Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1509913 By Francesco Leone. By Franz Schubert. Arranged by Francesco Leone. Sacred. 22 pages. Glissato Edizioni Musicali #1085120. Published by Glissato Edizioni Musicali (A0.1509913). Ave Maria by Franz Schubert, transcribed for Saxophone Quartet SATB (intermediate level) by Francesco Leone. This includes the score and parts for all four saxophones: soprano, alto, tenor, and baritone. You can listen to an audio demo on www.glissato.it.multiple languages including: English, French, German, Spanish, Italian, Portuguese, Korean, Japanese, and Chinese.These translations provide readers with invaluable insights into the content and its cultural context, ensuring a comprehensive and enriching experience for musicians across the globe.Ellens dritter Gesang (Ellens Gesang III, D. 839, Op. 52, No. 6, 1825), in English: Ellen's Third Song, was composed by Franz Schubert in 1825 as part of his Op. 52, a setting of seven songs from Walter Scott's popular narrative poem The Lady of the Lake.It is one of Schubert's most popular works. Beyond the song as originally composed by Schubert, it is often performed and recorded by many singers (Joan Baez, Stevie Wonder, José Carreras, Luciano Pavarotti, Andrea Bocelli, Barbra Streisand and many more) under the title Ave Maria.- saxofono quartetto, quatuor de saxophones, Saxophonquartett, cuarteto de saxofones, quarteto de saxofones, kwartet saksofonowy, szaxofon kvartett, smy?cový kvartet, cvartet de saxofon, saxofoonkwartet, saxofonkvartett, saksofonkvartett, saxofonkvartet, ??????? ??????????, ???????, ????????????, ??? ???, ????? ?????????, saksofon dörtlüsü, ?????????? ???????? -.

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1509892 By Francesco Leone. By Joe King Oliver. Arranged by Francesco Leone. Jazz,Ragtime. 23 pages. Glissato Edizioni Musicali #1085103. Published by Glissato Edizioni Musicali (A0.1509892). Immerse yourself in the jubilant spirit of Dixieland with Chattanooga Stomp by the iconic Joe King Oliver, now brilliantly arranged for Saxophone Quartet SATB / AATB. Perfect for intermediate level musicians, this arrangement captures the lively essence and rhythmic bounce of Dixieland jazz, offering a richly rewarding challenge for saxophonists eager to delve into one of the most vibrant eras of American music.This comprehensive package includes both the score and a set of parts for Soprano, Alto, Tenor, and Baritone saxophones, with an additional Alto part to provide versatility in ensemble configuration. Whether you aim to recreate the authentic sound of the roaring twenties or infuse your contemporary performance with the timeless joy of Dixieland, this arrangement offers the perfect blend of historical fidelity and musical adaptability.To accommodate a global audience of musicians and enthusiasts, we've included informative pages in a wide array of languages: English, French, German, Spanish, Italian, Portuguese, Korean, Japanese, and Chinese. This multilingual support ensures that you have all the essential information you need to fully engage with and appreciate the music, no matter where you are in the world.For those eager to hear Chattanooga Stomp come to life, an audio demo is readily available on www.glissato.it. This resource is invaluable for familiarizing yourself with the arrangement and for rehearsal purposes, allowing you to capture the authentic Dixieland sound in your performance.Chattanooga Stomp stands as a lively homage to the enduring legacy of Joe King Oliver and the exuberant world of Dixieland jazz. This arrangement invites saxophone quartets to experience and share the infectious energy and spirited rhythms of one of jazz's most celebrated genres. Whether performed in a concert hall, at a jazz festival, or as part of an educational program, this piece promises to enchant audiences and inspire musicians with its dynamic vibrancy and historical richness.

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1509854 By Francesco Leone. By Polish traditional. Arranged by Francesco Leone. Traditional. 25 pages. Glissato Edizioni Musicali #1085082. Published by Glissato Edizioni Musicali (A0.1509854). Step into the vibrant world of traditional Polish music with Grandpa's Polka, also celebrated as Polka Dziadek or The Clarinet Polka. This lively folksong, hailing from the late 19th century, has been a staple in folk celebrations and is now ingeniously arranged for Saxophone Quartet S.A.T.B. by Francesco Leone. This intermediate-level arrangement captures the energetic bounce and joyful spirit of the original melody while showcasing the versatility and rich tonality of the saxophone.This eBook provides both the full score and individual parts for the Soprano, Alto, Tenor, and Baritone saxophones, each meticulously arranged to ensure a rewarding and authentic polka experience. The arrangement pays homage to the piece’s folk roots while adapting it for the dynamic range of the saxophone ensemble, allowing each instrument to shine in both melody and harmony.An audio demonstration of this arrangement can be found at the provided link to www.glissato.it, offering an excellent opportunity for musicians to familiarize themselves with the pace and vivacity of the piece. The audio demo serves not only as a guide for interpretation but also as a source of inspiration, capturing the exuberance and communal joy that Grandpa's Polka evokes.Whether performed in a concert hall or at a community gathering, this eBook ensures that the rich cultural heritage of Grandpa's Polka is accessible to saxophonists eager to explore folk melodies in a classical setting. It's a delightful addition to any saxophone quartet's repertoire, promising to engage audiences with its infectious rhythm and nostalgic charm.

Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.549860 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 14 pages. Jmsgu3 #3557041. Published by jmsgu3 (A0.549860). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival               Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager