Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download

SKU: A0.1349134

Composed by Bob Russell and Duke Ellington. Arranged by Phil Rawle. Blues. 8 pages. Phillip Rawle #933874. Published by Phillip Rawle (A0.1349134).

First released by Ellington in 1940 as the instrumental “Never No Lament,� it was reissued with the new title after Bob Russell’s lyrics and the Ink Spots vocal recording helped turn it into a major song hit in 1942-43. Duke reached #8 pop and #1 R&B. The Ink Spots and Glen Gray versions are also included in this collection.
Arranged here in an easy rendition for saxophone Quartet - SATB.

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Digital Download

SKU: A0.944218

Composed by Antonín Dvořák (1841 - 1904). Arranged by Alexia Beasley (b. 1997). Contemporary. 38 pages. Alexia Beasley #4716533. Published by Alexia Beasley (A0.944218).

Serenade for Wind Instruments, Op. 44, B. 77, is a chamber composition by the Czech composer Antonín Dvořák, written in 1878. This is an arrangement for Saxophone Ensemble (SSAAATTBB) by Alexia Beasley.

Some technique in all parts. Some high range in soprano 1 (up to G, 8vb optional). No extended range/altissimo in any parts with the exception of the soprano 1 part. Best suited for a high school or collegiate ensemble. Key: D minor. 

Performance time: 4:30
Score and parts included. 38 pages total.

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - Digital Download

SKU: A0.824660

Composed by Phil Rawle. Concert,Contemporary,Instructional. 4 pages. Phillip Rawle #6196409. Published by Phillip Rawle (A0.824660).

Four easy saxophone solos -  suitable for players who are relatively new to the instrument. Can be played on any instrument in the saxophone family but probably more suited to the Alto or Tenor Sax.

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download

SKU: A0.1345263

Composed by James Lord Pierpont. Arranged by Glauco Fernandes. Chamber,Christmas,Holiday,Instructional,Traditional. 8 pages. Glauco Fernandes #930202. Published by Glauco Fernandes (A0.1345263).

Exclusive Sheet Music for Jingle Bells at Easy/Intermediate Level

Celebrate the festive season with the infectious joy of the classic Jingle Bells. We present a unique and accessible sheet music, perfect for musicians at an easy/intermediate level on any instrument.

Why choose this sheet music?

- Charming Simplicity: Accessible sheet music that captures the vibrant essence of the original music.
  
- Musical Variety: Provides room for personal interpretation, allowing musicians to add their unique touch.
  
- Celebrate the Season with Style: Ready to bring the joy of the season to your music, whether for personal enjoyment or sharing.

By acquiring this sheet music, you invest in a musical experience that will brighten hearts during the holidays. Let the magic of Jingle Bells resonate in your performance, bringing joy and celebration with each note. Feel the Christmas spirit come alive through music.

Explore More Quality Sheet Music:

If you wish to explore more quality sheet music, consider searching for Glauco Fernandes in the site's search bar. Contact: glaucofernandes.arrangements@gmail.com




Violin, viola, cello, double bass, trumpet, French horn, trombone, tuba, flute, oboe, clarinet, bassoon, soprano saxophone, alto saxophone, tenor saxophone, baritone saxophone, bass saxophone, piano, chord notation, chord symbols..

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download

SKU: A0.1345262

Composed by James Lord Pierpont. Arranged by Glauco Fernandes. Chamber,Christmas,Holiday,Instructional,Traditional. 8 pages. Glauco Fernandes #930201. Published by Glauco Fernandes (A0.1345262).

Exclusive Sheet Music for Jingle Bells at Easy/Intermediate Level

Celebrate the festive season with the infectious joy of the classic Jingle Bells. We present a unique and accessible sheet music, perfect for musicians at an easy/intermediate level on any instrument.

Why choose this sheet music?

- Charming Simplicity: Accessible sheet music that captures the vibrant essence of the original music.
  
- Musical Variety: Provides room for personal interpretation, allowing musicians to add their unique touch.
  
- Celebrate the Season with Style: Ready to bring the joy of the season to your music, whether for personal enjoyment or sharing.

By acquiring this sheet music, you invest in a musical experience that will brighten hearts during the holidays. Let the magic of Jingle Bells resonate in your performance, bringing joy and celebration with each note. Feel the Christmas spirit come alive through music.

Explore More Quality Sheet Music:

If you wish to explore more quality sheet music, consider searching for Glauco Fernandes in the site's search bar. Contact: glaucofernandes.arrangements@gmail.com




Violin, viola, cello, double bass, trumpet, French horn, trombone, tuba, flute, oboe, clarinet, bassoon, soprano saxophone, alto saxophone, tenor saxophone, baritone saxophone, bass saxophone, piano, chord notation, chord symbols..

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download

SKU: A0.1345264

Composed by James Lord Pierpont. Arranged by Glauco Fernandes. Chamber,Christmas,Holiday,Instructional,Traditional. 7 pages. Glauco Fernandes #930203. Published by Glauco Fernandes (A0.1345264).

Exclusive Sheet Music for Jingle Bells at Easy/Intermediate Level

Celebrate the festive season with the infectious joy of the classic Jingle Bells. We present a unique and accessible sheet music, perfect for musicians at an easy/intermediate level on any instrument.

Why choose this sheet music?

- Charming Simplicity: Accessible sheet music that captures the vibrant essence of the original music.
  
- Musical Variety: Provides room for personal interpretation, allowing musicians to add their unique touch.
  
- Celebrate the Season with Style: Ready to bring the joy of the season to your music, whether for personal enjoyment or sharing.

By acquiring this sheet music, you invest in a musical experience that will brighten hearts during the holidays. Let the magic of Jingle Bells resonate in your performance, bringing joy and celebration with each note. Feel the Christmas spirit come alive through music.

Explore More Quality Sheet Music:

If you wish to explore more quality sheet music, consider searching for Glauco Fernandes in the site's search bar. Contact: glaucofernandes.arrangements@gmail.com




Violin, viola, cello, double bass, trumpet, French horn, trombone, tuba, flute, oboe, clarinet, bassoon, soprano saxophone, alto saxophone, tenor saxophone, baritone saxophone, bass saxophone, piano, chord notation, chord symbols..

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download

SKU: A0.1345265

Composed by James Lord Pierpont. Arranged by Glauco Fernandes. Chamber,Christmas,Holiday,Instructional,Traditional. 7 pages. Glauco Fernandes #930204. Published by Glauco Fernandes (A0.1345265).

Exclusive Sheet Music for Jingle Bells at Easy/Intermediate Level

Celebrate the festive season with the infectious joy of the classic Jingle Bells. We present a unique and accessible sheet music, perfect for musicians at an easy/intermediate level on any instrument.

Why choose this sheet music?

- Charming Simplicity: Accessible sheet music that captures the vibrant essence of the original music.
  
- Musical Variety: Provides room for personal interpretation, allowing musicians to add their unique touch.
  
- Celebrate the Season with Style: Ready to bring the joy of the season to your music, whether for personal enjoyment or sharing.

By acquiring this sheet music, you invest in a musical experience that will brighten hearts during the holidays. Let the magic of Jingle Bells resonate in your performance, bringing joy and celebration with each note. Feel the Christmas spirit come alive through music.

Explore More Quality Sheet Music:

If you wish to explore more quality sheet music, consider searching for Glauco Fernandes in the site's search bar. Contact: glaucofernandes.arrangements@gmail.com




Violin, viola, cello, double bass, trumpet, French horn, trombone, tuba, flute, oboe, clarinet, bassoon, soprano saxophone, alto saxophone, tenor saxophone, baritone saxophone, bass saxophone, piano, chord notation, chord symbols..

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download

SKU: A0.532736

Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736).

The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download

SKU: A0.532735

Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735).

The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download

SKU: A0.532734

Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734).

The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download

SKU: A0.532733

Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733).

The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download

SKU: A0.876456

Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. 14 pages. JoeCopio Music LLC #1900797. Published by JoeCopio Music LLC (A0.876456).

THE BEETHOVEN DUETS By Joe Procopio The Beethoven Duets by Joe Procopio is a collection of duets that artist -composer Joe Procopio has adapted and arranged from the 9 Scherzi found in Ludwig van Beethoven’s 9 Symphonies. These duets are the first of their kind in history making them noteworthy, unique and valuable. Each Scherzo is published not only for Saxophone but also for many other orchestral instruments. They are published individually for each instrument; in a Three Volume Collection with 3 Scherzi in each volume; and in a Complete Collection containing all three volumes. They are also available as a CD. Volume One has Scherzo No.1, Scherzo No. 2 and Scherzo No.3. Volume Two has Scherzo No.4, Scherzo No 5 and Scherzo No.6. Volume Three has Scherzo No.7, Scherzo No.8 and Scherzo No.9. The Complete Collection has all 3 Volumes for each instrument with all 9 Scherzi. What’s more they will soon be published in the Procopio PlayAlong Music Program. This is an exclusive MP3 music audio program personally designed and developed in which Player 1 plays along with a music audio track for Player 2. To be sure, The Beethoven Scherzi Duets for Saxophone are a marvel of Beethoven’s skill with sections reaching the sublime. It is my deep felt personal belief that these Scherzi will bring you great pleasure and long lasting satisfaction. Joe Procopio AN INTRODUCTION TO THE BEETHOVEN DUETS By Joe Procopio Because of the complexities, range and sonorities inherent in all of the Beethoven Symphonies, it may seem impossible to transcribe any one movement as a duet that is true to the composer. Nevertheless, I believe these duets contain the heart, soul and essence of Beethoven’s melodies, rhythms and expressions; even though these works are tiny when they are compared to the Master’s great musical creations which have no equal. In fact, there is no comparison. However, my sincere hope is that since I have rendered some of Beethoven’s music as duets, his music is now more readily available to all permitting a greater number of musicians and all the people who hear their performances to come to know and love a bit of the world’s most valuable, breathtaking and beautiful music. In truth, Beethoven’s music has stood the test of time. He astonished people in his day whenever he performed his music or had his music played. He still does today. To be sure, his music has enhanced and enriched the lives of many of us for over 200 years. In performing and listening to these Scherzi you will find the whole of each work a marvel of Beethoven’s skill with sections reaching the sublime. Few composers have been able to write down on paper music of such incredible beauty that it reflects the awesome splendor of God’s creation. What comes to mind immediately is Beethoven’s Pastoral Symphony No. 6. It has been said, that much of his music mirrors not only the magnificence of God’s creation but also the radiance of God the Creator himself. In any event, this music is simply amazing and awe-inspiring. A joy to listen to and to play. I know and can safely say without any hesitation or reservations that this collection will bring you much enjoyment.

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download

SKU: A0.876462

Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. 35 pages. JoeCopio Music LLC #1900839. Published by JoeCopio Music LLC (A0.876462).

THE BEETHOVEN DUETS By Joe Procopio The Beethoven Duets by Joe Procopio is a collection of duets that artist -composer Joe Procopio has adapted and arranged from the 9 Scherzi found in Ludwig van Beethoven’s 9 Symphonies. These duets are the first of their kind in history making them noteworthy, unique and valuable. Each Scherzo is published not only for Saxophone but also for many other orchestral instruments. They are published individually for each instrument; in a Three Volume Collection with 3 Scherzi in each volume; and in a Complete Collection containing all three volumes. They are also available as a CD. Volume One has Scherzo No.1, Scherzo No. 2 and Scherzo No.3. Volume Two has Scherzo No.4, Scherzo No 5 and Scherzo No.6. Volume Three has Scherzo No.7, Scherzo No.8 and Scherzo No.9. The Complete Collection has all 3 Volumes for each instrument with all 9 Scherzi. What’s more they will soon be published in the Procopio PlayAlong Music Program. This is an exclusive MP3 music audio program personally designed and developed in which Player 1 plays along with a music audio track for Player 2. To be sure, The Beethoven Scherzi Duets for Saxophone are a marvel of Beethoven’s skill with sections reaching the sublime. It is my deep felt personal belief that these Scherzi will bring you great pleasure and long lasting satisfaction. Joe Procopio AN INTRODUCTION TO THE BEETHOVEN DUETS By Joe Procopio Because of the complexities, range and sonorities inherent in all of the Beethoven Symphonies, it may seem impossible to transcribe any one movement as a duet that is true to the composer. Nevertheless, I believe these duets contain the heart, soul and essence of Beethoven’s melodies, rhythms and expressions; even though these works are tiny when they are compared to the Master’s great musical creations which have no equal. In fact, there is no comparison. However, my sincere hope is that since I have rendered some of Beethoven’s music as duets, his music is now more readily available to all permitting a greater number of musicians and all the people who hear their performances to come to know and love a bit of the world’s most valuable, breathtaking and beautiful music. In truth, Beethoven’s music has stood the test of time. He astonished people in his day whenever he performed his music or had his music played. He still does today. To be sure, his music has enhanced and enriched the lives of many of us for over 200 years. In performing and listening to these Scherzi you will find the whole of each work a marvel of Beethoven’s skill with sections reaching the sublime. Few composers have been able to write down on paper music of such incredible beauty that it reflects the awesome splendor of God’s creation. What comes to mind immediately is Beethoven’s Pastoral Symphony No. 6. It has been said, that much of his music mirrors not only the magnificence of God’s creation but also the radiance of God the Creator himself. In any event, this music is simply amazing and awe-inspiring. A joy to listen to and to play. I know and can safely say without any hesitation or reservations that this collection will bring you much enjoyment.