Jazz Combo - Level 3 - Digital Download SKU: A0.486281 Composed by Marcel Louiguy. Arranged by Julian Perez. Jazz,Latin,Standards. Score and parts. 25 pages. Julian Perez #104677. Published by Julian Perez (A0.486281). This arrangement of Louiguy's Cherry Pink and Apple Blossom White was created with four horn parts (Alto Sax, Tenor Sax, Trumpet, Trombone), a rhythm trio, and arranged Congas, Bongos, Claves, and Cowbells (Agogo Bells). It's form gives the melody and a solo going twice through. A unique element to this arrangement are the added Clave and Agogo Bell parts exclusive to the solo section. The idea behind this is for the two horn players without a solo to take up either part and play some auxiliary percussion throughout the solo section until they can get back on their horn. This intermediate arrangement promises interactiveness, great instrumentation, and a fantastic sounding combo!

Jazz Combo - Level 5 - Digital Download SKU: A0.779201 By Dave Koz & Kelly Sweet. By Irving Berlin. Arranged by Don Hodell Chilcote. Contemporary. Score and parts. 3 pages. Don Hodell Chilcote #6631647. Published by Don Hodell Chilcote (A0.779201). White Christmasis for piano solo or ensemble. This is a wonderful Christmas tune with a great passionate setting. Short concise arrangement is challenging but not overly so, and well worth the effort to learn. Fun tune to learn and improvise over.  Fun Stuff.

Jazz Combo - Level 4 - Digital Download SKU: A0.781983 By Bing Crosby and Rosemary Clooney. By Irving Berlin. Arranged by Aaron Hettinga. Christmas,Contemporary,Holiday,Jazz,Standards. Score and parts. 10 pages. Aaron Hettinga #6027125. Published by Aaron Hettinga (A0.781983). This lesser known holiday-season standard by the great Irving Berlin is available here for 4 Trombones and Rhythm section. This ballad had its debut in the classic film White Christmas with Bing Crosby and Rosemary Clooney.This arrangement was written as a Head chart where, after the initial rundown of the melody, the form is repeated for as many soloists as are desired before a final repeat playing the tune and proceeding to the second ending. Chord changes are provided in all parts for flexibility in soloist selection. For the most part, the ensemble parts are accessible to a broad range of playing abilities, but the top part is the greater challenge for range and melodic lyricism.Performance options: This ballad runs the risk of dragging along so slowly that it feels interminable. Even at a moderately slow tempo, it’s important to keep things moving. If it feels that the solo section takes too long, it also works well to bring the ensemble back at the B section of the melody (meas. 21) for a briefer wrap up.