Saxophone Quartet,Woodwind Ensemble - Level 5 - Digital Download SKU: A0.515259 Composed by Spencer Williams & Jack Palmer. Arranged by Kenneth Abeling. Jazz,Standards. 26 pages. LINCOLN MUSIC PUBLICATIONS #6211467. Published by LINCOLN MUSIC PUBLICATIONS (A0.515259). I’ve Found a New Baby, Music by Spencer Williams and Lyrics by Jack Palmer for Saxophone Quartet and arranged by Kenneth Abeling.  This is an advanced arrangement of one of the most popular Dixieland charts of all time and a must for your Dixieland library!!  Playing Time 3:10. To view and listen to this piece in its entirety as well as hundreds of other arrangements and transcriptions by Kenneth Abeling at the lowest prices available please visit https://lincolnmusicpublications.com/

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1430706 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 44 pages. Jmsgu3 #1011205. Published by jmsgu3 (A0.1430706). BACH: Partita No. 1 BWV 825. Contents: Praeludium, Allemande, Courante, Sarabande, Menuet I, Menuet II, Gigue. Johann Sebastian Bach's Partita No. 1 in B-flat Major, BWV 825, is a highly significant and influential work for several reasons: It is part of Bach's monumental Clavier-Übung (Keyboard Practice), a collection of some of his greatest keyboard works published in 1731. The Partitas were groundbreaking compositions demonstrating Bach's mastery of counterpoint, harmony, and keyboard technique. Bach referred to the Partitas as his Opus 1, indicating their importance as his first major published keyboard work aimed at refreshing the spirits of music lovers. The Partita No. 1 was the first of the set, published in 1726 and dedicated to a newborn prince. The work expanded the traditional Baroque Partita form by adding a Prelude and two Minuets, showcasing Bach's innovative compositional approach. Each dance movement is a masterful example of its style, from the virtuosic Praeludium and Gigue to the expressive Sarabande. It profoundly influenced subsequent composers and established Bach as a keyboard music pioneer. The Partitas' technical demands and musical depth set new standards for the genre. So, Bach's Partita No. 1 is a seminal work that exemplifies his genius as a composer, innovator, and keyboard master, making it one of the most important compositions in the Baroque era and the history of Western music.

Saxophone Quartet,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.515077 Composed by Traditional. Arranged by Kenneth Abeling. Religious,Sacred. 16 pages. LINCOLN MUSIC PUBLICATIONS #4758449. Published by LINCOLN MUSIC PUBLICATIONS (A0.515077). Amazing Grace! How Sweet the Sound, Lyrics by John Newton set to the hymn tune New Britain for Saxophone Quartet. This is perhaps the most well-known Hymn of all time reflecting Newton’s path to Christianity and prayer for forgiveness as a former Slave trader. This more contemporary and moderately easy level arrangement is appropriate for a variety of religious events. Playing time 3:15. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com.

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1407271 By Traditional. By Traditional Irish Folk Tune. Arranged by Dennis Ruello. Celtic,Folk,Historic,Irish,Religious,Wedding. 12 pages. Chicory Music #989955. Published by Chicory Music (A0.1407271). One of the United Kingdom’s most popular hymns, ‘Be Thou My Vision’ is a traditional Christian hymn with Irish origins. The text is based on a Middle Irish poem most attributed to Dallán Forgaill, an early Christian Irish poet born in 530AD. Since the early 20th century, the text has been sung to an Irish folk tune, known in church hymnals as ‘Slane’. Today, ‘Be Thou My Vision’ is often heard at both weddings and funerals, as well as Sunday church services across the United Kingdom. It is said to be a favourite of King Charles, and a newly set version of the hymn was performed at his coronation service at Westminster Abbey.                                                                           Performance Time Approx. 1:30 minutes.

Saxophone Quartet,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1306205 Composed by Antonio Carlos Jobim and Newton Mendonça. Arranged by Kenneth Abeling. Jazz,Latin. 19 pages. LINCOLN MUSIC PUBLICATIONS #895591. Published by LINCOLN MUSIC PUBLICATIONS (A0.1306205). Desafinado, music by Antonio Carlos Jobim original Portuguese lyrics by Newton Mendonça arranged for Saxophone Quartet SATB or AATB. This is an advanced intermediate arrangement one of the most popular Latin Jazz Standards (bossa novas) of all time. The playing time is approximately 3:40. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/.

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.585802 By Casting Crowns. By John Mark Hall and Matthew West. Arranged by Jeff Tincher. Christian,Gospel. 14 pages. Jeff Tincher #6441701. Published by Jeff Tincher (A0.585802). Here is the newest single (released June 6, 2021) from Casting Crowns. In the original key from the single, this song is a beautiful song about missing someone that has passed. It is a great song for any church service and other events like funerals or memorials. A real tear-jerker ! Duration = 4:29. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1237552 By Tiesto And Karol G. By Carolina Giraldo, Jonas David Kroper, Teemu Brunila, Tijs Verwest, and Yoshi Breen. Arranged by Musikeo. 21st Century,Contemporary,Disco,Latin,Pop. 8 pages. Musikeo #833069. Published by Musikeo (A0.1237552). Don't Be Shy is a song by Dutch DJ Tiësto and Colombian singer-songwriter Karol G. It was released on 12 August 2021 via Atlantic Records as a the second single from Tiësto's seventh studio album Drive. It also marks Karol G's first song in English.The music video was directed by Christian Breslauer, who filmed the music videos for The Business, Industry Baby and Streets. It starts off with an outdoor shot of the Norwegian National Opera and Ballet at the Night, then followed up by the Night at the Museum-inspired music video, comedian Blake Webber plays a museum janitor, and Karol G dances with a group of dancers in different scenes in a museum.Part two of the music video was released on 4 September 2021.Carolina Giraldo Navarro (born 14 February 1991), known professionally as Karol G (stylized in all caps), is a Colombian singer and songwriter. She is predominantly described as a reggaeton and Latin trap artist, but has experimented with a variety of other genres including reggae and sertanejo. In 2018, she won the Latin Grammy Award for Best New Artist, and has been nominated for several Billboard Latin Music Awards and Lo Nuestro Awards.Born and raised in Medellín, Giraldo launched her career as a teenager, appearing on the Colombian spinoff of The X Factor. She moved to New York City in 2014 to learn more about the music industry and signed to Universal Music Latino. Her collaboration with Puerto Rican rapper Bad Bunny Ahora Me Llama became her breakthrough hit, and was the lead single for her debut album Unstoppable, released in 2017. In late 2018, her song Secreto became a hit in Latin America as she and Anuel AA publicly confirmed their relationship in the music video.In July 2019, she released China in collaboration with Anuel AA, Daddy Yankee, Ozuna and J Balvin, which became her first music video with over one billion views on YouTube. In May 2019, she released the album Ocean, which served as a stylistic departure from Unstoppable, incorporating a more relaxed atmosphere in her work. Her song Tusa with Nicki Minaj also charted internationally and was certified 28× Latin Platinum by the RIAA, staying on the Billboard Hot Latin Songs chart for 25 weeks. In 2020, Karol G received four nominations at the Latin Grammys. Karol G achieved her highest-charting single on the Billboard Hot 100 with the top 10 song TQG, a collaboration with Shakira.With her fourth album, Mañana Será Bonito (2023), Karol G became the first woman to ever debut at number one on the Billboard 200 chart with a Spanish-language albumEnjoy my sax quartet arrangement!

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.947799 By Cream. By Robert Johnson. Arranged by Ted Allen. Contemporary. 14 pages. Western Meadowlark Song #6503429. Published by Western Meadowlark Song (A0.947799). This is Robert Johnson's Cross Road Blues arranged for saxophone quartet after the versions recorded by Cream, March 10, 1968, Winterland Ballroom, San Francisco, and Derek and the Dominos, October 23, 1970, Fillmore East, New York. Duration: 2:46.

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1272801 By Barry Manilow. By Richard Kerr and Scott English. Arranged by Spencer Bundy. 20th Century,Pop. 17 pages. Spencer Bundy #864999. Published by Spencer Bundy (A0.1272801). Originally released in 1972 by co-composer Scott English, 'Brandy' reached the top twenty in the U.K. Under it's new name, Barry Manilow released his much loved cover version in 1974. It went on to be his first No.1 hit. A position it would enjoy again in the U.K in 2003, when 'Westlife' released their cover after it was suggested by Simon Cowell.

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1510140 By Matthew West. By Matthew West. Arranged by Jeff Tincher. Christian,Christmas,Contemporary,Holiday,Singer/Songwriter. 19 pages. Jeff Tincher #1085338. Published by Jeff Tincher (A0.1510140). Here is a great Christmas ballad that should become a new traditional hit. Title cut in the original key. Duration = 4:24. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.