Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1509901 By Francesco Leone. By Zequinha de Abreu. Arranged by Francesco Leone. Latin. 20 pages. Glissato Edizioni Musicali #1085114. Published by Glissato Edizioni Musicali (A0.1509901). Embark on a musical journey to Brazil with Sururu na Cidade, a vibrant Chorinho piece by Zequinha de Abreu, the legendary composer of Tico Tico. This piece has been skillfully arranged for Saxophone Quartet SATB (Soprano, Alto, Tenor, and Baritone) by Francesco Leone, catering to intermediate-level players. The arrangement captures the essence of Brazilian Chorinho, blending its lively rhythms and poignant melodies into a saxophone quartet setting that both challenges and delights the performers.This ebook includes the full score and individual parts for B? Soprano, E? Alto, B? Tenor, and E? Baritone saxophones, thoughtfully arranged to showcase the unique qualities of each instrument while staying true to the spirited nature of Chorinho music. Each part is carefully crafted to ensure a balanced ensemble sound, providing an enriching experience for both musicians and audiences alike.To complement your practice and performance, an audio demo of this exquisite arrangement is available at www.glissato.it under the product code: EG0430. This resource is invaluable for understanding the intended dynamics, articulation, and tempo, serving as a guide to bring Sururu na Cidade to life with authenticity and flair.Moreover, this edition is enhanced with informative resources available in multiple languages: English, French, German, Spanish, Italian, and Portuguese. These materials delve into the history of Chorinho, the biography of Zequinha de Abreu, and the musical context of Sururu na Cidade, offering a comprehensive understanding of the piece's cultural and historical significance. Whether you're a saxophonist looking to expand your repertoire with the enchanting sounds of Brazilian music, a music educator seeking engaging material for students, or a music enthusiast eager to learn more about Chorinho, this arrangement of Sururu na Cidade for Saxophone Quartet provides a perfect blend of entertainment and education. Let the joyous spirit of Brazilian Chorinho fill your performances and inspire your musical journey.Saxophon-Noten, partitions pour saxophone, partituras para saxofón, partituras para saxofone, spartiti per sassofono, saksofon notalar?, nuty na saksofon, noter for saksofon, noter för saxofon, ??? ??, ???????.

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1509886 By Francesco Leone. By Zequinha de Abreu. Arranged by Francesco Leone. Latin. 27 pages. Glissato Edizioni Musicali #1085096. Published by Glissato Edizioni Musicali (A0.1509886). Rediscover the timeless charm of Brazilian music with Os Pintinhos no Terreiro, a classic Chorinho piece composed by the legendary Zequinha de Abreu, now masterfully arranged for Saxophone Quartet SATB (Soprano, Alto, Tenor, and Baritone) at an intermediate level by Francesco Leone. This arrangement breathes new life into Abreu's enchanting composition, offering a fresh perspective that blends traditional Brazilian sounds with the dynamic range of saxophones.Included in this package are the score and parts for Bb Soprano, Eb Alto, Bb Tenor, and Eb Baritone saxophones, meticulously crafted to ensure a rewarding and enjoyable performance experience. Whether you are looking to explore the rich heritage of Brazilian music or seeking to add a piece of lyrical beauty and rhythmic complexity to your ensemble's repertoire, this arrangement provides an excellent opportunity.Additionally, this arrangement is accompanied by informative resources available in multiple languages: English, French, German, Spanish, Italian, and Portuguese.For a taste of how this arrangement comes to life, an audio demo is available at www.glissato.it under the product code: EG1034. Dive into the world of Chorinho with Os Pintinhos no Terreiro and let the spirited melodies and intricate harmonies of Zequinha de Abreu's Brazil enchant your audience.- Saxophon-Noten, partitions pour saxophone, partituras para saxofón, partituras para saxofone, spartiti per sassofono, saksofon notalar?, nuty na saksofon -.

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1515580 Composed by Traditional. Arranged by James-Michael Sellers. Christmas,Holiday. 12 pages. JMS Composer #1089935. Published by JMS Composer (A0.1515580). Bring a dose of comedy to your holiday festivities with this hilarious arrangement of Up on the Housetop. Transformed into a merry musical escapade, this rendition features playful rhythms and unexpected twists that mimic the carefree charm of a tipsy tune. Perfect for getting everyone in the festive spirit, it's guaranteed to generate giggles and set a joyful tone at any gathering. Whether for a concert or a holiday party, this whimsical version will have audiences laughing along with its delightful antics.

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1509892 By Francesco Leone. By Joe King Oliver. Arranged by Francesco Leone. Jazz,Ragtime. 23 pages. Glissato Edizioni Musicali #1085103. Published by Glissato Edizioni Musicali (A0.1509892). Immerse yourself in the jubilant spirit of Dixieland with Chattanooga Stomp by the iconic Joe King Oliver, now brilliantly arranged for Saxophone Quartet SATB / AATB. Perfect for intermediate level musicians, this arrangement captures the lively essence and rhythmic bounce of Dixieland jazz, offering a richly rewarding challenge for saxophonists eager to delve into one of the most vibrant eras of American music.This comprehensive package includes both the score and a set of parts for Soprano, Alto, Tenor, and Baritone saxophones, with an additional Alto part to provide versatility in ensemble configuration. Whether you aim to recreate the authentic sound of the roaring twenties or infuse your contemporary performance with the timeless joy of Dixieland, this arrangement offers the perfect blend of historical fidelity and musical adaptability.To accommodate a global audience of musicians and enthusiasts, we've included informative pages in a wide array of languages: English, French, German, Spanish, Italian, Portuguese, Korean, Japanese, and Chinese. This multilingual support ensures that you have all the essential information you need to fully engage with and appreciate the music, no matter where you are in the world.For those eager to hear Chattanooga Stomp come to life, an audio demo is readily available on www.glissato.it. This resource is invaluable for familiarizing yourself with the arrangement and for rehearsal purposes, allowing you to capture the authentic Dixieland sound in your performance.Chattanooga Stomp stands as a lively homage to the enduring legacy of Joe King Oliver and the exuberant world of Dixieland jazz. This arrangement invites saxophone quartets to experience and share the infectious energy and spirited rhythms of one of jazz's most celebrated genres. Whether performed in a concert hall, at a jazz festival, or as part of an educational program, this piece promises to enchant audiences and inspire musicians with its dynamic vibrancy and historical richness.

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1509902 By Francesco Leone. By Jens Bodewalt Lampe. Arranged by Francesco Leone. Ragtime. 24 pages. Glissato Edizioni Musicali #1085115. Published by Glissato Edizioni Musicali (A0.1509902). Discover the lively and spirited rhythms of Watermelon Club, a delightful ragtime piece by Jens Bodewalt Lampe, arranged for Saxophone Quartet by Francesco Leone. Perfect for intermediate-level musicians, this arrangement brings the energetic charm of Lampe's ragtime classic to your saxophone ensemble.Includes:Full ScoreSet of Parts (5):Alto Saxophone 1Alto Saxophone 2Tenor SaxophoneBaritone SaxophoneOptional Part for Bb Soprano Saxophone (instead of Alto Saxophone 1)Features:Authentic Ragtime Feel: Francesco Leone's arrangement captures the vibrant and syncopated qualities of Lampe's original composition, ensuring an engaging and dynamic performance.Intermediate Level: This arrangement is tailored for intermediate-level saxophonists, offering a balanced challenge that is both rewarding and accessible.Flexible Instrumentation: The inclusion of an optional part for Bb Soprano Saxophone provides greater flexibility in ensemble configuration, accommodating different instrumental setups.Comprehensive Package: Includes a full score and individual parts for each member of the quartet, ensuring a smooth rehearsal and performance process.Why Choose This Arrangement? This arrangement is perfect for saxophone quartets looking to explore the rich traditions of ragtime music and add a lively, historically significant piece to their repertoire. Whether for concerts, recitals, or community events, Watermelon Club arranged by Francesco Leone offers a captivating and enjoyable musical experience.Bring the spirited and rhythmic sounds of Jens Bodewalt Lampe's Watermelon Club to your saxophone quartet and delight audiences with this ragtime gem. Get your copy today and let Lampe's music inspire your next performance!

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1509854 By Francesco Leone. By Polish traditional. Arranged by Francesco Leone. Traditional. 25 pages. Glissato Edizioni Musicali #1085082. Published by Glissato Edizioni Musicali (A0.1509854). Step into the vibrant world of traditional Polish music with Grandpa's Polka, also celebrated as Polka Dziadek or The Clarinet Polka. This lively folksong, hailing from the late 19th century, has been a staple in folk celebrations and is now ingeniously arranged for Saxophone Quartet S.A.T.B. by Francesco Leone. This intermediate-level arrangement captures the energetic bounce and joyful spirit of the original melody while showcasing the versatility and rich tonality of the saxophone.This eBook provides both the full score and individual parts for the Soprano, Alto, Tenor, and Baritone saxophones, each meticulously arranged to ensure a rewarding and authentic polka experience. The arrangement pays homage to the piece’s folk roots while adapting it for the dynamic range of the saxophone ensemble, allowing each instrument to shine in both melody and harmony.An audio demonstration of this arrangement can be found at the provided link to www.glissato.it, offering an excellent opportunity for musicians to familiarize themselves with the pace and vivacity of the piece. The audio demo serves not only as a guide for interpretation but also as a source of inspiration, capturing the exuberance and communal joy that Grandpa's Polka evokes.Whether performed in a concert hall or at a community gathering, this eBook ensures that the rich cultural heritage of Grandpa's Polka is accessible to saxophonists eager to explore folk melodies in a classical setting. It's a delightful addition to any saxophone quartet's repertoire, promising to engage audiences with its infectious rhythm and nostalgic charm.

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.796857 Composed by Handel, Traditional. Arranged by Stephanie Daige. Christian,Christmas,Sacred,Traditional. 24 pages. Stephanie Daige #3245943. Published by Stephanie Daige (A0.796857). 2017 Holiday Contest EntryThis arrangement of seven traditional Christmas favorites for saxophone quartet will make your heart joyful as you prepare for the Christmas season! The first part can be played on either soprano or alto saxophone, and the other three parts are for alto, tenor, and baritone saxophone. The melody moves around from instrument to instrument in a conversation-like way, with rich harmonies and beautiful descants enhancing the melodies. The medley begins triumphantly in the key of concert F Major, moves soulfully to the parallel minor, then finishes brightly back in F Major.  Christmas carols featured are:·     Joy to the World·     Good King Wenceslas·     We Wish You a Merry Christmas·     Deck the Halls·     God Rest Ye Merry Gentlemen·     What Child is This?·     Ding Dong Merrily on HighI hope you will enjoy performing this medley as much as I have enjoyed arranging it! Audiences are sure to love it. This would work well in a variety of venues during the Christmas season: school concert, church, shopping mall background music, chamber music concert, prelude to a choral performance/ carol sing-along, etc. It’s perfect for anywhere you want to lift people’s spirits with beautiful, familiar seasonal music.  There are also versions of this medley available for brass quintet, woodwind quintet, flute choir, clarinet choir, string quartet, and piano.  

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.734285 Composed by African-American Spiritual. Arranged by Dennis Ruello. Concert,Gospel,Jazz,Spiritual. 9 pages. Chicory Music #2065711. Published by Chicory Music (A0.734285). Wade in the Water was a popular instrumental hit in 1966 for the Ramsey Lewis Trio, which prompted further instrumental recordings by Herb Alpert and the Tijuana Brass, and Billy Preston (both 1967). The melody was used for the 1988 Tony! Toni! Toné! hit Little Walter.It was also used to warn slaves back then that a Slave Hunter or a Bounty Hunter was nearby and it was to warn them to go in the opposite direction.Wade in the Water, Children is a 2008 American Documentary directed and produced by Elizabeth Wood and Gabriel Nussbaum. It was filmed by a group of 8th grade students at the first school to reopen in New Orleans in the aftermath of Hurricane Katrina. The film offers a shockingly intimate look into life as a child in the ruined city. This jazz treatment of the tune is for four saxophones (SATB or AATB) and includes a full score.

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1416493 By Joe Hisaishi. By Jou Hisaishi. Arranged by Glauco Fernandes. Chamber,Film/TV. 11 pages. Glauco Fernandes #998172. Published by Glauco Fernandes (A0.1416493). Discover the enchanting beauty of Ask Me Why (Mother's Message), the captivating soundtrack from Hayao Miyazaki's The Boy and The Heron, an animated masterpiece that has won the hearts of the world and the Oscar for Best Animation in 2024. Composed by the renowned Joe Hisaishi, this piece encapsulates the magic, mystery, and emotion that permeate the film, offering an auditory experience as profound as the narrative itself.Our score features an exclusive chamber music arrangement, skillfully adapted to be accessible to musicians of various skill levels, from beginning students to experienced teachers and professionals. This arrangement has been carefully crafted to maintain the integrity and spirit of Hisaishi's original composition, ensuring that musicians of all ages and abilities can experience the joy of bringing this moving piece to life.Ideal for classroom performances, concerts, recitals, or even personal practice, this arrangement not only enriches the repertoire of students and educators but also provides professional musicians with a charming and easy-to-prepare piece to add to their event repertoire. It's a perfect way to capture your audience's imagination, whether in an educational setting or on a broader stage.Furthermore, Ask Me Why (Mother's Message) serves as an excellent pedagogical tool, encouraging students to explore themes of musical storytelling, emotional expression, and instrumental technique, all while enjoying the opportunity to connect with a contemporary piece of music that is already considered a classic.Don't miss the chance to dive into the lyrical and emotional universe of The Boy and The Heron through this exclusive arrangement. Whether you're an educator looking to inspire your students, a student seeking to expand your repertoire, or a professional in search of a memorable piece for your performances, Ask Me Why (Mother's Message) promises to touch hearts and awaken imaginations.Tags: Hayao Miyazaki, The Boy and The Heron, Oscar 2024, Joe Hisaishi, chamber music, easy sheet music, music education, professional arrangement, animated music, instrumental practice, event repertoire, musical storytelling, emotional expression, Piano.

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1416491 By Joe Hisaishi. By Jou Hisaishi. Arranged by Glauco Fernandes. Chamber,Film/TV. 11 pages. Glauco Fernandes #998169. Published by Glauco Fernandes (A0.1416491). Discover the enchanting beauty of Ask Me Why (Mother's Message), the captivating soundtrack from Hayao Miyazaki's The Boy and The Heron, an animated masterpiece that has won the hearts of the world and the Oscar for Best Animation in 2024. Composed by the renowned Joe Hisaishi, this piece encapsulates the magic, mystery, and emotion that permeate the film, offering an auditory experience as profound as the narrative itself.Our score features an exclusive chamber music arrangement, skillfully adapted to be accessible to musicians of various skill levels, from beginning students to experienced teachers and professionals. This arrangement has been carefully crafted to maintain the integrity and spirit of Hisaishi's original composition, ensuring that musicians of all ages and abilities can experience the joy of bringing this moving piece to life.Ideal for classroom performances, concerts, recitals, or even personal practice, this arrangement not only enriches the repertoire of students and educators but also provides professional musicians with a charming and easy-to-prepare piece to add to their event repertoire. It's a perfect way to capture your audience's imagination, whether in an educational setting or on a broader stage.Furthermore, Ask Me Why (Mother's Message) serves as an excellent pedagogical tool, encouraging students to explore themes of musical storytelling, emotional expression, and instrumental technique, all while enjoying the opportunity to connect with a contemporary piece of music that is already considered a classic.Don't miss the chance to dive into the lyrical and emotional universe of The Boy and The Heron through this exclusive arrangement. Whether you're an educator looking to inspire your students, a student seeking to expand your repertoire, or a professional in search of a memorable piece for your performances, Ask Me Why (Mother's Message) promises to touch hearts and awaken imaginations.Tags: Hayao Miyazaki, The Boy and The Heron, Oscar 2024, Joe Hisaishi, chamber music, easy sheet music, music education, professional arrangement, animated music, instrumental practice, event repertoire, musical storytelling, emotional expression, Piano.