Jazz Combo - Level 3 - Digital Download SKU: A0.1378626 By George Benson. By Julian Cannonball Adderley. Arranged by Popnroll-1976. 20th Century,Funk,Jazz. 7 pages. Popnroll 1976 #963279. Published by Popnroll 1976 (A0.1378626). Sack O'Woe - Cannonball Adderley Quintet (Score of Theme /Parts for Band)Lead sheet with parts for Sack O'Woe, the first wonderfully good-humored blues number from the Cannonball Adderley Quintet's 1960 live album Vol. 5 At The Lighthouse.PDF format, 10 pages totalContents: 1) Score1)Score 3 pages2)Alto Saxophone Parts (2 pages)3)Trumpet parts (2 pages)4)Lead sheet for Piano Trio (C melody) 3 pages.

Jazz Combo - Level 3 - Digital Download SKU: A0.774462 Composed by C Gierlach, Chester Gierlach, George Douglas, Leonard Whitcup, and Robert Thiele. Arranged by Brad Esbensen. Contemporary,Jazz,Standards. 50 pages. Brad Esbensen Music Services #6216719. Published by Brad Esbensen Music Services (A0.774462). Arranged for jazz combo consisting of six front line (playable by a minimum of three - trumpet, tenor sax, trombone) and rhythm section, The Sunshine of Love (from Louis Armstrong's 1968 album What A Wonderful World) is a vocal feature in the key of C major, modulating to Db major. The trumpet player gets a solo (melody line notated) between vocal choruses and notated piano and bass parts make this chart more accessible to younger players. I hope you enjoy performing this chart and if you would like it transposed into another key, please e-mail me at brad@bemus.com.au. www.bemus.com.au

Jazz Combo - Digital Download SKU: A0.979640 Composed by Roger Aldridge. Jazz,World. Score and parts. 1 pages. Roger Aldridge #432777. Published by Roger Aldridge (A0.979640). This is a romantic samba. I wrote this tune to express my wife's qualities of warmth and surprise...and how she is a wonderful dancer. I think of the tune as being fairly straight-forward; however, it has some surprises. The AB form is unusual in how the A part is 15 measures and the B part is 22. While the music is mostly in 4/4, there are two places where a measure or two of 3/4 is used to shake things up. Harmonically, there is a mix of standard II-V chord changes, parallel harmony, and symmetrical harmony. The melody has a floating quality. The sustained notes give the rhythm section space for fills. CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI WEBSITE: http://www.rogeraldridge.com/ YEAR OF RELEASE: 1999.