Woodwind Ensemble,Woodwind Quintet Clarinet - Level 4 - Digital Download SKU: A0.891941 Composed by Johann Sebastian Bach. Arranged by Stephen Davies. Baroque,Standards. 29 pages. Stephen Davies #5362675. Published by Stephen Davies (A0.891941). In this arrangement the key has been altered to suit the instruments range, and is unusually scored with an A clarinet playing the first part, which adds a little tonal softness to the upper parts (imho!). Programme Notes: THE PRELUDE The solemn and expressive character of the melody line is somewhat reminiscent of much of Bach's passion music, and weaves between the players with utmost ease. The Preludes most prominent melodic feature is the octave leap heard on all parts throughout the music, which leads to a satifying conclusion. THE FUGUE Coming in at a whopping 115 bars, this is one of Bach's longest and most complex fugues. With three themes woven through together in five voices as only Bach can, this fugue offers a competent group of instrumentalists with many technical and interpretive challenges! Also available here in Wind Quintet and Saxophone Quintet flavours!

Woodwind Ensemble,Woodwind Quintet Bass Clarinet - Level 3 - Digital Download SKU: A0.1410765 Composed by Henry Creamer and Turner Layton. Arranged by Thomas Graf. Broadway,Film/TV,Jazz,Musical/Show,Pop. 20 pages. Thomas Graf - the-hit-factory.com #993161. Published by Thomas Graf - the-hit-factory.com (A0.1410765). After You've Gone is a timeless jazz standard, originally composed by Turner Layton with lyrics by Henry Creamer. It's a poignant reflection on love lost, featuring emotive vocals and a melancholic melody. The song captures the bittersweet essence of moving on after a relationship has ended, expressing themes of heartache and longing. With its memorable tune and evocative lyrics, After You've Gone has become a classic in the jazz repertoire, showcasing the enduring power of love and loss in music.About this arrangement: Composed by: By Turner Layton, Henry CreamerArranged by: Thomas H. Graf for Clarinet QuintetInstrumentation: Full Score and Parts as listed below:Clarinet 1 in BbClarinet 2 in BbClarinet 3 in BbAlto Clarinet 3 in EbClarinet 4 in BbAlto Clarinet 4 in EbBass Clarinet in BbContrabass Clarinet in BbAny individual arrangement and substitute parts are available on request.Call +49 (0) 172 2515987  E-Mail: info@the-hit-factory.com.  www.the-hit-factory.comfacebook: https://www.facebook.com/hitfactorymusic

Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.568309 Composed by Thomas Graf. Arranged by Thomas Graf. Contemporary,Jazz,Sacred. 9 pages. Thomas Graf - the-hit-factory.com #2915737. Published by Thomas Graf - the-hit-factory.com (A0.568309). Farewell - theme for a faun who has gone. That's all to say about, the rest of the story are telling the notes.  Instrumentation:  Clarinet 1/2/3 in Bb, Basset Horn/Clarinet 4 in Bb, Bass Clarinet in Bb             Listen to the recording - a challenge for your ensemble.  Check out our latest uploads:  http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N...                                Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic     New catalog includedVideo: https://www.youtu.be/Zq_I0ZSHpNE

Clarinet Quintet,Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.568316 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Baroque,Christmas,Contemporary,Wedding. 16 pages. Thomas Graf - the-hit-factory.com #2916645. Published by Thomas Graf - the-hit-factory.com (A0.568316). This piece has been composed as a main theme of a wedding ceremony in the polyphonic baroque style of Pachelbel, J.S.Bach. It fits in any liturgical/clerical context and for sure as well as a perfect festive concert piece.    Instrumentation:  Clarinet 1/2/3 in Bb, Basset Horn/Clarinet 4 in Bb, Bass Clarinet in Bb             Listen to the recording - a challenge for your ensemble.  Check out our latest uploads:  http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N...                                Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic    New catalog includedVideo: https://www.youtu.be/hv2_jX0eMzI

Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - Digital Download SKU: A0.1128140 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 12 pages. Woods Only, Arrangements #728755. Published by Woods Only, Arrangements (A0.1128140). This arrangement adapted for clarinet quintet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.