Jazz Combo - Level 5 - Digital Download SKU: A0.778955 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Gospel,Jazz,Sacred,Spiritual. Score and parts. 3 pages. Don Hodell Chilcote #3539067. Published by Don Hodell Chilcote (A0.778955). My Soul's Been Anchored In The Lord is for piano solo or ensemble. This is a spiritual tune with a great funky vibe. The piece has a distinct and unique introduction, and development. 2 page arrangement is challenging but not overly so, and well worth the effort to learn. Fun tune to learn and improvise over. I used it in church for a prelude and it was well received with a jamming drummer.

Jazz Combo - Level 4 - Digital Download SKU: A0.1444638 Composed by Grant Horsley. Blues,Film/TV,Jazz,Standards,Wedding. 34 pages. Grant Horsley #1024531. Published by Grant Horsley (A0.1444638). Scored for Alto Sax, Piano, Bass and Drums.Cocktails is a lazy lounge style quartet- aimed at background, wedding, slow dance situations. It is in ternary form in concert E flat major and in 12/8 time with a sax lead and a impro solo written out, although this, as in other areas, can be replaced by own solos. The piano part also has chords included to give flexibility- or to use other keys/rhodes, synth etc. An additional chord chart with top line part has also been included so the piece can be expanded to use other concert instruments like rhythm guitar. The full score is 16 pages (without the D.S.) and is 6 mins long. Set to advanced intermediate level, but the whole score is on the youtube link for you to assess suitability.Price is for full score and all parts.

Jazz Combo - Level 3 - Digital Download SKU: A0.1086270 By Signe J Crawford. By Signe J Crawford. Arranged by Signe J Crawford. Contemporary,Film/TV,New Age. 1 pages. Signe Crawford #690436. Published by Signe Crawford (A0.1086270). Serene Trumpet and Alto Sax duet. Piano/bass chords only.

Jazz Combo - Digital Download SKU: A0.933539 Composed by Wolfgang Lackerschmid. Jazz,Latin. Score and parts. 3 pages. Silvanus Musikverlag #3484573. Published by Silvanus Musikverlag (A0.933539). As recorded with Wolfgang Lackerschmid and the Brazilian Trio

Jazz Combo - Digital Download SKU: A0.933540 Composed by Wolfgang Lackerschmid. Jazz,Latin. Score and parts. 3 pages. Silvanus Musikverlag #3484581. Published by Silvanus Musikverlag (A0.933540). As recorded with Wolfgang Lackerschmid and the Brazilian Trio

Jazz Combo - Level 3 - Digital Download SKU: A0.774464 Composed by Louis Alter. Arranged by Brad Esbensen. Contemporary,Jazz,Standards. 47 pages. Brad Esbensen Music Services #6219101. Published by Brad Esbensen Music Services (A0.774464). Arranged for jazz combo consisting of six front line (playable by a minimum of four - trumpet, alto sax, tenor sax, trombone) and rhythm section, Do You Know What It Means... is a vocal feature in the key of C major. It is a long form over three choruses - vocal chorus, instrumental chorus and vocal chorus to finish. There are several short (8 bars) solo feature spaces for alto sax, trombone, piano, and trumpet in the instrumental chorus; the melody line has been included as a guide for younger players. Piano and bass parts are notated throughout to help make this chart more accessible to less experienced players. I hope you enjoy performing this chart and if you would like it transposed into another key, please e-mail me at brad@bemus.com.au. www.bemus.com.au

Jazz Combo - Level 3 - Digital Download SKU: A0.970752 Composed by Johann Sebastian Bach. Arranged by Mike Strand. Concert,Easter,Jazz,Latin. Score and parts. 3 pages. Michael M. Strand #5375603. Published by Michael M. Strand (A0.970752). By Mike Strand, ASCAP This is a lead sheet with chord symbols and guitar fret boards, for a Latin or jazz group, large or small.  It serves as the foundation for a variety of arrangements, contra facts, and improvisations. To write this bossa nova, I adapted and arranged material from the opening chorus of J. S. Bach’s St. John Passion.  São João means St. John in Portuguese, in recognition of the Brazilian roots of bossa nova. For me, Bach’s rich and appealing chord progressions and choral melodies, and the steady flow of the music in this chorus, as well as the popularity of Bach among jazz musicians, justify this adaptation. The audio sample is a jazz quartet:  An iReal Pro jazz bossa nova accompaniment, combined with my tune from Finale PrintMusic.

Jazz Combo - Level 4 - Digital Download SKU: A0.970755 Composed by Mike Strand. Concert,Jazz. Score and parts. 3 pages. Michael M. Strand #5739279. Published by Michael M. Strand (A0.970755). By Mike Strand, ASCAP This is a swing tune lead sheet with lyrics, chord symbols and guitar fret boards, for a jazz ensemble with two voices, or for one voice and a singing instrument, or for two singing instruments. It serves as a good foundation for a variety of arrangements, contra facts, and improvisations. The audio sample is a medium swing accompaniment from iReal Pro, combined with my tunes from Finale PrintMusic. You hear two melodies with the accompaniment -- a treble electric guitar, and a simulated baritone voice (without the words). A rock version of St. Matthew Blue is also for sale on this web site. St. Matthew Blue portrays an unhappy person coping with the COVID 19 pandemic, which started early in the year 2020. It’s not a blues tune, however, so the word blue is in the title without the s. St. Matthew Blue contains unusual harmonies inspired by J. S. Bach’s opening chorus to the St. Matthew Passion. This tune doesn't match the profundity and appeal of Bach's chorus, but the two 16-bar themes of St. Matthew Blue contain some of my favorite harmonic ideas from Bach’s work. This gives a depth to this piece that sets it apart from other swing tunes. Here are the lyrics to St. Matthew Blue:An evil little bug has got me down.I want to drink a mug of beer in town. But now I get supplies brought to my door From many tries to find an online store.   Self-pity brings to mind St. Matthew’s tale, How Jesus saved our kind from fiery hell. That my soul is safe may well be true, But I still chafe at fighting this damn flu.    

Jazz Combo - Level 3 - Digital Download SKU: A0.1231938 By DesTrepagny. By Real Trepanier. Arranged by Real Trepanier. Film/TV,Funk,Jazz. 47 pages. Winny #827623. Published by Winny (A0.1231938). A copyrighted original composition by Réal Trépnier arranged for DesTrepagny Jazz Dectet (3-2-1-4) based on a slow sixteen notes funky rhythm. The minor mode of the verse (lydian) suggests a kind of spacy ambiance while the refrain in major mode releases that suspense. Two full choruses (verse & refrain) are dedicated to solos; four different soloists share these 2 choruses. This music would fit perfectly as moovie soundtrack theme.Lydian mode, Slow sixteen notes funk, mysterious.

Jazz Combo - Level 4 - Digital Download SKU: A0.1430130 By Various. By Joseph Pugh. Jazz,Pop,R & B,Spiritual. 13 pages. Joseph Pugh #1010805. Published by Joseph Pugh (A0.1430130). This is the Jazz Band arrangement of the chora[ work that Joseph has post here on the site.Good Gospel feel and the lead is in the tenor sax. Take'm to Church, with this one written in 1979,and still currant today.( Guitar Chords with piano sheet music).

Jazz Combo - Level 4 - Digital Download SKU: A0.970761 Composed by Mike Strand, ASCAP. Blues,Jazz. Score and parts. 6 pages. Michael M. Strand #6136125. Published by Michael M. Strand (A0.970761). Mike Strand, ASCAPThis is a lead sheet with lyrics, chords and guitar fret boards, for a jazz group, small, or large, with singer or solo instruments. It serves as a good basis for a variety of arrangements, contra facts, and improvisations.The audio sample is a jazz quintet: A slow swing jazz accompaniment from iReal Pro, combined with my duet tunes from Finale PrintMusic. In this sample, a flute takes the accompaniment (treble clef), with a baritone sax in the bass clef. The main tune (bass clef) is accompanied, making this an unusual duet lead sheet. For example, a flute may accompany a baritone singer. An option is to interchange the voice roles (e.g., main tune octave higher, accompaniment octave lower), or use one of the tunes of the duet by itself. I wrote this piece in honor of immigrants, in recognition of the courage it takes to move to a new country and learn a new language. New immigrants often go through difficulties and setbacks, including persecution from citizens of their adopted country. This, despite the recent immigrant ancestry of most of the persecutors, notably in the USA. In the subtitle of Immigrant Blues, I recognize my own immigrant ancestors, and also Anders LundegÃ¥rd, who, like my paternal grandparents, moved to the USA from Sweden. Anders helped me with this piece, with his reviews and comments. **Here are the lyrics for Immigrant Blues: 1. Moving to the U. S., far away. Life here is so bad, I will not stay. Talked to Mom and Dad, they said OK. I want to make a place for them some day. 2. First time in the States was no picnic. Half the time no work, and I got sick. Some folks try to help, while others scoff. I have friends, but others put me off. 3. Looking bright and able, that’s my plan. Taking ESOL classes when I can. Learning English is no easy chore, And I want my folks here, that’s for sure.   And I want my folks here, that’s for sure. Oh, yeah!

Jazz Combo - Digital Download SKU: A0.979629 Composed by Roger Aldridge. 20th Century,Blues,Jazz. Score and parts. 1 pages. Roger Aldridge #427659. Published by Roger Aldridge (A0.979629). Pi, Why? is an unconventional blues that uses Pi (3.1415926....) as a sequence of melodic intervals. Do not let that scare you away -- the music swings. The structure of this 18-bar tune is based on 3-bar phrases and there is shifting time in places. The first 32 digits of Pi are used in this tune: 3.1415926535897932384626433832795. Here is how I converted the Pi numbers to melodic intervals: Simply, each number becomes an interval in relation to the root of the chord being used at the time. That is, the relationships change when the chords change. The intervals are natural or altered (b9, #9, #11, etc.) chord tones or higher tensions. For 3 on V7 chords, I use either natural 3 or minor 3 (enharmonically #9). The tune starts with the sequence of 3 (#9), 1, 4 (#11), 1, 5, 9 (b9) played twice with C7 (#9) and then transposed down a half-step for B7 (#9). The next sequence -- 2 (b9), 6, 5, 3 (natural), 5 -- is played with the Bb7 (#9) chord and so on through the rest of the 32-note sequence. While 3 is the first number of Pi, that is not why the tune is structured with 3-bar phrases. Simply, the 3-bar phrases felt natural and swinging to me. This tune has a strong blues flavor; however, it is not a conventional 12-bar blues in its structure or chord progression. The A part is 12 bars. Then, the B part is 6 bars with alternating 4/4 and 3/4 (one can think of it as 7/4). The B part also has a harmonic shift from V7 (#9) chords to V9 sus4 and major 7th chords. CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI WEBSITE: http://www.rogeraldridge.com/ DURATION: around 4:00 YEAR OF RELEASE: 1999.