Jazz Combo - Level 3 - Digital Download SKU: A0.1512049 By Siebenphoniker. By Josef Peter Traun. Jazz,Ragtime. 27 pages. Traun #1087105. Published by Traun (A0.1512049). Besetzung JCO3: Klarinette, Trompete, Posaune, Banjo (Rhythmusgitarre), Klavier, Bass, Schlagzeug und Partitur.Besetzung JCO3b: Querflöte, Altsaxophon, Violine, Banjo (Rhythmusgitarre), Klavier, Bass, Schlagzeug und Partitur.Alle Stimmen sind dem PDF beigefügt.

Jazz Combo - Level 4 - Digital Download SKU: A0.1076789 Composed by Jule Styne and Sammy Cahn. Arranged by Aaron Hettinga. 20th Century,Film/TV,Jazz,Standards,Wedding. Score and parts. 17 pages. Aaron Hettinga #680902. Published by Aaron Hettinga (A0.1076789). The enduring World War II- era standard “It's Been A Long, Long Time� has been recorded by many great artists through the years. More recently, the song has found renewed popularity due to its use in the Marvel Cinematic Universe’s “Avengers� movies. This arrangement takes its cue from the recording by Harry James and his orchestra, and reworks the performance as presented here for Vocal soloist, 3 horns, and Rhythm section. This chart observes the original key and form of the classic recording by Harry James with vocal soloist Helen Forrest. The horn parts closely follow in the footsteps of the original recording, making this a good vehicle to showcase a talented trumpeter. The remaining horns play the supporting role of the most important elements of the large orchestra arrangement which requires strong players on all parts. The Rhythm section/Lead sheet incorporates the chord changes and most important rhythmic elements to allow a flexible instrumentation of rhythm section to adequately feature the trumpeter and vocalist. This arrangement is a great way to showcase talented instrumentalists and vocals on this classic piece of music!

Jazz Combo - Level 3 - Digital Download SKU: A0.1292628 Composed by Clifford Brown. Arranged by Popnroll.76. 20th Century,Jazz. 13 pages. Popnroll 1976 #883190. Published by Popnroll 1976 (A0.1292628). George's Dilemma - Clifford Brown (Jazz Combo Ensemble/Trumpet/Tenor Sax/Piano/Bass)Theme melody and chords for trumpet and tenor saxophone for George's Dilemma from the album George's Dilemma composed and performed by Clifford Brown, a genius jazz trumpeter, recorded in 1955. Piano accompaniment and bass line are also shown. The chord progression of the ad-lib part is also shown in a separate bar since it is slightly different from the theme part.PDF format, 13 pages. Contents: 4 pages of score, and Partd: 2 pages of trumpet score, 2 pages of tenor saxophone score, 3 pages of piano score, 2 pages of bass score.Performers Clifford Brown (tp) Harold Land (ts) Richie Powell (p) George Morrow (b) Max Roach (d).

Jazz Combo - Level 5 - Digital Download SKU: A0.779200 Composed by Joe Henry and Peter Yarrow. Arranged by Don Hodell Chilcote. Contemporary. Score and parts. 5 pages. Don Hodell Chilcote #6631643. Published by Don Hodell Chilcote (A0.779200). The Magi - Heart Of A Man's Place is for piano solo or ensemble. This is a great story tune with a great passionate setting. This concise arrangement is challenging but not overly so, and well worth the effort to learn. Fun tune to learn and improvise over.  Fun Stuff.

Jazz Combo - Level 4 - Digital Download SKU: A0.923824 Composed by Peter J. Pecora, Jr. Jazz. Score and parts. 1 pages. Bohaso Music #6099903. Published by Bohaso Music (A0.923824). A bright, up-tempo tune featuring a Latin and Latin Rock feel.For small jazz combo with keyboard, bass, guitar, drums/percussion, & various horn combination (sax, trumpet, trombone, flute)Great for schools with small jazz combo needsFor intermediate and advanced performersASCAPBohaso MusicFor more of Pete's music go to www.ReverbNation.com/petepecorajr and www.wonderfulwinds.com.pjp73@icloud.com .

Jazz Combo - Digital Download SKU: A0.923825 Composed by Peter J. Pecora, Jr. Jazz. Score and parts. 2 pages. Bohaso Music #6101931. Published by Bohaso Music (A0.923825). A funky rock feel with plenty of room for solos.For small jazz combo with keyboards, bass, guitar, drums, and lead instrumentsGreat for schools with small jazz combo needsFor intermediate and advanced performersTranspose to fit the needs of your groupASCAPBohaso MusicFor more of Pete's music go to www.reverbnation.com/petepecorajr and www.wonderfulwinds.com.pjp73@icloud.com

Jazz Combo - Digital Download SKU: A0.923826 Composed by Peter J. Pecora, Jr. Jazz. Score and parts. 3 pages. Bohaso Music #6103597. Published by Bohaso Music (A0.923826). A funky rock feel with plenty of room for solosFor small jazz combos with keyboards, bass, guitar, drums, and lead instrumentsGreat for schools with small jazz combosFor intermediate and advanced performersTranspose to fit the needs of your groupASCAPBohaso MusicFor more of Pete's music go to www.reverbnation.com/petepecorajr and www.wonderfulwinds.compjp73@icloud.com

Jazz Combo - Level 5 - Digital Download SKU: A0.942959 Composed by Geoffrey Peterson. Jazz. Score and parts. 37 pages. Geoffrey Peterson #5792333. Published by Geoffrey Peterson (A0.942959). The May 17, 1963, issue of Life Magazine featured a photo essay of appalling images taken by the American photographer Charles Moore. The opening paragraph bluntly stated that The pictures on these 11 pages are frightening. They are frightening because of the brutal methods being used by white policemen in Birmingham, Alabama, against Negro demonstrators . . . And they are especially frightening because the gulf between black and white is here visibly deepened. Known as the Birmingham campaign, Moore’s photographs of this senseless brutality sent shockwaves throughout the country and the world of the deeply embedded social and institutional racism and segregation of the South. On May 2, 1963, under direct orders from Birmingham’s then Commissioner of Public Safety, Eugene Bull Connor, all African Americans participating in a nonviolent demonstration organized by the Southern Christian Leadership Conference were to be subdued with high-pressure water blasts from fire hoses and violently attacked and taunted by police dogs. After seeing Moore’s photos in Life, Andy Warhol created a series of Race Riot paintings using a terrifying image of Moore’s of a man being attacked by a German shepherd in his trademark acrylic and silkscreen process. Interestingly, the title Race Riot is a contradiction because it was in fact a peaceful protest interrupted by the violence of the police. There is a menacing quality to the music that I hope conveys both Moore’s original photo and Warhol’s appropriation.

Jazz Combo - Level 4 - Digital Download SKU: A0.1408391 By Paul Desmond. By Paul Desmond. Arranged by Nick Peterson. 20th Century,Jazz. 21 pages. Nick Peterson #990972. Published by Nick Peterson (A0.1408391). This arrangement of Take Five features Alto Sax, Piano, Bass, and Drums. It begins and ends with the iconic head melody. The sax and piano take solos, weaving through the groove laid down by the bass and drums. The ensemble's tight interplay and individual improvisations breathe new life into this timeless jazz classic.

Jazz Combo - Level 3 - Digital Download SKU: A0.1011222 Composed by Jean-Charles Demichel. Jazz,Latin. Score and parts. 2 pages. Jean-Charles De Michel #3409073. Published by Jean-Charles De Michel (A0.1011222). Jean-Charles Demichel, a Jazz pianist and composer from Lyon in France, a well known at the Jazz Hot Club cave in Lyon, has forged a solid reputation in the last 40 years alongside the world best Jazzmans such as Canadian Oscar Peterson or American jazz greats such as trumpet players Bill Coleman and Sonny Gray, tenors Johnny Griffin or Nathan Davis, drummers Kenny Clark and Art Taylor. He has played regularly as a trio or quartet at the Hot Club de Lyon since 1958, a club he chaired for many years and helped to receive well the best world Jazzmans coming in Lyon and Paris. Jean-Charles also plays in various quartets with various styles and inspirations of the old jazz from Duke Ellington to Bill Evans or to the best pianists such as the late Oscar Peterson's playing with Ray Brown. JC Demichel repertoire is large, with a strong French bebop dominance mixed with bossa nova rhythms as it is herein into the Ballade of Adcha created by JC Demichel. The scores contains the thematic template with chords written under as the typical Jazz scores for Jazz pianists ready to improvise around. Herein included an mp3 recording of the JC Demichel's trio playing his composition.

Jazz Combo - Level 4 - Digital Download SKU: A0.1295591 By Frank Sinatra. By Axel Stordahl, Paul Weston, and Sammy Cahn. Arranged by Popnroll 1976. 21st Century,Jazz. 23 pages. Popnroll 1976 #885887. Published by Popnroll 1976 (A0.1295591). I Should Care - Steve Davis (Score & Parts for Jazz Band/Tenor Sax/Trumpet/Trombone/Piano/Bass)Performed by jazz trombonist Steve Davis, along with trumpeter Jim Rotondi and tenor saxophonist Eric Alexander, from the New York-based hard bop sextet's 1997 album Dig Deep. The score is a complete transcription of the theme of the standard tune I Should Care arranged by the New York-based hard bop sextet with tenor saxophonist Eric Alexander.The score includes tenor saxophone, trumpet, trombone, piano, bass, and their respective parts, as well as a score for three winds only and a total score.A complete score of the trombone solo is included as an extra.PDF format, 23 pages in total. Contents:. 1)Score 9 pages 2)3 wind scores 2 pages 3)Tenor Saxophone 2 pages 4)Trumpet 2 pages 5)Trombone 3 pages 6)Piano 3 pages 7)Bass 1 pageComposed by Sammy Cahn / Axel Stordahl / Paul WestonTenor Sax: Eric Alexander Trumpet: Jim Rotondi Trombone: Steve Davis Piano: David Hazeltine Bass: Nat Reeves.

Jazz Combo - Level 4 - Digital Download SKU: A0.1459855 By Peter Allen. By David Babyface Foster, Peter Allen, and Tom Keane. Arranged by Brett Spokes. Disco,Pop. 41 pages. Brett Spokes #1038808. Published by Brett Spokes (A0.1459855). Bi-Coastal, one of Peter Allen's hits has been arranged for male lead vocal, 2 bv's, rhythm section & 3 horns (trumpet, alto sax and trombone (treble clef)) A tricky number but a great number full of energy and with some classic 80s horn lines. An opportunity for the sax player to let loose! The ending is similar to the stage show 'the Boy from Oz'.