Jazz Combo - Level 3 - Digital Download SKU: A0.1308020 By Kenny G. By Dan Shea, Kenny G, and Walter Afanasieff. Arranged by Ralph J Martin. Contemporary,Hip-Hop,Jazz,R & B. 30 pages. Brass Dragons #897297. Published by Brass Dragons (A0.1308020). This is a small ensemble arrangement of Degrees by Ralph Martin of Brass Dragons.Included parts; C, Bb, Eb, Guitar, Keyboard, Bass, Drum Set and Score.Also includes solos.This is a great tune and a good crowd pleaser.Optional arrangements and instrumentation may be ordered at: BrassDragonsMusic@gmail.com.

Jazz Combo - Level 3 - Digital Download SKU: A0.503634 By Etta James and Rod Stewart. By Billy Foster and Ellington Jordan. Arranged by John Smith. 20th Century,Blues,Jazz,Standards. 10 pages. Stephanie Smith #115718. Published by Stephanie Smith (A0.503634). Key: G Major. Jazz Combo. Keyboard, Alto Sax, Tenor Sax, Trumpet, Trombone, Bass & Drums.

Jazz Combo - Level 3 - Digital Download SKU: A0.790277 By Adele. By Adele Adkins and Dan Wilson. Arranged by Nigel Hanley. Hip-Hop,Pop,R & B. 13 pages. Nigel Hanley Music #4990777. Published by Nigel Hanley Music (A0.790277). This chart is a 7pc pop ballad band arrangement of ‘Someone Like You’ as recorded by Adele. The key is G which is a tone lower than Adele's version. The instrumentation is:pianoguitarbassdrumstrumpettenor saxtrombone

Jazz Combo - Digital Download SKU: A0.979641 Composed by Roger Aldridge. Celtic,Jazz. Score and parts. 1 pages. Roger Aldridge #432873. Published by Roger Aldridge (A0.979641). October Joy is a slip jig (Celtic dance music in 9/8) with touches of contemporary jazz. I consider it to be one of my best fusions of roots music and jazz. Besides being a blend of Celtic and jazz styles, this piece has a number of unusual features. Structurally, I think of it as AAAB. The first A is 5 bars, the second A is 3 bars (transposed up a half-step to Ab), and the third A is 3 bars (transposed back to G). The B part, 9 bars in length, has a sudden change to E for the first 3 bars. Then, the chord progression becomes harmonically vague -- including a shift from major 7th chords to V9 sus4 chords. Shifting time is used throughout the piece with single or multiple bars of 6/8 interjected into the 9/8. While it has some quirky touches, this is music with a driving and joyful spirit. CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI WEBSITE: http://www.rogeraldridge.com/ YEAR OF RELEASE: 1999.