Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.759967 By Queen. By John Deacon. Arranged by Raymond Fenech. 20th Century,Contest,Festival,Holiday,Pop,Rock. 20 pages. Raymond Fenech #3472695. Published by Raymond Fenech (A0.759967). I Want to Break Free is a song by the British rock band Queen, originally from their eleventh album The Works (1984). Written by bass guitarist John Deacon, it was distributed as a single on 7-inch and 12-inch vinyl records and 3-inch and 5-inch CDs. The song has three versions: album, single and extended. It came to be included in most live concerts by the group. This song is arranged for Woodwind Quintet, i.e. Flute, Oboe, B Flat Clarinet; Horn in F and Bassoon.   The Duration is 2.42 minutes and the level is Advanced Intermediate.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Download SKU: A0.1271829 By The Greg Kihn Band. By Gary Philippet, Gregory Kihn, and Steve Wright. Arranged by Jeff Tincher. Contemporary,Rock. 16 pages. Jeff Tincher #864183. Published by Jeff Tincher (A0.1271829). Here is one of the iconic 80s songs ever. When you hear the first measure you know what song it is. In the original key from The Greg Kihn Band's Rockhinroll LP, this one will have your toes tapping. This arrangement has their liven ending from their Verizon Theatre Grand Prarie Texas 2018 concert. Duration = 3:20. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1300020 By Ed Sheeran. By Amy Wadge and Ed Sheeran. Arranged by Kayleigh Huelin. Pop,R & B. 15 pages. Kayleigh Huelin #889786. Published by Kayleigh Huelin (A0.1300020). Undoubtedly one of the breakout music stars of the past few years, Ed Sheeran's 'Thinking Out Loud' is a beautiful, soulful ballad. This version gives players the perfect opportunity to show off their lyrical playing. Arranged for wind quintet.Like this? Why not check out my website for more arrangements: www.khuelinmusic.co.uk.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1271473 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Pop,Standards. 12 pages. RayThompsonMusic #863874. Published by RayThompsonMusic (A0.1271473). Arranged standard wind quintet.The melody is taken first by the clarinet, then horn and then the flute. The guitar break is given to the oboe and flute.The melody reprise is taken by all 4 top instruments.Let It Be is a song by the English rock band The Beatles, released on 6 March 1970 as a single, and (in an alternative mix) as the title track of their album Let It Be. It was written and sung by Paul McCartney, and credited to the Lennon–McCartney partnership.The single version of the song, produced by George Martin, features a softer guitar solo and the orchestral section mixed low, compared to the album version, produced by Phil Spector, featuring a more aggressive guitar solo and the orchestral sections mixed higher.At the time, it had the highest debut on the Billboard Hot 100, beginning its chart run at number 6 and eventually reaching the top. It was the Beatles' final single before McCartney announced his departure from the band. Both the Let It Be album and the US single The Long and Winding Road were released after McCartney's announced departure from and the subsequent break-up of the group.YouTube Link is my brass quintet arrangement.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1404653 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 102 pages. Max Frank Music #987719. Published by Max Frank Music (A0.1404653). Experience the hauntingly beautiful Vonnegut Trilogy, a three movement suite for woodwind quintet composed to celebrate the centennial of acclaimed author Kurt Vonnegut. This captivating and thought-provoking piece captures the essence of Vonnegut's literary works through quirky arrangements and evocative melodies. Dive into the world of Vonnegut and let the music transport you to new and inspiring heights.Player Piano was Vonnegut’s first published novel and serves as the fist movement to this trilogy. The music begins with the sounds of a well-oiled-machine, with carefully played melodies interacting in classical synchronicity. But throughout there are interruptions by the unrest and displeasure that surrounds the harmonious flow.Who Am I This Time? is a short story from Vonnegut’s 1961 collection entitled Welcome to the Monkey House. It is a beautiful, yet quirky, love story. This movement explores a multitude of duets, symbolizing the two main characters as they maneuver through their courtship. It is a slow dance. In one of the few literal musical depictions in this suite, the questioning final chord represents both the title, and the last line of the story.The third movement is inspired by Breakfast of Champions, a 1973 novel that explores a mul- titude of themes through the eyes and actions of a prosperous midwestern car salesman and an obscure science fiction writer. The music is off and running from the start with a rhythmic them that reappears and connects the various diversions.

Woodwind Ensemble,Woodwind Quintet - Digital Download SKU: A0.972818 Composed by Samuel Ward. Arranged by Justin Laukat. Holiday,Patriotic,World. 7 pages. Justin W Laukat #3619269. Published by Justin W Laukat (A0.972818). This arrangement of America the Beautiful is easily accessible for groups of varying musical levels and offers plenty of breaks for players to catch their breath. Beautiful harmonies and melodies that get passed around to each player.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.1180367 Composed by Neille Williams. Classical,Contemporary,New Age,Romantic Period. 49 pages. Neille Williams #780265. Published by Neille Williams (A0.1180367). For wind quintet (flute/piccolo, oboe, clarinet, horn, bassoon). By Australian composer Neille Williams. Birdland draws upon scenes of Australia’s beautiful native birds - those ever-present flocks of fluttering, squawking feathered creatures that descend on mass to take over someone’s gum tree, balcony or back garden. Like these lovely birds, Birdland is restless, colourful, lively and pretty. This piece moves and breathes as one colourful flock, then quickly breaks apart to enquire, explore and discover. The scene quickly shifts to a spectacular soaring flock, searching for a new place to rest, perhaps another garden bed or front lawn of freshly cut green grass.

Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.796886 Composed by Wolfgang Amadeus Mozart. Arranged by Stephanie Daige. Classical,Concert. 33 pages. Stephanie Daige #3514337. Published by Stephanie Daige (A0.796886). This Fantasia in D Minor, K. 397, really shows off Mozart's dramatic side.  My arrangement of this Fantasy, one of Mozart's most popular piano pieces, gives each instrument the opportunity to play a different character.  Fantasia in D Minor opens with somber arpeggios in the bassoon, and then goes to a pleading melody that goes back and forth between the flute and the oboe.  The tension builds up until the clarinet breaks out into a wild cadenza.  The pleading melodies and wild cadenzas go back and forth a few more times building tension until the final segment, which resolves with a bright, cheerful song-like melody in the horn.  Duration is approximately 6 minutes.I had a great time arranging this piece, and I hope you will enjoy playing it.  It presents some unique challenges and expressive opportunities, and it is a real crowd-pleaser.  

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.1489065 Composed by Wolfgang Amadeus Mozart. Arranged by Austin Ralphson. Classical. 177 pages. Austin Ralphson #1065911. Published by Austin Ralphson (A0.1489065). I have arranged Mozart's ground-breaking Clarinet Concerto (K.622) for clarinet quintet in order to facilitate a woodwind-based performance of this amazing composition. I have transposed it in to concert B flat for ease of performance in all clarinet parts. The solo part should be performed on a B flat clarinet instead of the original in A. This pack contains the complete concerto - all 3 movements.The soloist is invited to add their own personal touch via their choice of dynamics and other expressive choices.Scored for standard wind quintet.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.1489059 Composed by Wolfgang Amadeus Mozart. Arranged by Austin Ralphson. Classical. 22 pages. Austin Ralphson #1065905. Published by Austin Ralphson (A0.1489059). I have arranged Mozart's ground-breaking Clarinet Concerto (K.622) for wind quintet in order to facilitate a woodwind-based performance of this amazing composition. I have transposed it in to concert B flat for ease of performance in all parts. The solo part should be performed on a B flat clarinet instead of the original in A. This is the beautiful 2nd movement from the concerto.The soloist is invited to add their own personal touch via their choice of dynamics and other expressive choices.Scored for standard wind quintet.A complete pack of the whole concerto is also available for a reduced price here.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.1487828 Composed by Wolfgang Amadeus Mozart. Arranged by Austin Ralphson. Classical. 67 pages. Austin Ralphson #1064766. Published by Austin Ralphson (A0.1487828). I have arranged Mozart's ground-breaking Clarinet Concerto (K.622) for wind quintet in order to facilitate a woodwind-based performance of this amazing composition. I have transposed it in to concert B flat for ease of performance in all parts. The solo part should be performed on a B flat clarinet instead of the original in A. This is the 3rd movement from the concerto.The soloist is invited to add their own personal touch via their choice of dynamics and other expressive choices.Scored for standard wind quintet.A complete pack of the whole concerto is also available for a reduced price here.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.1488517 Composed by Wolfgang Amadeus Mozart. Arranged by Austin Ralphson. Classical. 87 pages. Austin Ralphson #1065406. Published by Austin Ralphson (A0.1488517). I have arranged Mozart's ground-breaking Clarinet Concerto (K.622) for wind quintet in order to facilitate a woodwind-based performance of this amazing composition. I have transposed it in to concert B flat for ease of performance in all parts. The solo part should be performed on a B flat clarinet instead of the original in A. This is the 1st movement from the concerto.The soloist is invited to add their own personal touch via their choice of dynamics and other expressive choices.Scored for standard wind quintet.A complete pack of the whole concerto is also available for a reduced price here.

Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Bass Clarinet,Bassoon,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1411725 Composed by Robert Nathaniel Dett. Arranged by Richard Decker. 20th Century,Chamber,Contest,Festival,Multicultural,Spiritual,World. 34 pages. Charles Decker Music Press #993974. Published by Charles Decker Music Press (A0.1411725). Early 20th century Black Canadian-American composer, conductor and pianist Robert Nathaniel Dett's  Two Spirituals: Music in the Mine and Let Us Cheer the Weary Traveler combine his neo-romantic style and advocacy for spirituals in this engaging arrangement for a traditional woodwind quintet of flute, oboe, clarinet, horn, and bassoon, with alternate parts clarinet in B-flat substitute for oboe, alto saxophone in E-flat substitute for horn, and bass clarinet in B-flat substitute for bassoon. Music in the Mine provides a musical interpretation of the back-breaking and mind-numbing mining work in the steady accompaniment along with the dialogue of two miners yearning for better days, while Let Us Cheer the Weary Travelers is an upbeat dedication to our spiritual journey.   As Director of the Hampton Institute, Dett developed the college's choir with his compositions and conducting into one of the leading choirs in the nation. Dett studied with notable teachers such as composer Arthur Foote at Harvard, was the first African-American to receive a Bachelor's Degree in Music from Oberlin Conservatory in composition and piano in 1908 and awarded an Honorary Masters Degree in 1932 from the Eastman School of Music . The recording is of the entire edition. To see our Music of Black Composers Series for woodwinds enter “Black Composers Series Woodwinds� in the search box at Charles Decker Music Press for arrangements for mixed woodwind ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.

Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.796580 Composed by Randy Brooks. Arranged by Gary D.Belshaw (ASCAP). Christmas. 22 pages. DR GARY D BELSHAW #2917059. Published by DR GARY D BELSHAW (A0.796580). Fantastic concert closer. Standard Jingle Bells intro, then New Orleans Jazz Funeral swing, followed by quick and light and finally faster, louder, busier. Everybody gets the tune and a break. 2½ minutes. 22 pages, including title page. Single part page is followed by the score. Ranges are all medium, difficulty is intermediate level.

Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.