Jazz Combo - Level 3 - Digital Download SKU: A0.1312110 By Jay-Z. By Claude Francois, Francois Revaud, Gilles Thibaut, Jacques Revaux, Jimmy Kendrix, Paul Anka, Sean Carter, and Shawn C. Carter. Arranged by Nigel Hanley. Broadway,Film/TV,Jazz,Musical/Show,Pop,Standards. 32 pages. Nigel Hanley Music #901003. Published by Nigel Hanley Music (A0.1312110). * Key of F * male vocal - medium range with high endingThis chart is an 8-piece pop cabaret arrangement of 'My Way' in the style of Tom Jones.  It is written in F, the same key as Tom Jones' original recording.The piano/conductor part has cues for strings, horns, piano and guitar.The instrumentation is:pianoguitarbassdrums-------3-part horns:trumpettenor saxtrombone-------------4-part horns:trumpetalto saxtenor saxtrombone----------The complete mp3 track can be downloaded at  www.nigelhanleymusic.comOther keys and instrumentation available on request:  info@nigelhanley.comSuitable for: cabaret shows and bands, pit bands, pop and rock bands with horns, talent quests, cruise ship bands, high school & college bands, tribute shows.* 60s * cabaret * pop * showtune *

Jazz Combo - Level 4 - Digital Download SKU: A0.1447141 By Frankie Moreno. By Anthony Moreno, Frankie Moreno, and Gianna Adams. Arranged by Garrett Breeze. Funk,Pop. 60 pages. Lagom Music #1026920. Published by Lagom Music (A0.1447141). This brassy take on Frankie Moreno's tune is full of memorable show choir vocal moments. Reminiscent of Stevie Wonder, it is an uptempo, dance heavy showstopper! Available for SATB with show band accompaniment.From the BREEZE TUNES SHOW CHOIR SONGWRITER SERIES, a collection of competitive show choir arrangements of songs written by independent artists, arranged by Garrett Breeze. To view more titles in the series or find more music for show choir visit http://breezetunes.com. You can also find score previews on youtube @breezetunes.

Jazz Combo - Level 4 - Digital Download SKU: A0.1076789 Composed by Jule Styne and Sammy Cahn. Arranged by Aaron Hettinga. 20th Century,Film/TV,Jazz,Standards,Wedding. Score and parts. 17 pages. Aaron Hettinga #680902. Published by Aaron Hettinga (A0.1076789). The enduring World War II- era standard “It's Been A Long, Long Time� has been recorded by many great artists through the years. More recently, the song has found renewed popularity due to its use in the Marvel Cinematic Universe’s “Avengers� movies. This arrangement takes its cue from the recording by Harry James and his orchestra, and reworks the performance as presented here for Vocal soloist, 3 horns, and Rhythm section. This chart observes the original key and form of the classic recording by Harry James with vocal soloist Helen Forrest. The horn parts closely follow in the footsteps of the original recording, making this a good vehicle to showcase a talented trumpeter. The remaining horns play the supporting role of the most important elements of the large orchestra arrangement which requires strong players on all parts. The Rhythm section/Lead sheet incorporates the chord changes and most important rhythmic elements to allow a flexible instrumentation of rhythm section to adequately feature the trumpeter and vocalist. This arrangement is a great way to showcase talented instrumentalists and vocals on this classic piece of music!

By Portugal. The Man. By Asa Taccone, Eric Andrew Howk, Freddie Gorman, Georgia Dobbins, Jason Wade Sechrist, John Baldwin Gourley, John Hill, Kyle O'Quin, Robert Bateman, William Garrett, Zachary Scott Carothers, and Brian Holland. Arranged by Jon Woodend. Rock. Score and parts. 30 pages. Jon Woodend #4824121. Published by Jon Woodend

Jazz Combo - Level 4 - Digital Download SKU: A0.976809 By Kaya May. By Tim Jensen and Yoko Kanno. Arranged by Zack Demos. Film/TV,Jazz,Rock. Score and parts. 31 pages. Mute City Music #6068135. Published by Mute City Music (A0.976809). As Recorded by The Seatbelts-High energy Jazz-Rock that features female vocalist (Alto)-Keyboardist has option of either clavinet or piano-Playable with or without horn section-Ideal for more experienced Jazz and showbands 

Jazz Combo - Level 4 - Digital Download SKU: A0.1201507 By Christopher Burnett. By Christopher Burnett. Arranged by Christopher Burnett. Contemporary,Film/TV,Jazz. Score and parts. 3 pages. Christopher Burnett #800128. Published by Christopher Burnett (A0.1201507). ORIGINAL MUSIC FOR JAZZ QUARTET This work is from series of 6 related pieces of new music that I have composed and arranged for a new Originals quartet that had its debut on Tuesday March 28 as the final concert of the 2023 season of the long running noontime spring jazz series at the Midwest Trust Center in the Kansas City metropolitan area. The music is written and arranged for a modern jazz quartet. I perform on alto saxophone with the multi-talented William Crain on piano, the master bassist Gerald Spaits, and the brilliant young drummer Morgan Rogers. The mockup audio demos posted are among the first set of compositions written for our group. I actually wrote and arranged all of this music with each of these quartet musicians’ artistry in mind and to record an album. However, I truly welcome other ensembles to perform and program these selections of music too.THIS MUSIC IS BASED UPON THE PHILOSOPHY OF ABUNDANCE (COVEY)Scarcity Mentality is the zero-sum paradigm of life. People with a Scarcity Mentality have a very difficult time sharing recognition and credit, power or profit – even with those who help in the production. They also have a very hard time being genuinely happy for the successes of other people – even, and sometimes especially, members of their own family or close friends and associates. Conversely, Abundance Mentality flows out of a deep inner sense of personal worth and security. It is the paradigm that there is plenty out there and enough to spare for everybody. It results in sharing of prestige, of recognition, of profits, of decision making. It opens possibilities, options, alternatives, and creativity.THE MUSICAL SELECTIONS (F-A-M-I-L-Y)All of these six pieces interact musically as one larger work or they can be performed independently from the collection with equally pleasing effects musically.1. “FINALLY� (Is Never Permanent…) Composed and Arranged By Christopher Burnett (BMI)2. “ALWAYS� (Is Never Giving Up…)Composed and Arranged By Christopher Burnett (BMI)3. “MAYBE� (It Is or Is Not…)Composed and Arranged By Christopher Burnett (BMI)4. “INFINITY� (Is The Reality…)Composed and Arranged By Christopher Burnett (BMI)5. “LATER� (Is Better Than Never…)Composed and Arranged By Christopher Burnett (BMI)6. “YESTERYEARS� (Bring Our Todays…)Composed and Arranged By Christopher Burnett (BMI)Thanks,Christopher Burnett (BMI)musician, composer, educatorhttps://BurnettPublishing.com.

Jazz Combo - Level 3 - Digital Download SKU: A0.1448801 By Jacksons. By David Jackson-Rich, Elmar Krohn, Hans Kampschroer, Michael Jackson-Clark, and Thomas Meyer. Arranged by Matt Amy. Contemporary,Disco,Pop,Soul. 39 pages. Matt Amy Music #1028615. Published by Matt Amy Music (A0.1448801). Key: Eb majorBPM: 117Style: DiscoDuration: 3:35“ Ensemble type: Small Band (3 and 4 horns)Full Recording (MIDI): No recording available, however follows same routine/form as the Jackson 5 recordingInstrumentation- Trumpet- Alto Sax- Tenor Sax- Trombone- Guitar- Piano- Bass- DrumsClick the following link for more arrangements by Matt AmyContact Matt here 

Jazz Combo - Level 5 - Digital Download SKU: A0.778888 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Christian,Film/TV,Gospel,Jazz. Score and parts. 4 pages. Don Hodell Chilcote #3368099. Published by Don Hodell Chilcote (A0.778888). Oh How Wonderful is for piano solo or an ensemble group. This is a great tune with a great funky vibe. The piece has a distinct and unique introduction, and development. 2 page arrangement is challenging but not overly so, and well worth the effort to learn. Fun tune to learn and improvise over. I performed it in church for a prelude and it was well received with a jamming drummer. Fun Stuff.

Jazz Combo - Level 5 - Digital Download SKU: A0.778785 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Christian,Christmas,Gospel,Jazz,Sacred. Score and parts. 4 pages. Don Hodell Chilcote #2942239. Published by Don Hodell Chilcote (A0.778785). Lo How A Rose Every Blooming is for piano solo or ensemble. This is a christmas tune and has a unusual introduction and rhythmic feel, and development. 3 page arrangement is challenging but not overly so, and well worth the effort to learn. Fun tune to learn and improvise over. I used it in church for a prelude and it was well received with a jamming drummer. Fun Stuff.

Jazz Combo - Level 5 - Digital Download SKU: A0.1256207 Composed by Dustin Burnett and Tyrone N Wells. Arranged by Garrett Breeze. Contemporary,Pop. 62 pages. Lagom Music #849676. Published by Lagom Music (A0.1256207). **This product is the instrumental accompaniment score and parts only:**Purchase the SATB voicing:Purchase the SSA voicing:Purchase the SAB voicing:Purchase accompaniment and part dominant learning tracks:This epic closer covers a lot of ground in a short amount of time, filled with huge vocal moments, tons of dynamic contrast, and shifting styles of band accompaniment that help propel the arrangement to a massive conclusion.  First performed by Papillion La Vista South High School Titanium in 2022.From the Breeze Tunes Show Choir Championship Series, a curated collection of tried and true arrangements performed by the nation's top competitive show choirs, now available as stock arrangements through sheetmusicdirect.com and sheetmusicplus.com.For custom arrangements and show designs for competitive show choir visit https:/breezetunes.com.Visit garrettbreeze.com to find music for traditional choral ensembles and a cappella groups, as well as resources for arrangers and composers! 

Jazz Combo - Level 3 - Digital Download SKU: A0.1353933 By Frank Sinatra. By Gus Kahn and Isham Jones. Arranged by Debra E. Stempien, Gregory H. Turner. Broadway,Film/TV,Jazz,Musical/Show,Pop,Standards. 13 pages. Standard Time #938672. Published by Standard Time (A0.1353933). This classic standard is arranged for intermediate jazz combo with composed solos for alto sax and piano. It is suitable for use as dance music, concert performance, or background fare.

By Kris Allen. By John Lennon and Paul McCartney. Arranged by Tanna Ward and Jan Ward. Broadway, Contemporary, Film/TV, Musical/Show, Pop, Rock. Score and parts. 17 pages. Ward Family Enterprises #714559. Published by Ward Family Enterprises

Jazz Combo - Digital Download SKU: A0.979640 Composed by Roger Aldridge. Jazz,World. Score and parts. 1 pages. Roger Aldridge #432777. Published by Roger Aldridge (A0.979640). This is a romantic samba. I wrote this tune to express my wife's qualities of warmth and surprise...and how she is a wonderful dancer. I think of the tune as being fairly straight-forward; however, it has some surprises. The AB form is unusual in how the A part is 15 measures and the B part is 22. While the music is mostly in 4/4, there are two places where a measure or two of 3/4 is used to shake things up. Harmonically, there is a mix of standard II-V chord changes, parallel harmony, and symmetrical harmony. The melody has a floating quality. The sustained notes give the rhythm section space for fills. CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI WEBSITE: http://www.rogeraldridge.com/ YEAR OF RELEASE: 1999.

Jazz Combo - Digital Download SKU: A0.979629 Composed by Roger Aldridge. 20th Century,Blues,Jazz. Score and parts. 1 pages. Roger Aldridge #427659. Published by Roger Aldridge (A0.979629). Pi, Why? is an unconventional blues that uses Pi (3.1415926....) as a sequence of melodic intervals. Do not let that scare you away -- the music swings. The structure of this 18-bar tune is based on 3-bar phrases and there is shifting time in places. The first 32 digits of Pi are used in this tune: 3.1415926535897932384626433832795. Here is how I converted the Pi numbers to melodic intervals: Simply, each number becomes an interval in relation to the root of the chord being used at the time. That is, the relationships change when the chords change. The intervals are natural or altered (b9, #9, #11, etc.) chord tones or higher tensions. For 3 on V7 chords, I use either natural 3 or minor 3 (enharmonically #9). The tune starts with the sequence of 3 (#9), 1, 4 (#11), 1, 5, 9 (b9) played twice with C7 (#9) and then transposed down a half-step for B7 (#9). The next sequence -- 2 (b9), 6, 5, 3 (natural), 5 -- is played with the Bb7 (#9) chord and so on through the rest of the 32-note sequence. While 3 is the first number of Pi, that is not why the tune is structured with 3-bar phrases. Simply, the 3-bar phrases felt natural and swinging to me. This tune has a strong blues flavor; however, it is not a conventional 12-bar blues in its structure or chord progression. The A part is 12 bars. Then, the B part is 6 bars with alternating 4/4 and 3/4 (one can think of it as 7/4). The B part also has a harmonic shift from V7 (#9) chords to V9 sus4 and major 7th chords. CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI WEBSITE: http://www.rogeraldridge.com/ DURATION: around 4:00 YEAR OF RELEASE: 1999.

Jazz Combo - Digital Download SKU: A0.979668 Composed by Roger Aldridge. Contemporary,Jazz. Score and parts. 5 pages. Roger Aldridge #546393. Published by Roger Aldridge (A0.979668). Shifting time funk (for 5 wind instruments and rhythm section)! The title expresses my disdain for contending with monster SUVs when driving on Connecticut Avenue in Washington, DC. As I envision this music, it is funky and adventurous. The piece is a minimalist composition -- the melody is only 16 bars. However, it has expanded improvisation concepts for the soloist and the ensemble. The ensemble's collective improvisation is to sound like music coming out of car windows in traffic. The sounds change quickly. Different kinds of music come, go, and overlap. Radios (or electronics) may be used for additional layers of sound. The soloists use four chord progression patterns. Each soloist determines which patterns to play and their sequence. The patterns can be played in any order. Ideally, the patterns are determined within a performance instead of before. The soloist communicates the patterns, and when to shift to a new pattern, to the ensemble by hand signals. Music styles can also shift within a solo. Performers can take the music in any creative direction they want to go with it. CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI WEBSITE: http://www.rogeraldridge.com/ DURATION: around 5:00 YEAR OF RELEASE: 2011.