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Jazz Combo - Level 3 - Digital Download

SKU: A0.930359

Composed by Music: Joel Evans, Lyrics: Adryan Russ. Film/TV,Holiday,Jazz,Love,Pop. Score and parts. 4 pages. One Hundred Percent Pub. Co. #3436819. Published by One Hundred Percent Pub. Co. (A0.930359).

For lovers of the Great American Songbook who wish to expand their listening and performing repertoire - a delightfully endearing new and original jazz song in the standard style. As sung by Maggie Herron, this Piano Vocal Arrangement is a companion to the Joel Evans and Friends CD, Cozy Cool, which is available on iTunes, Amazon & CDBaby.

Joel’s extensive list of credits includes major Hollywood films, hip indie flicks, network and daytime television dramas, more than 85 big screen credits and 350 television episodes. From Friends to Life in Pieces, Miss Congeniality to Passengers, Joel's music is heard constantly around the world.

Adryan Russ conceived and wrote music and lyrics for Inside Out, an award-winning off-Broadway musical, with multi-talented playwright Doug Haverty. Inside Out was published by Samuel French, and the original cast CD distributed by DRG Records. It has been produced across the U.S., and twice in Europe.

In her cabaret life, Adryan participated in a tribute to Charles Strouse, with Michael Feinstein, at Carnegie Hall; and at Chicago Humanities Festival’s ASCAP Cabaret: Her Turn with Karen Mason. LML Music (www.lmlmusic.com) released Everyone Has A Story: The Songs of Adryan Russ, produced by Bruce Kimmel and arranged by Grant Geissman, featuring Susan Egan, Jason Graae, David Burnham, Joan Ryan, Tami Tappan Damiano and Sharon McNight.

For the past ten years, Adryan has received an ASCAP Award for Popular Music. She is a member of The Dramatists Guild, the Academy for New Musical Theatre (ANMT), the National Academy of Recording Arts & Sciences (NARAS), and currently serves on the Board of the Society of Composers & Lyricists (SCL).

Adryan & Joel's songs are heard in films ranging from Doubt, starring Meryl Streep, to  Lifetime's Sorority Nightmare, and TV shows ranging from The Mindy Project to The Young & Restless

I Never Say No
Jazz combo

$3.99 3.8 € Jazz combo PDF SheetMusicPlus

Jazz Combo - Level 3 - Digital Download

SKU: A0.486281

Composed by Marcel Louiguy. Arranged by Julian Perez. Jazz,Latin,Standards. Score and parts. 25 pages. Julian Perez #104677. Published by Julian Perez (A0.486281).

This arrangement of Louiguy's Cherry Pink and Apple Blossom White was created with four horn parts (Alto Sax, Tenor Sax, Trumpet, Trombone), a rhythm trio, and arranged Congas, Bongos, Claves, and Cowbells (Agogo Bells). It's form gives the melody and a solo going twice through. A unique element to this arrangement are the added Clave and Agogo Bell parts exclusive to the solo section. The idea behind this is for the two horn players without a solo to take up either part and play some auxiliary percussion throughout the solo section until they can get back on their horn. This intermediate arrangement promises interactiveness, great instrumentation, and a fantastic sounding combo!

Cherry Pink and Apple Blossom White - For a Nine Piece Jazz Combo
Jazz combo

$14.99 14.28 € Jazz combo PDF SheetMusicPlus

Jazz Combo - Digital Download

SKU: A0.979629

Composed by Roger Aldridge. 20th Century,Blues,Jazz. Score and parts. 1 pages. Roger Aldridge #427659. Published by Roger Aldridge (A0.979629).

Pi, Why? is an unconventional blues that uses Pi (3.1415926....) as a sequence of melodic intervals. Do not let that scare you away -- the music swings. The structure of this 18-bar tune is based on 3-bar phrases and there is shifting time in places. The first 32 digits of Pi are used in this tune: 3.1415926535897932384626433832795. Here is how I converted the Pi numbers to melodic intervals: Simply, each number becomes an interval in relation to the root of the chord being used at the time. That is, the relationships change when the chords change. The intervals are natural or altered (b9, #9, #11, etc.) chord tones or higher tensions. For 3 on V7 chords, I use either natural 3 or minor 3 (enharmonically #9). The tune starts with the sequence of 3 (#9), 1, 4 (#11), 1, 5, 9 (b9) played twice with C7 (#9) and then transposed down a half-step for B7 (#9). The next sequence -- 2 (b9), 6, 5, 3 (natural), 5 -- is played with the Bb7 (#9) chord and so on through the rest of the 32-note sequence. While 3 is the first number of Pi, that is not why the tune is structured with 3-bar phrases. Simply, the 3-bar phrases felt natural and swinging to me. This tune has a strong blues flavor; however, it is not a conventional 12-bar blues in its structure or chord progression. The A part is 12 bars. Then, the B part is 6 bars with alternating 4/4 and 3/4 (one can think of it as 7/4). The B part also has a harmonic shift from V7 (#9) chords to V9 sus4 and major 7th chords.

CONTACT:
http://www.rogeraldridge.com/contact.html
PRO: BMI
WEBSITE: http://www.rogeraldridge.com/
DURATION: around 4:00
YEAR OF RELEASE: 1999.

Pi, Why? Jazz combo

$3.00 2.86 € Jazz combo PDF SheetMusicPlus






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