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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.764692 Composed by Giacomo Puccini (1858-1924). Arranged by James Pybus. Contest,Festival,Opera,Romantic Period. 9 pages. James Pybus #4355739. Published by James Pybus (A0.764692). E lucevan le stelle (When the stars were brightly shining) is the romanza of Mario Cavaradossi, the tenor, a painter in love with Tosca, in the third act of Puccini's opera Tosca, composed in 1899 to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It is sung by Cavaradossi while he waits for his execution on the roof of Castel Sant’Angelo. Ā The aria is introduced by a somber clarinet solo. The incipit of the melody (heard in outline earlier in the act, as the sky lightens and the gaoler prepares for the execution) is repeated on the lines O dolci baci, o languide carezze (With sweetest kisses, tenderest caresses), and also restated in forte in the closing bars of the opera, as Tosca jumps from the ramparts. This arrangement for SATB Saxophone Quartet will allow your audience to enjoy one of the most well-known arias in all of Opera while at the same time giving your quartet a chance to demonstrate your versatility. Performance time is ca. 2:11. Please contact me at james.pybus56@gmail.com.
E lucevan le stelle from Tosca
Quatuor de Saxophones: 4 saxophones

$16.50 14.44 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1257962 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 85 pages. Jmsgu3 #851199. Published by jmsgu3 (A0.1257962). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass.Ā Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century.Ā The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period.Ā Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
Machaut: La Messe de Nostre Dame for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones

$74.95 65.58 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1257713 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #850942. Published by jmsgu3 (A0.1257713). Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He composed the mass for the Cathedral at Reims, where he served as a canon, and a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Some scholars hypothesize that Machaut did not actually come to work for the Reims Cathedral until the end of the 1350s, composing the mass as an act of devotion and dedication marking his arrival in the precinct.Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. Ā  It was composed for four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period.Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century.T.
Machaut: La Messe de Nostre Dame for Saxophone Quartet - Score Only
Quatuor de Saxophones: 4 saxophones

$49.95 43.7 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.743501 By Doris Day. By Jay Livingston and Raymond B. Evans. Arranged by Josef Štastný. Pop. 6 pages. Josef STASTNY #3884113. Published by Josef STASTNY (A0.743501). Que Sera, Sera (Whatever Will Be, Will Be) first published in 1956, is a popular song written by the Jay Livingston and Ray Evans songwriting team. The song was introduced in the Alfred Hitchcock film The Man Who Knew Too Much (1956), starring Doris Day and James Stewart in the lead roles.Some other SAX quartets arrangements:http://www.sheetmusicplus.com/search?Ntt=josef+stastny+saxwww.STASTNYJOSEF.cz
Que Sera, Sera (whatever Will Be, Will Be)
Quatuor de Saxophones: 4 saxophones
Doris Day
$12.99 11.37 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus






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