SKU: A0.760792

This is an arrangement of Guiseppe Verdi's La Traviata is in the style of a modern Tango. It is a beginning/intermediate piece for all audiences. The duration is approximately 3.23 minutes.

SKU: A0.575773

This arrangement of Railway Song is one of a series of jolly and descriptive quartets (and a septet) all based on the Swabian folksong Auf de schwäb'sche Eisebahne (= on the Swabian railway) from the Tübinger Kommersbuch 1853 The music in this arrangement also mimics the speeding up and slowing down of the train and its whistles. Versions available on this site are: Flute quartet (piccolo, flute, alto flute, bass flute) Flute quartet (2 flutes, alto flute, bass flute) Flute quartet (piccolo, 2 flutes, alto flute) Clarinet quartet (3 B-flat clarinets and 1 Bass clarinet) String quartet (2 violins, viola and cello) Saxophone quartet (soprano, alto, tenor and baritone saxophones) Wind quartet (flute, oboe, clarinet, bassoon) Septet (flute (or oboe), oboe, clarinet, bassoon, viola, cello, piano).

SKU: A0.1433956

BACH: Partita No. 5 BWV 829 Contents: Praeambulum, Allemande, Courante, Aria, Sarabande, Menuet, Passepied, Gigue. Bach's Partita No. 5 in G major, BWV 829, is an essential work for several reasons: The Partitas, including BWV 829, were among the last keyboard suites composed by Bach and are considered his most technically demanding. They were published individually starting in 1726, then collected together as Clavier-Übung I in 1731, the first of Bach's works published under his direction. Partita No. 5 in G major, BWV 829, is particularly notable for its free-ranging structure, unlike the strictly organized English and French Suites. Additionally, the tonalities of the six Partitas form a deliberate sequence of intervals going up and down, with Partita No. 5 in G major completing this tonal scheme. This intervallic sequencing suggests Bach carefully structured the collection as a cohesive whole. Finally, Partita No. 5 is considered an exercise in spiritual delight for its technical demands and expressive qualities. It is one of the repertoire's most famous and challenging keyboard suites.

SKU: A0.1050421

One of the most relevant piano pieces of the Impressionist Movement. Debussy was inspired by the typical baroque suites, adding a Prelude, a Menuet, a Passepied, and the famous Clair de Lune. The beautiful suite explores a great variety of timbres and sounds which translates beautifully for the saxophone quartet versatility and timbre.

SKU: A0.1356745

Here is a Contemporary Christian Pop song by Seph Schlueter. In the original key from the single. Duration = 3:29. Visit my websites: https://jtp.spread.name/, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.

SKU: A0.532821

Jules Demersseman was born on January 9, 1833 in Hondschoote, a small town in the north of France now near the border of Belgium. He entered the Paris Conservatory in 1844 in the class of Jean-Louis Tulou and won a first prize in flute in 1845. Demersseman had a career as a pedogogue and soloist, often performing his own compositions. A close friend of Adolphe Sax, he wrote some of the first works ever written for the saxophone, as well as for the saxhorn and for Sax‘s valved trombone, most of which were published by Sax himself.. Demersseman died in Paris on December 1, 1866 at the age of 33. Two versions of this work were published by the Adolphe Sax puublishing company: a version for voice and organ and a version for voice with Alto Saxophone, Sax Valved Trombone and Bass Saxhorn, an interesting combination which is perhaps not as easy to find as it was in Sax's showroom, where the piece was likely performed to show the qualities of Sax's instruments. These versions are also published by Musik Fabrik in seperate editions. This current version was arranged using the first edition of the trio version as its source, and the saxophone and voice parts remain essentially as in the original, with some editorial dynamic changes. The version may be performed in three possible ways: either as a piece for SATB Saxophone Quartet, as a work with Voice and ATB Trio, or as a work with Voice and SATB saxophone quartet, with the Soprano saxophone doubling the voice. A voical part (in C) is included with the set.