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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - Digital Download

SKU: A0.1257962

Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 85 pages. Jmsgu3 #851199. Published by jmsgu3 (A0.1257962).

1. Kyrie
2. Gloria
3. Credo
4. Sanctus
5. Agnus dei
6. Ite missa est

Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. 

Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:

  • It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.
  • It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.
  • It was composed in four voices, which was unusual at the time.
  • The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.
Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. 

The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. 

Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.

Machaut: La Messe de Nostre Dame for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones

$74.95 70.59 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download

SKU: A0.1257713

Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #850942. Published by jmsgu3 (A0.1257713).

Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He composed the mass for the Cathedral at Reims, where he served as a canon, and a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Some scholars hypothesize that Machaut did not actually come to work for the Reims Cathedral until the end of the 1350s, composing the mass as an act of devotion and dedication marking his arrival in the precinct.

Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:

  • It is the first complete setting of the Ordinary of the mass by a single composer that has survived.
  • It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.
  •  
  • It was composed for four voices, which was unusual at the time.
  • The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.

Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period.

Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century.

T.

Machaut: La Messe de Nostre Dame for Saxophone Quartet - Score Only
Quatuor de Saxophones: 4 saxophones

$49.95 47.05 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Saxophone Quartet,Woodwind Ensemble - Level 3 - Digital Download

SKU: A0.515319

Composed by Richard Wagner. Arranged by Kenneth Abeling. Classical,Opera,Romantic Period. 18 pages. LINCOLN MUSIC PUBLICATIONS #6317989. Published by LINCOLN MUSIC PUBLICATIONS (A0.515319).

Elsa’s Procession to the Cathedral from Lohengrin by Richard Wagner transcribed for Saxophone Quartet. This is an intermediate level piece suitable for general performance and perhaps some religious services as well. An optional Organ part is included to enhance the ending if available. Playing time approximately 5:20. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/

Lohengrin – Elsa’s Procession to the Cathedral (for Saxophone Quartet SATB)
Quatuor de Saxophones: 4 saxophones

$13.99 13.18 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download

SKU: A0.1125324

Composed by Tomas Luis de Victoria. Arranged by Robert Luke Thompson. Early Music,Religious,Renaissance,Sacred,Spiritual. 13 pages. Monkspath Music #726107. Published by Monkspath Music (A0.1125324).

Vere Languores is a text often used in sacred motets, drawing from Isaiah 53:4, and Crux Fidelis. Tomás Luis de Victoria, an accomplished singer, organist, and Catholic priest, is an important Spanish composer of the 16th-century Counter-Reformation, alongside other heavyweight names such as the Italian composer, Giovanni Pierluigi da Palestrina. Victoria’s first book of motets (Motecta I), published in 1572, features Vere languores as the eleventh work.

This arrangement has been transposed to a more saxophone friendly key, and where appropriate, breath marks have been suggested to align with the original text 

A worthwhile addition for any concert, programme, or service, especially those in a sacred venue with impressive acoustics, such as a church or cathedral.

For further pieces, view the Monkspath Music catalogue and click here!

Vere Languores for Saxophone Quartet Quatuor de Saxophones: 4 saxophones

$12.99 12.24 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Small Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - Digital Download

SKU: A0.551804

Composed by Ludwig van Beethoven. Arranged by James Guthrie, ASCAP. Christian,Classical,Concert,Contemporary,Standards. Score and parts. 17 pages. Jmsgu3 #5722755. Published by jmsgu3 (A0.551804).

Three Equali, WoO 30. Score: 9 pages, duration: ca. 4:15

Commissioned in 1812 by Franz Xaver Glöggl, Stadtkapellmeister of Linz. Intended as tower music for All Souls' Day, they were first performed at the Old Linz Cathedral on 2 November 1812. Equals 1 & 3 were performed at Beethoven's funeral on 29 March 1827.

Originally scored for trombone quartet

Beethoven: Three Equali WoO 30 for Sax Quartet
Quatuor de Saxophones: 4 saxophones

$29.95 28.21 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download

SKU: A0.1282942

By New Vaudeville Band. By Geoff Stephens. Arranged by Jeff Tincher. Comedy,Contemporary,Pop. 16 pages. Jeff Tincher #874211. Published by Jeff Tincher (A0.1282942).

Here is a novelty song that I totally forgot about. It was one of my favorites. In the original key from their single, this is vaudeville parody at it's finest. If you need a short song for a concert that will entertain your audience (suggest watching the youtube version of the song), this is it. Duration = 2:31. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.

Winchester Cathedral
Quatuor de Saxophones: 4 saxophones
New Vaudeville Band
$12.99 12.24 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Saxophone-Quartett (SATBar) and organ - advanced - Digital Download

SKU: S9.Q5794

Composed by Enjott Schneider. This edition: score and parts. Downloadable, Score and parts. Duration 18 minutes. Schott Music - Digital #Q5794. Published by Schott Music - Digital (S9.Q5794).

This work was composed for the 250th anniversary of J. S. Bach's death. It was premiered in Erfurt cathedral by the Raschèr Saxophone Quartet and Silvius von Kessel, the cathedral organist. The work contains numerous allusions to Bach. The famous bass ostinato from his Mass in B minor serves as the principal inspiration, while the motif B-A-C-H and the formal structure of his 'Toccata, Adagio und Fuge' provide further links to the master.

Crucifixus
Quatuor de Saxophones: 4 saxophones

$31.99 30.13 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus






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