Jazz Combo - Level 4 - Digital Download SKU: A0.921672 Composed by Chris Bandy. 20th Century,Contemporary,Jazz. Score and parts. 16 pages. Chris Bandy #3860293. Published by Chris Bandy (A0.921672). All Things Uncertain is a short jazz tune that explores the emotions spawning from the many twists and turns of life. Often, it is impossible for a situation to go the way we originally planned, and therefore we must learn to accept whatever comes to us.Anyway, the PDF contains parts for C, B-flat, and E-flat instruments, all of which contain chord changes for soloing. The PDF also contains a 4-chorus solo piano version, the recording of which can be found on Chris Bandy's YouTube channel.

Jazz Combo - Level 4 - Digital Download SKU: A0.1023975 By Peabo Bryson And Regina Belle. By Alan Menken. Arranged by Odd Helge Hveding. Film/TV. Score and parts. 27 pages. Oh2Musikk #3056155. Published by oh2Musikk (A0.1023975). How can your trombone quartet gain more audience? By playing with other people. You want your concerts to be well visited and to help you with that, I make arrangements (and compositions) for trombonequartet with guitar, piano, bass and drums. They also contain an optional bass-trombone/ tuba part and sometimes a solo part. This one contains a trombone solo part. This arrangement of A Whole New World, is scored for Solo Trombone in front of the ensemble mentioned above.  There are two solo parts in the set. One high and and one low. You can combine those two if that makes you more comfortable. Durata: 3,5 minutes (approx.) The song itself is about Alladin taking Jasmine on a ride on the magic carpet. The lyrics are all about discovering what you didn’t know about and be grateful for all the adventures life gives. This makes it a perfect piece to play in a variety of places, like weddings, celebrations of any kind, graduations, not to mention many types of concerts. With a few adjustments you can also use parts of this arrangement and make it work. It’s most powerful when you use the whole band, but it still makes a lot of sense if you have to skip some of the parts. There are so many times I have had to skip a piece in a concert, using a not as good substitute, because we didn’t have the people to play it. In this series I have made it easier to still be able to play it, even if you don’t manage to cover every part. Check it out and you’ll understand. Do you want to know more about me and my music? Please feel free to contact me on facebook, google+, twitter or visit my website marketingmusicians.org

Jazz Combo - Level 5 - Digital Download SKU: A0.779011 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Christian,Gospel,Jazz,Spiritual. Score and parts. 3 pages. Don Hodell Chilcote #4719623. Published by Don Hodell Chilcote (A0.779011). I've Just Come From The Fountain 34 is for piano solo or ensemble. This is a spiritual tune with a great funky straight ahead vibe. The piece has a unique introduction, and harmonization. 2 page arrangement is challenging but not overly so, and well worth the effort to learn. Fun tune to learn and improvise over. I used it in church for a prelude and it was well received with a jamming drummer.

Jazz Combo - Level 4 - Digital Download SKU: A0.782017 Composed by Aaron Hettinga. Jazz. Score and parts. 29 pages. Aaron Hettinga #6064461. Published by Aaron Hettinga (A0.782017). Here’s an easy-going swing tune to feature your trombonists! This original from Aaron Hettinga features some nice soli section playing along with space for solos. There are plenty of texture changes around: tight high harmony, call & response, solo support, group articulations, great chances to showcase quartet section playing and provide opportunities to teach developing players about ABAC form and ensemble.While the top two bone parts can be a bit taxing in range (the lead part especially as it hangs around high C for the much of the last page), the lower parts are mostly straightforward for what’s found in Big Band swing charts.

Jazz Combo - Level 2 - Digital Download SKU: A0.1041997 By Creedence Clearwater Revival. By John Fogerty. Arranged by Nigel Hanley. Blues,Contemporary,Country,Pop,Rock. 33 pages. Nigel Hanley Music #646786. Published by Nigel Hanley Music (A0.1041997). This chart is a 7-piece rock band chart of 'Who'll Stop The Rain' written by John Fogerty and recorded by Creedence Clearwater Revival. The instrumentation is keyboards, guitar, bass, drums, trumpet, tenor sax, and trombone. A rehearsal/accompaniment mp3 for this chart is available from bandchartpro.com or nigelhanley.com Other keys available on request. Questions and enquiries welcome at info@nigelhanley.com Suitable for: rock band with horns, little big band, cover band with horns, cruise ship bands, high school & college bands, tribute bands, function bands & wedding bands, cabaret singers and musicians

Jazz Combo - Level 2 - Digital Download SKU: A0.1090072 By Merle Haggard. By Bonnie Owens and Merle Haggard. Arranged by Nigel Hanley. Blues,Country,Pop,Rock,Singer/Songwriter. 34 pages. Nigel Hanley Music #694249. Published by Nigel Hanley Music (A0.1090072). This is a seven-piece country band chart of the Merle Haggard/Bonnie Owens song, 'Today I Started Loving You Again'. The arrangement is based on the version recorded by Martina McBride with an added horn section. It is in the same key, Eb. Instrumentation: piano guitar bass drums trumpet tenor sax trombone A complete mp3 track is available from www.nigelhanleymusic.com The score and a lead sheet are included. A four-piece rhythm section chart in the same key is also available on this website. Other keys and instrumentation are available on request at: info@nigelhanley.com or www.nigelhanley.com Suitable for: country bands, rock and cover bands, party and wedding bands

Jazz Combo - Level 2 - Digital Download SKU: A0.1229324 By OneRepublic. By Bjorn Yttling, Brent Kutzle, John Eriksson, Peter Moren, Ryan Tedder, and Tyler Spry. Arranged by Brett Spokes. Jazz. 31 pages. Brett Spokes #825230. Published by Brett Spokes (A0.1229324). This song from Top Gun Maverick has been reimagined into a 1920s jazz style. Ideal for a small jazz ensemble with vocals.

Jazz Combo - Level 2 - Digital Download SKU: A0.1514370 Composed by Harold Arlen and Johnny Mercer. Arranged by Toshi Clinch. Jazz. 16 pages. Toshi Clinch Productions #1088853. Published by Toshi Clinch Productions (A0.1514370). Transcribed and adapted from Art Blakey's Moanin' album. Instrumentation is the same as the album - trumpet, alto sax, tenor sax, piano, bass, drums.

Jazz Combo - Level 3 - Digital Download SKU: A0.877827 Composed by Deborah Johnson, Various Public Domain. Arranged by DJWorks Music. A Cappella,Christian,Contemporary,Easter,Sacred. Score and parts. 99 pages. Deborah Johnson #4309241. Published by Deborah Johnson (A0.877827). Full book of twelve contemporary arrangements of timeless favorites, including two new hymns by Deborah Johnson. These are piano-based instrumentals and vocals with vocal and orchestral accompaniment. This 99-page book (including cover and table of contents) also includes a beautiful title page for each song with a brief history and lyrics for the two new hymns. The piano transcriptions are completely written out, including the chords and vocal parts. Several have secondary piano parts included. Also available are individual song downloads and some of the MP3 accompaniment tracks.Album notes:  My Father’s Favorite Hymns is dedicated to my mom and dad. I have memories of being on the front row of church as a little girl, singing as loud as I could. The album is a tribute to my parents who raised my sisters and I to love God, our country and our families. As many musicians do, I got my start in the church, playing the piano for the Children’s church at the age of 10. It didn’t take long before I started sitting at a 9’ Steinway opposite an incredible organist who changed keys as often as a woman changes her clothes. I fell in love with the simplicity of the hymns and with the many fun arrangements that were possible. The lyrics of some of these hymns have been ingrained in my soul and have brought me comfort, deepened my faith, and have taught me that when all is said and done, the Truth and Faithfulness of God are what will carry me through.If you’re searching for: Christian music, inspirational music or church hymns, consider My Father’s Favorite Hymns. Songs include: Tell Me the Old Old Story; Just a Closer Walk with Thee; Great is Thy Faithfulness; Immortal Invisible; Amazing Grace/It is Well; Your Truth it Stands; Glory to His Name; Stand Up for Jesus/Leaning on the Everlasting Arms; In the Garden; Were You There when they Crucified my Lord? (acapella); What a Friend we Have in Jesus; You are Faithful, You are Lord. Separate song downloads also available, where you can hear and preview each selection.From the album up for a 2012 GRAMMY Award®: My Father’s Favorite Hymns, available on Amazon (https://www.amazon.com/music/player/albums/B008O86FQI) or on the website (https://DJWorksMusic.com/products) by Deborah Johnson. You can hear selections of each song on either of those sites, as well as purchase the album.  Video playlist at: http://youtu.be/srvbPkI4eKM?list=PLE49F87AC9C76AE49. There is also a beautiful spiral-bound devotional guide available with the amazing stories and life principles gained from these timeless classics, available on Amazon as well as a spiral-bound print version of this music book. Check out http://www.djworksmusic.com/fathershymns/For more information about Deborah, her albums, books and products, visit https://DJWorksMusic.com  https://GoalsForYourLife.com or https://DeborahJohnsonSpeaker.com

Jazz Combo - Level 5 - Digital Download SKU: A0.942959 Composed by Geoffrey Peterson. Jazz. Score and parts. 37 pages. Geoffrey Peterson #5792333. Published by Geoffrey Peterson (A0.942959). The May 17, 1963, issue of Life Magazine featured a photo essay of appalling images taken by the American photographer Charles Moore. The opening paragraph bluntly stated that The pictures on these 11 pages are frightening. They are frightening because of the brutal methods being used by white policemen in Birmingham, Alabama, against Negro demonstrators . . . And they are especially frightening because the gulf between black and white is here visibly deepened. Known as the Birmingham campaign, Moore’s photographs of this senseless brutality sent shockwaves throughout the country and the world of the deeply embedded social and institutional racism and segregation of the South. On May 2, 1963, under direct orders from Birmingham’s then Commissioner of Public Safety, Eugene Bull Connor, all African Americans participating in a nonviolent demonstration organized by the Southern Christian Leadership Conference were to be subdued with high-pressure water blasts from fire hoses and violently attacked and taunted by police dogs. After seeing Moore’s photos in Life, Andy Warhol created a series of Race Riot paintings using a terrifying image of Moore’s of a man being attacked by a German shepherd in his trademark acrylic and silkscreen process. Interestingly, the title Race Riot is a contradiction because it was in fact a peaceful protest interrupted by the violence of the police. There is a menacing quality to the music that I hope conveys both Moore’s original photo and Warhol’s appropriation.

Jazz Combo - Level 3 - Digital Download SKU: A0.1262262 By Allan Abbadia. By Allan Abbadia. Arranged by Allan Abbadia. 21st Century,Contemporary,Folk,Latin,Multicultural,World. 50 pages. Allan Abbadia #855294. Published by Allan Abbadia (A0.1262262). Memórias opens the second album by Allan Abbadia.The music was made from the story of his own family. Allan Abbadia brings African structural thinking into horizontal thinking built by layers. Clef combinations in melodic and rhythmic counterpoints will develop throughout the composition.The rhythmic base and the arrangement was thought of from the high frequencies to the low ones.In instrumentation, Gan (Cowbel) is the rhythmic center followed by Lé, Rumpi and Rum (a more serious Atabaque soloing freely) completing the percussions with Xhaker, Clave and Cuíca.The drums were designed to complement the percussion.The Double Bass maintains sustain.In the woodwinds, flute, alto, tenor and baritone saxophones, fluguelhorn and trombone.A choir of voices is also present in the background.The tempo is 7/4 but we can think of a binary rhythm in subdivision by 7 instead of 8.Travel through time and the sensations of Memórias.

Jazz Combo - Digital Download SKU: A0.979642 Composed by Roger Aldridge. Blues,Jazz. Score and parts. 1 pages. Roger Aldridge #432833. Published by Roger Aldridge (A0.979642). A slow, soulful blues for those times when we need to play a slow, soulful blues. The title comes from a day when I was reflecting upon lost ancient civilizations and wondering about their music. What did the music sound like? Did the musicians back then have steady gigs? This is a fairly conventional 12-bar blues, however it has some interesting quirks. The 4th bar has a sustained C with V7 (#9) chords moving chromatically upwards against it. In terms of conventional harmony, the C is a wrong note on several of the chords (like the Db7). The chord changes have reharmonization in several places. The ending, with a shift to major 7th chords, is unusual for a blues. CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI WEBSITE: http://www.rogeraldridge.com/ YEAR OF RELEASE: 2000.

Jazz Combo - Level 4 - Digital Download SKU: A0.970760 Composed by Mike Strand. Concert,Jazz. Score and parts. 4 pages. Michael M. Strand #5795683. Published by Michael M. Strand (A0.970760). By Mike Strand, ASCAPHere’s a swing tune lead sheet, with lyrics, chord symbols, and guitar fret boards, for a jazz group, large or small, with a singer.  It’s a solid foundation for a variety of arrangements, contra facts, and improvisations. The audio file is a swing accompaniment from iReal Pro, combined with the melody from Finale PrintMusic. In this sample, you hear a baritone saxophone in place of the singer, and an electric guitar for the instrumental sections. The lyrics express frustration with white bigotry toward people with dark skin, and how that brand of racism surfaces in acts of police brutality. The lyrics pose both practical and ideal solutions. Here are the lyrics: For Way Too LongFor way too long, dark skin has been called blight, And just to breathe, black folks have had to fight. Civil rights laws are there; it’s only fair, we give them real bite. (Instrumental) Civil rights laws are there; it’s only fair, we give them real bite.   For way too long, bad cops have broken rules, While their good partners get put down by them as fools. But now we all may see the fall of bigots using blacks as tools. (Instrumental) But now we all may see the fall of bigots using blacks as tools.   For way too long, cold hearts remain unchanged. But with strong rules, constraints can be arranged.  Enforcing laws need not be cause for folks to be estranged.Lord, may our hearts be changed!