediate Oboe Sheet Music with chords

The Benzaiten Editions Arrangement

Immerse yourself in the emotional world of What Was I Made For? by Billie Eilish, a song with a special place in Barbie movie fans' hearts! This beautiful piece has captured listeners with its poignant lyrics and soul-stirring melodies.

Our intermediate oboe arrangement allows you to express the depth of this touching song. Whether you're a Billie Eilish fan or love its introspective atmosphere, our arrangement brings its magic to your oboe.


About What Was I Made For?

What Was I Made For? is a song with a message, thoughtfully chosen for the Barbie movie. Its introspective lyrics and soulful melodies resonate deeply, prompting thoughts about purpose and self-discovery.

Billie Eilish's artistry shines through, creating a profound connection through music. Whether you're a Billie Eilish fan or appreciate heartwarming compositions, What Was I Made For? is a must-play. 

Let's dive into the enchanting world of What Was I Made For? by Billie Eilish and experience its messages and captivating melodies. Get ready to create a mesmerizing performance that touches hearts.

What Was I Made For?
Hautbois (partie séparée)
Billie Eilish
$4.99 4.75 € Hautbois (partie séparée) PDF SheetMusicPlus

Oboe Solo - Level 3 - Digital Download

SKU: A0.1277454

By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Benzaiten Editions. 21st Century,Film/TV,Pop. Individual part. 2 pages. Benzaiten Editions #869153. Published by Benzaiten Editions (A0.1277454).

Hey there! Are you a oboe player who's eager to learn the enchanting melody of What Was I Made For? by Billie Eilish, featured in the Barbie movie? You're definitely in the right spot!

What Was I Made For? by Billie Eilish - Intermediate Oboe Sheet Music 

The Benzaiten Editions Arrangement

Immerse yourself in the emotional world of What Was I Made For? by Billie Eilish, a song with a special place in Barbie movie fans' hearts! This beautiful piece has captured listeners with its poignant lyrics and soul-stirring melodies.

Our intermediate oboe arrangement allows you to express the depth of this touching song. Whether you're a Billie Eilish fan or love its introspective atmosphere, our arrangement brings its magic to your oboe.


About What Was I Made For?

What Was I Made For? is a song with a message, thoughtfully chosen for the Barbie movie. Its introspective lyrics and soulful melodies resonate deeply, prompting thoughts about purpose and self-discovery.

Billie Eilish's artistry shines through, creating a profound connection through music. Whether you're a Billie Eilish fan or appreciate heartwarming compositions, What Was I Made For? is a must-play. 

Let's dive into the enchanting world of What Was I Made For? by Billie Eilish and experience its messages and captivating melodies. Get ready to create a mesmerizing performance that touches hearts.

What Was I Made For?
Hautbois (partie séparée)
Billie Eilish
$4.99 4.75 € Hautbois (partie séparée) PDF SheetMusicPlus

Oboe Solo - Level 2 - Digital Download

SKU: A0.1273278

By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Individual part. 3 pages. Milanov #865428. Published by Milanov (A0.1273278).

What Was I Made For? From Barbie by Billie Eilish for oboe. Easy intermediate. Chords.
What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.

What Was I Made For?
Hautbois (partie séparée)
Billie Eilish
$5.99 5.7 € Hautbois (partie séparée) PDF SheetMusicPlus

Oboe Solo - Level 2 - Digital Download

SKU: A0.1273279

By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Individual part. 3 pages. Milanov #865429. Published by Milanov (A0.1273279).

What Was I Made For? From Barbie by Billie Eilish for oboe. Easy intermediate. 
What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.

What Was I Made For?
Hautbois (partie séparée)
Billie Eilish
$5.99 5.7 € Hautbois (partie séparée) PDF SheetMusicPlus

Oboe Solo - Level 4 - Digital Download

SKU: A0.1018903

Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6064741. Published by Benjamin Sajo (A0.1018903).

Programme Notes:

 Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or dawn song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. A song for the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences, camping in Northern Canada, a simpler and less demanding time.

 This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection in this case is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves--the dawn of his special genius.

About the Composer:

Programme Notes:

 It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller

 Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time.

 This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.

About the Composer:

 Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.


Aubade: A Pairing with Beethoven's Symphony #1 - Oboe 1
Hautbois (partie séparée)

$3.50 3.33 € Hautbois (partie séparée) PDF SheetMusicPlus

Oboe Solo - Level 1 - Digital Download

SKU: A0.1353115

By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Iury Cardoso. Blues,Folk,Multicultural,Pop,World. Individual part. 2 pages. Iury Cardoso #937914. Published by Iury Cardoso (A0.1353115).

EASY OBOE arrangement of the song: What A Wonderful World
 
This is a version of the classic song What A Wonderful World for players of OBOE. In this arrangement, the simplified melody make it easy to learn. 
 
The CHORDS ARE NOT included on this arrangement (there is also a version WITH THE CHORDS on this website). On this site, there is also a version of this arrangement WITH THE PIANO and several other versions for other instruments.
 
See more arrangements by Iury Cardoso, thank you so much! 

Copyright © 1967 by Range Road Music Inc., Quartet Music and Abilene Music, Inc. Copyright Renewed All Rights for Quartet Music Administered by BUG Music, Inc., a BMG Chrysalis company International Copyright Secured All Rights Reserved Used by Permission
 
what wonderful world oboe sheet music
easy beginner oboe
what a wonderful world oboe
Easy oboe what wonderful world
Beginner oboe
beginning oboe
oboe for beginners
Louis Armstrong sheet music
easy score
music score
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What A Wonderful World
Hautbois (partie séparée)
Louis Armstrong
$4.99 4.75 € Hautbois (partie séparée) PDF SheetMusicPlus

Oboe Solo - Level 1 - Digital Download

SKU: A0.1353092

By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Iury Cardoso. Blues,Folk,Multicultural,Pop,World. Individual part. 2 pages. Iury Cardoso #937912. Published by Iury Cardoso (A0.1353092).

EASY OBOE arrangement of the song: What A Wonderful World
 
This is a version of the classic song What A Wonderful World for players of OBOE. In this arrangement, the simplified melody make it easy to learn. 
 
The CHORDS are included on this arrangement (there is also a version without the chords on this website). On this site, there is also a version of this arrangement WITH THE PIANO and several other versions for other instruments.
 
See more arrangements by Iury Cardoso, thank you so much! 

Copyright © 1967 by Range Road Music Inc., Quartet Music and Abilene Music, Inc. Copyright Renewed All Rights for Quartet Music Administered by BUG Music, Inc., a BMG Chrysalis company International Copyright Secured All Rights Reserved Used by Permission
 
what wonderful world oboe sheet music
easy beginner oboe
what a wonderful world oboe
Easy oboe what wonderful world
Beginner oboe
beginning oboe
oboe for beginners
Louis Armstrong sheet music
easy score
music score
oboe sheet music.

What A Wonderful World
Hautbois (partie séparée)
Louis Armstrong
$4.99 4.75 € Hautbois (partie séparée) PDF SheetMusicPlus

Oboe Solo - Level 2 - Digital Download

SKU: A0.1270472

By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Glauco Fernandes. Chamber,Film/TV,Pop,Wedding. Individual part. 2 pages. Glauco Fernandes #862856. Published by Glauco Fernandes (A0.1270472).

Title: Oboe Arrangement with Chords of What Was I Made For - Barbie Soundtrack | Billie Eilish

Description:

Immerse yourself in the enchanting musical world of the 2023 film Barbie with our exquisite oboe arrangement with chords of the heartwarming song What Was I Made For performed by the talented Billie Eilish. This intermediate-level arrangement is perfectly suited for oboists, allowing them to bring the beauty and melody of the beloved soundtrack to life in their performances.

Arrangement Highlights:

- Intermediate-level arrangement for oboe, accommodating musicians with various skill levels.
- Sheet music with chords provided for easy reading and interpretation.
- Captures the essence and emotion of the original song, enabling you to recreate the magical atmosphere of the Barbie film during your performance.
- Carefully crafted details ensure an enriching and authentic musical experience.

Why Choose Our Arrangement:

1. Professionalism: Our arrangement has been meticulously crafted by experienced musicians, ensuring exceptional quality and accuracy.
2. Flexibility: Perfect for intermediate-level oboists, offering captivating solo performance opportunities.
3. Popularity: As part of the Barbie film soundtrack, the song What Was I Made For has garnered tremendous popularity and has captivated a large fan base.
4. Musical Magic: The arrangement captures the essence of the song, allowing you to emotionally connect with the melody and the poignant message it conveys.

Embrace the captivating allure of What Was I Made For through our oboe arrangement with chords and delight your audience with the heartwarming music of Billie Eilish from the cherished Barbie film soundtrack. Unlock the potential to infuse your performances with the enchanting essence of this magical melody. Purchase now and embark on a musical journey inspired by the wonderful world of Barbie!

What Was I Made For?
Hautbois (partie séparée)
Billie Eilish
$4.99 4.75 € Hautbois (partie séparée) PDF SheetMusicPlus

Oboe Solo - Level 2 - Digital Download

SKU: A0.1270473

By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Glauco Fernandes. Chamber,Film/TV,Pop,Wedding. Individual part. 2 pages. Glauco Fernandes #862857. Published by Glauco Fernandes (A0.1270473).

Title: Oboe Arrangement of What Was I Made For - Barbie Soundtrack | Billie Eilish

Description:

Immerse yourself in the enchanting musical world of the 2023 film Barbie with our exquisite oboe arrangement of the heartwarming song What Was I Made For performed by the talented Billie Eilish. This intermediate-level arrangement is perfectly suited for oboists, allowing them to bring the beauty and melody of the beloved soundtrack to life in their performances.

Arrangement Highlights:

- Intermediate-level arrangement for oboe, accommodating musicians with various skill levels.
- Sheet music provided for easy reading and interpretation.
- Captures the essence and emotion of the original song, enabling you to recreate the magical atmosphere of the Barbie film during your performance.
- Carefully crafted details ensure an enriching and authentic musical experience.

Why Choose Our Arrangement:

1. Professionalism: Our arrangement has been meticulously crafted by experienced musicians, ensuring exceptional quality and accuracy.
2. Flexibility: Perfect for intermediate-level oboists, offering captivating solo performance opportunities.
3. Popularity: As part of the Barbie film soundtrack, the song What Was I Made For has garnered tremendous popularity and has captivated a large fan base.
4. Musical Magic: The arrangement captures the essence of the song, allowing you to emotionally connect with the melody and the poignant message it conveys.

Embrace the captivating allure of What Was I Made For through our oboe arrangement and delight your audience with the heartwarming music of Billie Eilish from the cherished Barbie film soundtrack. Unlock the potential to infuse your performances with the enchanting essence of this magical melody. Purchase now and embark on a musical journey inspired by the wonderful world of Barbie!

What Was I Made For?
Hautbois (partie séparée)
Billie Eilish
$4.99 4.75 € Hautbois (partie séparée) PDF SheetMusicPlus

Oboe Solo - Level 5 - Digital Download

SKU: A0.1018925

Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072955. Published by Benjamin Sajo (A0.1018925).

Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.

This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?

There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.

Future Performances: If you are interested in performing this work, please e-mail me.

ABOUT THE COMPOSER:

Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 2
Hautbois (partie séparée)

$3.50 3.33 € Hautbois (partie séparée) PDF SheetMusicPlus

Oboe Solo - Level 5 - Digital Download

SKU: A0.1018876

Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6056061. Published by Benjamin Sajo (A0.1018876).

Programme Notes:

 Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph.

 This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.

About the Composer:

Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Oboe 1
Hautbois (partie séparée)

$3.50 3.33 € Hautbois (partie séparée) PDF SheetMusicPlus

Oboe Solo - Level 5 - Digital Download

SKU: A0.1018926

Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072953. Published by Benjamin Sajo (A0.1018926).

Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.

This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?

There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.

Future Performances: If you are interested in performing this work, please e-mail me.

ABOUT THE COMPOSER:

Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 1
Hautbois (partie séparée)

$3.50 3.33 € Hautbois (partie séparée) PDF SheetMusicPlus


1 16 31 ....106




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