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35 partitions trouvées


Jazz Ensemble - Digital Download SKU: AX.00-PC-0016834_K Piano Accompaniment. Composed by Harry Simeone, Henry Onorati, and Katherine K. Davis. Arranged by Gordon Goodwin. Jazz; Sacred. Part. 7 pages. Alfred Music - Digital Sheet Music #00-PC-0016834_K. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016834_K). UPC: 038081501567.Introducing a slow, funky version of Little Drummer Boy that's very clever with the initial melody line played by bass trombone and bari sax. The tempo is 110 BPM, the chart has a soprano sax lead, and solo space for all saxes, trumpet 4, and trombones 1 and 2. The lead trumpet range is up to high A-flat. A very cool Gordon Goodwin chart! (2:28).
The Little Drummer Boy: Piano Accompaniment
Piano (partie séparée)

$3.00 2.6 € Piano (partie séparée) PDF SheetMusicPlus

Jazz Ensemble - Digital Download SKU: AX.00-PC-0017171_K Piano Accompaniment. Composed by Hugh Martin and Ralph Blane. Arranged by Alan Baylock. Jazz; Secular. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017171_K. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017171_K). UPC: 038081373850.As recorded by the USAF Airmen of Note and arranged by Alan Baylock in the style of Li'l Darlin', this slow swing is the ideal chart for the holidays. It features no improvised solo but it has a written trumpet melody solo. Lead trumpet range is to written G on top of the staff, and it's technically a very easy chart to play. Another superb Baylock arrangement. (3:02).
Have Yourself a Merry Little Christmas: Piano Accompaniment
Piano (partie séparée)

$3.00 2.6 € Piano (partie séparée) PDF SheetMusicPlus

Jazz Ensemble - Digital Download SKU: AX.00-PC-0017522_K Piano Accompaniment. Composed by Victor Lopez. Jazz. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0017522_K. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017522_K). UPC: 038081429311.In the Mardi Gras spirit, this swing chart is geared for an energetic performance. Optional parts for clarinet and tuba are included so there is added flexibility to make this chart even more authentic NOLA style. Lead trumpet range is to written B natural above the staff and the suggested tempo is around 200 BPM. Solo space (written) is provided for alto 1 (or clarinet), trumpet 2, and trombone 1, plus some drum cadence solos too. This title is available in SmartMusic.
Little Big Gumbo: Piano Accompaniment
Piano (partie séparée)

$3.00 2.6 € Piano (partie séparée) PDF SheetMusicPlus

Jazz Ensemble - Digital Download SKU: AX.00-PC-0016189_K Piano Accompaniment. Composed by Benny Carter. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016189_K. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016189_K). UPC: 038081331959.Even when Benny Carter wasn't writing for Count Basie, many of his charts from the 1950's onward sound like they could have been written for Basie. Maybe this is because so many of Basie's arrangers (Sammy Nestico, Quincy Jones, Billy Byers and Neal Hefti) were influenced by Carter. The writing is straightforward, with simple harmonies, swinging rhythms and very clear counterpoint. Again And Again has much of the style of an alto feature that Quincy Jones might have written for Marshall Royal. Although Carter gives the pianist two little solo spots, the focus is on the lead alto. The backgrounds are spare and dry, so it is incumbent upon the soloist to supply the warmth and personality to tell this gentle story. Vibrato, scoops, bends, turns, and other devices can be used to bring this simple line to life.
Again and Again: Piano Accompaniment
Piano (partie séparée)

$3.00 2.6 € Piano (partie séparée) PDF SheetMusicPlus

Small Ensemble - Level 3 - Digital Download SKU: A0.835423 Composed by Stuart Brown. Christian,Contemporary,Sacred. Score and parts. 1 pages. Stuart Brown Music #9851. Published by Stuart Brown Music (A0.835423). Possibly unique: an Easter (or more properly Good Friday) hymn for six-part choir, in which the choir is actually the accompaniment for a piano solo of almost hyponotic dissonance in comparison. The result of superimposing these elements is strangely beautiful. The composer offers the following commentary: I guess most people seeing a piece with a choir and a piano would think of it – not unreasonably – as a choir accompanied by a piano. This piece is subtly different: the way in which I can best explain what was in my mind when I composed it would be to describe it as a piano solo accompanied by choir. While the choir sings music that feels like a slow pavane the pianist plays a series of arpeggios and cluster chords around another relatively simple but unlinked melody. The combined effect is almost hypnotic and if the singers think of the pianist as their accompanist they will almost certainly lose the plot of what they are singing! On first hearing it may appear that the piano and the choir have little in common but the concept is simple enough. Both choir and pianist are meditating on the same theme, but coming at it from totally different directions. There is no formula to the way in which we approach the cross of Christ. We come as we are, seeking forgiveness and reconciliation, meeting at the foot of the cross. The juxtaposition of choir and piano represents that meeting and the cluster chords that the pianist plays reinforce a sense of brokenness that is essential to a proper understanding of the music. I have dedicated this to Canon Andrew White and the Christians of Iraq, knowing that their situation seems impossible in the face of the evil that walks that land, but trusting in the God and Father of the Lord Jesus Christ to do right even if from our earthly perspective we are unable to discern what right is.
On That Cross - Piano part only
Piano (partie séparée)

$1.99 1.72 € Piano (partie séparée) PDF SheetMusicPlus






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