Woodwind Ensemble,Woodwind Quintet Clarinet - Level 4 - Digital Download SKU: A0.514696 Arranged by Kenneth Abeling. Christmas. 17 pages. LINCOLN MUSIC PUBLICATIONS #3510619. Published by LINCOLN MUSIC PUBLICATIONS (A0.514696). “I Saw Mommy Kissing Santa Claus� Words & Music by Tommie Connor arranged for Clarinet Quintet by Kenneth Abeling. Based on a child’s case of mistaken identity, I Saw Mommy Kissing Santa Claus is an ageless Christmas time favorite. This is an advanced intermediate to easier advanced level arrangement written in a Jazzy/Country-ish shuffle. To view and listen to this piece in its entirety as well as hundreds of other arrangements and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com Playing Time: 2:30

Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - Digital Download SKU: A0.919145 By Sarah McLachlan. By Hugh Martin and Ralph Blane. Arranged by Vanessa Klassen. Contemporary. 13 pages. Vanessa Klassen #6660013. Published by Vanessa Klassen (A0.919145). The popular Christmas song, Have Yourself a Merry Little Christmas, was originally written by Hugh Martin and Ralph Blane for the 1944 Christmas musical film, Meet Me in St. Louis. In the film, Judy Garland’s character sings the song, comforting her younger sister. However, the original lyrics had a depressing tone: Have yourself a merry little Christmas, It may be your last, Next year we may all be living in the past. At Garland’s request, the lyrics were changed to reflect a more positive character. Since the Judy Garland version of the song, other singers such as Frank Sinatra have tweaked the lyrics even more to make the song more uplifting.

Clarinet Quintet,Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.567963 By The Animals. By Alan Price. Arranged by Thomas Graf. Folk,Pop. 25 pages. Thomas Graf - the-hit-factory.com #2076111. Published by Thomas Graf - the-hit-factory.com (A0.567963). The famous American folk song became a hit in 1964 in the version of the British band The Animals. In this  arrangement every player is either imitating a part of the guitar pattern or is faking the vocals – it’s big fun to play on a campfire!   Instrumentation:  Clarinet 1/2/3 in Bb, Basset Horn/Clarinet 4 in Bb, Bass Clarinet in Bb            Listen to the recording - a challenge for your ensemble.  Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much!              Check out our latest uploads:  http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N...                      Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic               Video: https://www.youtu.be/y5zskySCpM8

Clarinet Quintet,Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.568463 Composed by Traditional. Arranged by Thomas Graf. Folk,Multicultural,World. 17 pages. Thomas Graf - the-hit-factory.com #2960713. Published by Thomas Graf - the-hit-factory.com (A0.568463). The famous American folk song became a hit in 1964 in the version of the British band The Animals. In this  arrangement, every player is either imitating a part of the guitar pattern or is faking the vocals – it’s big fun to play - even on a campfire!   Instrumentation:  Clarinet 1/2/3 in Bb, Basset Horn/Clarinet 4 in Bb, Bass Clarinet in Bb            Listen to the recording - a challenge for your ensemble.  Check out our latest uploads:  http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N...                                Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic    New catalogue includedVideo: https://www.youtu.be/FZ2Jo4dLZ04

Woodwind Ensemble,Woodwind Quintet Clarinet - Level 2 - Digital Download SKU: A0.682653 Composed by Nettleton by John Wyeth. Arranged by Gert Th. Walter. Christian,Praise & Worship,Sacred. 3 pages. Gert Th. Walter #5865747. Published by Gert Th. Walter (A0.682653). Very easy arrangement, but not only for pupil and beginners. It works for any church services, and it is especially appropriate for schools and students. © 2020 MusikVerlag Gert Walter, Germany. All Rights Reserved. https://www.musikverlaggertwalter.de

Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.1259905 Composed by Lennie Hayton. Arranged by Carl Raven. Broadway,Jazz,Musical/Show. 15 pages. PopWind.co.uk #853153. Published by PopWind.co.uk (A0.1259905). A clarinet quintet version of this tune made famous by Gene Kelly. 4 Bb and one Bb bass clarinet.

By MARCOS LUIZ MENDES FEITOSA. By Felix Bartholdy Mendelssohn (1809-1847). Arranged by MARCOS LUIZ MENDES FEITOSA. Christmas, Praise & Worship, Romantic Period, Sacred, Traditional. 10 pages. Published by Marcos Luiz Mendes Feitosa

Woodwind Ensemble,Woodwind Quintet Clarinet - Level 2 - Digital Download SKU: A0.679022 Composed by Felix Bartholdy Mendelssohn. Arranged by Gert Th. Walter. Children,Christian,Christmas,Praise & Worship. 3 pages. Gert Th. Walter #3570285. Published by Gert Th. Walter (A0.679022). Very easy arrangement, but not only for pupil and beginners.

Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1437299 Composed by Carl Sigman and Jerry Gray. Arranged by Keith Terrett. Instructional,Jazz,Multicultural,Standards,World. 27 pages. Keith Terrett #1017368. Published by Keith Terrett (A0.1437299). An arrangement of Pennsylvania 6-5000 for Clarintet Quintet. By Jerry Gray, Carl Sigma.Pennsylvania 6-5000 (also written Pennsylvania Six-Five Thousand) is a 1940 swing jazz and pop standard recorded by Glenn Miller and His Orchestra as a Bluebird 78 rpm single. The music was by Jerry Gray and the lyrics by Carl Sigman.Many big band musicians played in Hotel Pennsylvania's Cafe Rouge in New York City, including the Glenn Miller Orchestra.The hotel's telephone number, Pennsylvania 6-5000, inspired the Glenn Miller 1940 Top 5 Billboard hit of the same name, which had a 12-week chart run.[2] The instrumental was recorded on April 28, 1940 at the RCA Victor Studios at 155 East 24th Street in New York City. The 78 single was released in June, 1940 as RCA Victor Bluebird 78 B-10754-A backed with Rug Cutter's Swing. The song was also an advertisement for attendance at the band's live performances, as a call could be put through to Hotel Pennsylvania’s venue the Cafe Rouge for a reservation.Johnny Best played the improvised trumpet solo on the recording. The Carl Sigman lyrics were not used, only the refrain was shouted by the band after the ringing of the telephone.Two different sheet music covers were released with different photos of Glenn Miller.The song became a jazz and big band standard also recorded by the Andrews Sisters, Judy Garland and Martha Raye in a duet, the Brian Setzer Orchestra, Jimmy Mundy and His Orchestra (1959), Louise Gold, Kathy Miller, Martin Brushane Big Band, the Blue Moon Big Band (1999), in a 1976 Carol Burnett Show episode in a tribute to Glenn Miller, Syd Lawrence, Michael Maxwell and His Orchestra, Richard Hunt and Jerry Nelson (Bobby Benson and the Baby Band) in The Muppet Show (1979, Episode 319), Fud Candrix and His Orchestra, Jerry Gray, Mina, Lou Haskins, Jack Livingston, Raquel Rastenni (1941) in Copenhagen, Starlight Orchestra, Klaus Wunderlich, New 101 Strings Orchestra, Heptet, Meco, Tex Beneke, The Modernaires, Jack Million Band, Al Pierson Big Band, BBC Big Band Orchestra, SWR Big Band, and by Captain Cook und seine singenden Saxophone in 2012.Fats Waller's arrangement of the song for piano was published in the UK songbook Francis & Day's Album of Fats Waller: Musical Rhythms in the 1940s.

Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 5 - Digital Download SKU: A0.1302637 By Gustav Holst. By Gustav Holst. Arranged by Andrew Lamb. 20th Century. 95 pages. Andrew Lamb #892255. Published by Andrew Lamb (A0.1302637). This arrangement comes in 2 keys, concert Eb and concert F.Introducing Fantasia on the Dargason - Clarinet Ensemble Transcription 🎵🎶🎼 Dive into the enchanting world of Gustav Holst's musical genius with this faithful transcription of Fantasia on the Dargason, the fourth movement of his renowned Second Suite in F for Military Band. Holst, the English composer celebrated for his masterpiece, The Planets, showcases his versatile talent in this mesmerizing composition. Now, this transcription brings his artistry to life for clarinet enthusiasts of all levels.🔥 Level of Difficulty: Advanced 🔥This arrangement for Eb Clarinet, 2 Bb Clarinets, Alto Clarinet, and Bass Clarinets is designed to challenge and captivate seasoned clarinet players. It offers a rich tapestry of harmonies, melodies, and rhythms that will test your skills and captivate your audience.🎓 Potential Uses: 🎓 🎶 Concerts: Elevate your performance with this arrangement's depth and complexity. It's the perfect addition to your concert repertoire, sure to leave a lasting impression on your audience. 🎵 Recitals: Showcase your virtuosity and musicality in a recital setting. Fantasia on the Dargason will captivate your listeners and make your recital an unforgettable experience. 📚 Educational Purposes: Use this arrangement to challenge and inspire students. It's an excellent tool for teaching advanced clarinet techniques and exploring Holst's innovative compositions. 🌟 About Gustav Holst: 🌟Gustav Theodore Holst, a visionary English composer, arranger, and teacher, left an indelible mark on the world of music. Best known for The Planets, his influence extended across various genres. His unique compositional style drew inspiration from Richard Wagner, Richard Strauss, English folksongs, and rising modern composers like Maurice Ravel.🎹 Despite early aspirations as a pianist, Holst overcame adversity to become a renowned composer. He taught at the Royal College of Music, played the trombone professionally, and left a lasting legacy in music education. His contributions to music festivals and his pioneering work at St Paul's Girls' School continue to influence generations of musicians.🌿 Second Suite in F for Military Band by Holst: 🌿Holst's Second Suite in F for Military Band is a gem in the band repertoire. Composed in 1911 and dedicated to James Causley Windram, it remains a staple for bands worldwide. Drawing from his fascination with folk music, Holst seamlessly weaves traditional tunes into this masterful suite. Seven timeless melodies come alive through four captivating movements, showcasing Holst's brilliance.This arrangement pays homage to Holst's dedication to the craft, preserving the suite's complexity and charm while showcasing the clarinet ensemble's prowess.Experience the magic of Holst's Fantasia on the Dargason in this arrangement—a masterpiece that will leave audiences spellbound and musicians inspired. 🌠🎶.

Woodwind Ensemble,Woodwind Quintet Bass Clarinet - Level 3 - Digital Download SKU: A0.1410765 Composed by Henry Creamer and Turner Layton. Arranged by Thomas Graf. Broadway,Film/TV,Jazz,Musical/Show,Pop. 20 pages. Thomas Graf - the-hit-factory.com #993161. Published by Thomas Graf - the-hit-factory.com (A0.1410765). After You've Gone is a timeless jazz standard, originally composed by Turner Layton with lyrics by Henry Creamer. It's a poignant reflection on love lost, featuring emotive vocals and a melancholic melody. The song captures the bittersweet essence of moving on after a relationship has ended, expressing themes of heartache and longing. With its memorable tune and evocative lyrics, After You've Gone has become a classic in the jazz repertoire, showcasing the enduring power of love and loss in music.About this arrangement: Composed by: By Turner Layton, Henry CreamerArranged by: Thomas H. Graf for Clarinet QuintetInstrumentation: Full Score and Parts as listed below:Clarinet 1 in BbClarinet 2 in BbClarinet 3 in BbAlto Clarinet 3 in EbClarinet 4 in BbAlto Clarinet 4 in EbBass Clarinet in BbContrabass Clarinet in BbAny individual arrangement and substitute parts are available on request.Call +49 (0) 172 2515987  E-Mail: info@the-hit-factory.com.  www.the-hit-factory.comfacebook: https://www.facebook.com/hitfactorymusic

Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1474197 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Halloween,Historic,Standards. 49 pages. Jmsgu3 #1051843. Published by jmsgu3 (A0.1474197). The Toccata and Fugue in D Minor, BWV 565, is one of Johann Sebastian Bach's most famous organ compositions. It follows a typical North German structure with three main sections - a free opening (toccata), a fugal section (fugue), and a short free closing section. The exact date of composition is uncertain, but it's believed to have been written before 1708. There is no surviving autograph manuscript. The oldest known source is an undated copy by Johannes Ringk, a student of one of Bach's pupils. It was first published in 1833 through the efforts of composer Felix Mendelssohn during the early Bach Revival period. It gained widespread recognition after being featured in Disney's 1940 film Fantasia, which Leopold Stokowski adapted for orchestra. The piece has become strongly associated with horror films and Gothic imagery in Western culture. The Toccata begins with dramatic flourishes and arpeggios, showcasing the organist's virtuosity. The fugue is characterized by overlapping repetitions of the central theme in different melodic lines. It employs simple triadic harmony but includes some unexpected elements, such as a C minor subject entry and a solo pedal statement.

Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - Digital Download SKU: A0.746990 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 13 pages. Keith Terrett #5827845. Published by Keith Terrett (A0.746990). A great sounding arrangement of A Night in Tunisia, your Clarinet Quintet will love it!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.