Jazz Combo - Level 3 - Digital Download SKU: A0.877827 Composed by Deborah Johnson, Various Public Domain. Arranged by DJWorks Music. A Cappella,Christian,Contemporary,Easter,Sacred. Score and parts. 99 pages. Deborah Johnson #4309241. Published by Deborah Johnson (A0.877827). Full book of twelve contemporary arrangements of timeless favorites, including two new hymns by Deborah Johnson. These are piano-based instrumentals and vocals with vocal and orchestral accompaniment. This 99-page book (including cover and table of contents) also includes a beautiful title page for each song with a brief history and lyrics for the two new hymns. The piano transcriptions are completely written out, including the chords and vocal parts. Several have secondary piano parts included. Also available are individual song downloads and some of the MP3 accompaniment tracks.Album notes:  My Father’s Favorite Hymns is dedicated to my mom and dad. I have memories of being on the front row of church as a little girl, singing as loud as I could. The album is a tribute to my parents who raised my sisters and I to love God, our country and our families. As many musicians do, I got my start in the church, playing the piano for the Children’s church at the age of 10. It didn’t take long before I started sitting at a 9’ Steinway opposite an incredible organist who changed keys as often as a woman changes her clothes. I fell in love with the simplicity of the hymns and with the many fun arrangements that were possible. The lyrics of some of these hymns have been ingrained in my soul and have brought me comfort, deepened my faith, and have taught me that when all is said and done, the Truth and Faithfulness of God are what will carry me through.If you’re searching for: Christian music, inspirational music or church hymns, consider My Father’s Favorite Hymns. Songs include: Tell Me the Old Old Story; Just a Closer Walk with Thee; Great is Thy Faithfulness; Immortal Invisible; Amazing Grace/It is Well; Your Truth it Stands; Glory to His Name; Stand Up for Jesus/Leaning on the Everlasting Arms; In the Garden; Were You There when they Crucified my Lord? (acapella); What a Friend we Have in Jesus; You are Faithful, You are Lord. Separate song downloads also available, where you can hear and preview each selection.From the album up for a 2012 GRAMMY Award®: My Father’s Favorite Hymns, available on Amazon (https://www.amazon.com/music/player/albums/B008O86FQI) or on the website (https://DJWorksMusic.com/products) by Deborah Johnson. You can hear selections of each song on either of those sites, as well as purchase the album.  Video playlist at: http://youtu.be/srvbPkI4eKM?list=PLE49F87AC9C76AE49. There is also a beautiful spiral-bound devotional guide available with the amazing stories and life principles gained from these timeless classics, available on Amazon as well as a spiral-bound print version of this music book. Check out http://www.djworksmusic.com/fathershymns/For more information about Deborah, her albums, books and products, visit https://DJWorksMusic.com  https://GoalsForYourLife.com or https://DeborahJohnsonSpeaker.com

Jazz Combo - Level 4 - Digital Download SKU: A0.970755 Composed by Mike Strand. Concert,Jazz. Score and parts. 3 pages. Michael M. Strand #5739279. Published by Michael M. Strand (A0.970755). By Mike Strand, ASCAP This is a swing tune lead sheet with lyrics, chord symbols and guitar fret boards, for a jazz ensemble with two voices, or for one voice and a singing instrument, or for two singing instruments. It serves as a good foundation for a variety of arrangements, contra facts, and improvisations. The audio sample is a medium swing accompaniment from iReal Pro, combined with my tunes from Finale PrintMusic. You hear two melodies with the accompaniment -- a treble electric guitar, and a simulated baritone voice (without the words). A rock version of St. Matthew Blue is also for sale on this web site. St. Matthew Blue portrays an unhappy person coping with the COVID 19 pandemic, which started early in the year 2020. It’s not a blues tune, however, so the word blue is in the title without the s. St. Matthew Blue contains unusual harmonies inspired by J. S. Bach’s opening chorus to the St. Matthew Passion. This tune doesn't match the profundity and appeal of Bach's chorus, but the two 16-bar themes of St. Matthew Blue contain some of my favorite harmonic ideas from Bach’s work. This gives a depth to this piece that sets it apart from other swing tunes. Here are the lyrics to St. Matthew Blue:An evil little bug has got me down.I want to drink a mug of beer in town. But now I get supplies brought to my door From many tries to find an online store.   Self-pity brings to mind St. Matthew’s tale, How Jesus saved our kind from fiery hell. That my soul is safe may well be true, But I still chafe at fighting this damn flu.    

Jazz Combo - Level 3 - Digital Download SKU: A0.1455997 By Laufey. By Laufey and Spencer Stewart. Arranged by Joshua Wells. Jazz,Latin,Pop,Singer/Songwriter. 22 pages. Odd Quartet #1035153. Published by Odd Quartet (A0.1455997). This small ensemble arrangement of From the Start is written for 4 - 6 players and it features a trombone soloist. Along with the full score you will have parts for: Trombone Trombone 2&3 (optional) Marimba Vibraphone Glockenspiel (optional) Drumset

Jazz Combo - Level 2 - Digital Download SKU: A0.1111035 By Edward Trimis. By Edward Trimis. Arranged by Edward Trimis. Broadway,Contemporary,Jazz,Musical/Show,Pop. Score and parts. 14 pages. Trimis Music #713307. Published by Trimis Music (A0.1111035). Starting With L.A. is the finale from Real Life. The rock ballad is an anthem for our times, reminding us that positive change starts with all of us, and is possible. Great for chorus, chamber group, showchoir, or jazz choir. Performed all over Los Angeles in Real Life the Musical and as a stand-alone performance. Piano, Electric Bass, and Drum Set parts.

Jazz Combo - Level 2 - Digital Download SKU: A0.1090072 By Merle Haggard. By Bonnie Owens and Merle Haggard. Arranged by Nigel Hanley. Blues,Country,Pop,Rock,Singer/Songwriter. 34 pages. Nigel Hanley Music #694249. Published by Nigel Hanley Music (A0.1090072). This is a seven-piece country band chart of the Merle Haggard/Bonnie Owens song, 'Today I Started Loving You Again'. The arrangement is based on the version recorded by Martina McBride with an added horn section. It is in the same key, Eb. Instrumentation: piano guitar bass drums trumpet tenor sax trombone A complete mp3 track is available from www.nigelhanleymusic.com The score and a lead sheet are included. A four-piece rhythm section chart in the same key is also available on this website. Other keys and instrumentation are available on request at: info@nigelhanley.com or www.nigelhanley.com Suitable for: country bands, rock and cover bands, party and wedding bands

Jazz Combo - Level 4 - Digital Download SKU: A0.736627 By Bobby Darin. By Kurt Weill. Arranged by Jon Woodend. Jazz,Pop. Score and parts. 38 pages. Jon Woodend #5322815. Published by Jon Woodend (A0.736627). As Recorded By Michael Buble/Bobby DarinContains all 7 versesStarting in Bb ending in Eb.

Jazz Combo - Level 3 - Digital Download SKU: A0.1135834 Composed by Sarah Josepha Hale. Arranged by Anthony Hoots. Classical,Folk,Jazz. Score and parts. 7 pages. Anthony Hoots #735861. Published by Anthony Hoots (A0.1135834). This arrangement includes a diverse amount of styles and difficulties, and it progressively gets jazzier. It starts off with the basic melody that everyone knows, but it then starts to add jazz chords and more swing and rhythm. By the end, it turns into a jazz combo with Tenor Saxophone, Piano, and Drums. This arrangement has the opportunity to be played as a whole or in fragments based on the desired style/difficulty. It could be played with only the piano section or possibly the jazz combo section with improvisation or any other way.

Jazz Combo - Level 2 - Digital Download SKU: A0.1123694 By Pink. By Linda Perry. Arranged by P Welsh. Pop. Score and parts. 15 pages. Accubass #724468. Published by Accubass (A0.1123694). Parts for 4 piece rhythm section. Matches karaoke-version.co.uk click track.

Jazz Combo - Digital Download SKU: A0.979629 Composed by Roger Aldridge. 20th Century,Blues,Jazz. Score and parts. 1 pages. Roger Aldridge #427659. Published by Roger Aldridge (A0.979629). Pi, Why? is an unconventional blues that uses Pi (3.1415926....) as a sequence of melodic intervals. Do not let that scare you away -- the music swings. The structure of this 18-bar tune is based on 3-bar phrases and there is shifting time in places. The first 32 digits of Pi are used in this tune: 3.1415926535897932384626433832795. Here is how I converted the Pi numbers to melodic intervals: Simply, each number becomes an interval in relation to the root of the chord being used at the time. That is, the relationships change when the chords change. The intervals are natural or altered (b9, #9, #11, etc.) chord tones or higher tensions. For 3 on V7 chords, I use either natural 3 or minor 3 (enharmonically #9). The tune starts with the sequence of 3 (#9), 1, 4 (#11), 1, 5, 9 (b9) played twice with C7 (#9) and then transposed down a half-step for B7 (#9). The next sequence -- 2 (b9), 6, 5, 3 (natural), 5 -- is played with the Bb7 (#9) chord and so on through the rest of the 32-note sequence. While 3 is the first number of Pi, that is not why the tune is structured with 3-bar phrases. Simply, the 3-bar phrases felt natural and swinging to me. This tune has a strong blues flavor; however, it is not a conventional 12-bar blues in its structure or chord progression. The A part is 12 bars. Then, the B part is 6 bars with alternating 4/4 and 3/4 (one can think of it as 7/4). The B part also has a harmonic shift from V7 (#9) chords to V9 sus4 and major 7th chords. CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI WEBSITE: http://www.rogeraldridge.com/ DURATION: around 4:00 YEAR OF RELEASE: 1999.

Jazz Combo - Level 3 - Digital Download SKU: A0.913545 Composed by Mike J.D. Roberts. Jazz,Latin. Score and parts. 7 pages. Mike Roberts #3860181. Published by Mike Roberts (A0.913545). A fun and uplifting Latin piece with a bebop-style melody (not as tricky as it looks!). The chord changes offer plenty of harmonic variety without straying too far from the tonal centre, which should provide a good challenge to newer improvisers and plenty of opportunities for experienced improvisers.The song changes key towards the end, so rhythm section players need to be aware of the turnaround at the end of the song to bring it back to the starting key.Hope you enjoy it!

Jazz Combo - Digital Download SKU: A0.979631 Composed by Roger Aldridge. Blues,Jazz. Score and parts. 1 pages. Roger Aldridge #428079. Published by Roger Aldridge (A0.979631). Words that come to mind about this piece are strange, edgy, and fun. In just over a minute the music moves seamlessly through four different styles. I think of it as invoking images of mutant creatures wreaking havoc on a small town in a 1950's monster movie. Toads is meant to be OUT. The first section has a minor blues feeling even though it does not have have a minor blues harmonic structure. The solo fills (on E+7 and Db7) are fairly short on the demo recording. They can be played longer and have more of an avant-garde spirit. The second section has an angular melody line, with an emphasis on major 7th intervals, and shifting time. It can start softly and build in volume to the third section. The third section is also angular; however, there is a melodic shift from major 7th intervals to fourths & tri-tones and the rhythm section is in a more straight-ahead style. Finally, the fourth section (last 4 measures) has a funk feeling. CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI WEBSITE: http://www.rogeraldridge.com/ DURATION: around 4:00 YEAR OF RELEASE: 2010.

Jazz Combo - Digital Download SKU: A0.979669 Composed by Roger Aldridge. Blues,Jazz. Score and parts. 1 pages. Roger Aldridge #1764901. Published by Roger Aldridge (A0.979669). Studio B was written for the music students at Sandy Spring Friends School in Maryland. It is a fairly conventional blues that can be played either slow and soulful or up-tempo and swinging. It starts with an Ellington flavor and quickly becomes more angular and Monkish. Studio B is the music classroom in the school's performing arts center where I worked with the SSFS jazz ensemble in a series of classes. CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI WEBSITE: http://www.rogeraldridge.com/ YEAR OF RELEASE: 2015.