Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.869301 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Largo … III. 48 pages. Thomas Oboe Lee #431227. Published by Thomas Oboe Lee (A0.869301). Program note. Nancy Braithwaite, for whom I have written many works - all of them featuring her instrument the clarinet - told me that she was a member of a wind group based on Richard Strauss’ Serenade in E-flat Major, opus 7, for thirteen instruments: two flutes, two oboes, two clarinets, four horns, two bassoons, and contrabassoon. I said to Nancy, I should write a piece for that group. She said that was a good idea. I soon discovered that the name of the group is La Rondine, or the swallow. I then remembered that Puccini wrote an opera called La Rondine. So I told Nancy that I might do a little research on the Puccini opera and come up with a piece inspired by thematic snippets I found in the opera. Well, I did not find Puccini’s music that conducive to a transformation into TOL music.Around the same time, I stumbled upon a 27-CD box set of nine operas by the Venetian composer Antonio Vivaldi. As I was listening to these obscure operas by Vivaldi it dawned on me that I was very attracted to what I was hearing, and it was seeping into my musical thinking in the most natural way imaginable. Very quickly I was hearing things for this work I planned to write for Nancy’s group, and the music just moved along quite smoothly from one movement into another. At the same time I began reading about Vivaldi and his life as a priest, violinist, teacher, impresario, and composer in the city of Venice and other cities nearby. What a fascinating life he led!!! I also discovered in my reading that the city of Venice at that time was called La Serenissima Repubblica di Venezia. So, instead of a serenade for ten instruments, my work for two flutes, two oboes, two clarinets, two horns and two bassoons, is called La Serenissima as an homage to Antonio Vivaldi and that glorious city of Venice. La Serenissima is in six movements. I. Introduction, allegro … II. Largo …III. Presto … IV. Allegretto … V. Adagio … VI. Molto Allegro … TRIO Enjoy!!!! Audio link.   Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/la-serenissima-2013Video link: https://youtu.be/wc9FVAejUww

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1276293 Composed by Wolfgang Amadeus Mozart. Arranged by Benzaiten Editions. 19th Century,Chamber,Classical,Multicultural,World. 19 pages. Benzaiten Editions #868051. Published by Benzaiten Editions (A0.1276293). Hey! Are you a woodwind player who wants to learn how to play Rondo Alla Turca (Turkish March) by Mozart? It's your lucky day! 🎵Rondo Alla Turca (Turkish March) - Woodwind Quintet Sheet MusicInstruments:• Flute• Oboe• Clarinet• Horn• Bassoon The Benzaiten Editions Woodwind Quintet Arrangement Embark on a musical journey to the exotic and lively world of Mozart's Rondo Alla Turca with our captivating woodwind quintet sheet music! This vibrant and spirited piece, also known as the Turkish March, is a delightful showcase of Mozart's genius and is sure to enchant both players and audiences alike. Our arrangement of Rondo Alla Turca for woodwind quintet brings out the playful and energetic nature of the composition while maintaining the grandeur of Mozart's original work. The interplay of violins, viola, and cello creates a harmonious tapestry of sound that captures the essence of this famous march. Perfect for woodwind quintets seeking to explore classical masterpieces or add a touch of excitement to their repertoire, our sheet music strikes a balance between accessibility and musicality. About Turkish March Rondo Alla Turca is the exhilarating final movement from Mozart's Piano Sonata No. 11, often referred to as the Turkish March. The piece exudes a sense of adventure and flair, evoking images of the lively and exotic sounds of Turkey. Mozart's intricate melodies and rhythmic patterns showcase his unparalleled compositional skill, making this march a true gem of classical music. As you and your woodwind quintet perform Rondo Alla Turca, you'll whisk your listeners away to a world of vivacious dance and sparkling melodies. The quintet's collective artistry will breathe new life into this timeless composition, transporting audiences to the heart of Mozart's musical genius. Whether you're a seasoned quintet seeking to dazzle your audience or simply passionate about exploring classical treasures, Rondo Alla Turca offers an unforgettable musical experience that will leave a lasting impression. Embark on a musical adventure with our captivating woodwind quintet sheet music for Mozart's Rondo Alla Turca and bring the excitement and brilliance of this Turkish March to life like never before. Get ready to delight and thrill your audience with the effervescent charm of Mozart's genius!  

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.813842 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533959. Published by Regis Bookshar (A0.813842). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Woodwind Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, he has made quite a few other arrangements of this.

Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. Published by Lyons Music Services (A0.767553). This brand-new piece for wind quintet came about through the coronavirus lockdown and my observations of our UK politicians and how they behaved (One rule for them...) In terms of the music, each line is related to other lines through patterns of 5, 7 or 9 beats (or half beats). Each repetition of the pattern starts with all the instruments in that particular group playing on the first beat. As the music progresses and develops, motifs appear out of the combinations of these beats with each other. Gradually, these patterns and motifs develop melodies which then form the backbone of the piece. The first section (I hesitate to use the term movement) labelled Plotting develops a character of wiliness. It represents, in its twisting strands, the plotting of politicians to aggrandise themselves. The bottom 3 parts form an 'undercurrent' to the music as the 5,7 and 9 beat counts overlap and process. The flute and oboe, meanwhile, generate the first melodic strand - which becomes important in the later movements. The opening quaver patterns are passed around the whole ensemble, keeping the rhythmic pulse going. It slips between the anchoring notes of the lower 3 parts, as well as being essential to the development of the flute and oboe melodic material and stopping the bassoon part being too boring! The long winding, rising and falling line on the oboe and flute is deliberately ambiguous in its tonality, leading one to feel it strives upwards, but then loses its way. The frequent dissonances as this line crosses itself in the other parts represents the effect of all the plotting on ordinary people. Before letter B, there are a couple of brief hints of Dies Irae, but I didn’t want that idea to dominate too much. After B and into C, we get the day-to-day chitchat in Westminster, with interjections from many voices proclaiming their message, trying to persuade their colleagues and just leading to confusion and tonal extremism. From letter C to the end of the section is an extended accel/stretto as the discussion gets more heated. Section 2 is titled Scheming. The tempo is faster than the previous section, but the pace is slower. More motives have formed and developed organically out of the rhythm and pitch patterns. The 5/7/9 cross rhythms are now at double speed, giving a fiercer drive to the music. The bassoon and horn, for now, adhere to the longer pulse of the first section, providing something of a harmonic underpinning. At bar 101, the long but now slightly broken narrative line of the first movement returns in modified form. This now provides a backdrop for the rhythmic bartering and ‘back and forth’ of the political day. The section reaches a climax as the political bickering becomes rowdier. Section 3 begins in a relatively happy mood. The bassoon has a jolly capering little motif, later taken up by other members of the ensemble. There are hints of English folk tune-ness in the resulting conversation, perhaps emphasised by the overlays of this pleasant melody from letter D. Letter E is a ‘turning point’ as all the rhythmic pulses finally align again. This is the first time all five parts have played on the same beat since the opening. At Letter G, a pulsing drone is added to the mix, using the quaver version of the pulse. Perhaps representing the soring of politicians. There is a parallel drone added at letter H, these drones use the 5 (bassoon) and 7 (horn) beat pulses. The result is a solid underpinning of the rhythmic and melodic ideas in the upper 3 parts. After letter I comes a reprise of the spritely bassoon motif with dissonant harmonies as the discussion becomes more heated. The little semiquaver figures have the rhythm Mr. Speaker as members of the house shout for attention. In the repeat bars, we hear the Speaker shout Order! Letter J provides an altered reprise of the begi.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute,Oboe - Level 3 - Digital Download SKU: A0.1122400 Composed by Claude Francois, Jacques Revaux, and Lucien Thibaut. Arranged by Thomas Graf. Broadway,Film/TV,Jazz,Musical/Show,Pop. 18 pages. Thomas Graf - the-hit-factory.com #723557. Published by Thomas Graf - the-hit-factory.com (A0.1122400). Comme d'habitude, French for As usual is a French song about routine in a relationship falling out of love, composed in 1967 by Jacques Revaux, with lyrics by Claude François and Gilles Thibaut [fr]. In 1968 the song was adapted by Paul Anka and given new lyrics to create the song that became My Way, Frank Sinatras signature song. About this arrangement: Instrumentation: Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.

Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.1145980 By West Coast Wind Quintet. By Ron Levy. 20th Century,Classical,Contemporary. 28 pages. Thinkling Music #746220. Published by Thinkling Music (A0.1145980).          AEROS is a one-movement piece about flying.          The composition begins with Latin dance rhythms and a clearly defined melodic motif. The threads gradually build to a tumble of ecstatic exuberance, engaging but short-lived. The remainder of the piece is a return to the mundane, ultimately settling on a plateau of stability which the listener senses to be merely a steppingstone, a pause before resuming the journey into an uncertain future …          Structurally, the work is a single movement built around an Afro-Cuban montuno pattern, with ostinati divided among the instruments. Stylistically it could be considered as “moody minimalist with a melody�. Or if that is too long and unwieldy, then perhaps just “MMMMUSIC!�          First performance in Laguna Beach, California on September 21st, 2021, by West Coast Wind Quintet, as part of the Sunset Serenades series. The outdoor venue, a small amphitheater in beautiful Heisler Park, high on a bluff overlooking the Pacific Ocean, was the perfect aerie from which to bring this piece into the world.

Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.836708 Composed by Brian Joyce. 20th Century,Contemporary. 24 pages. Brian Joyce #3022299. Published by Brian Joyce (A0.836708). Full disclosure: This work is frankly atonal. Rhythms are tricky. Harmonies are unconventional to say the least. And even the form is nicely aberrant.Yet something magical happens when writing for winds: because of the weak timbre contact between the different instruments, one can write complex textures without losing clarity. One can write dissonant harmonies without having them sound harsh and grating. In fact, there are moments of surprising beauty here. Take for instance the color canons, passages combining all instruments in clusters whose harmonic and rhythmic motion is essentially static, but which shimmer with ever-changing timbres. The title translates - inexactly - to Keeper of Heaven, or Starry Watchman, or Celestial Caretaker, and refers to an imaginary character whose task it is to walk about the heavens at sunset and turn on the stars. He is the galactic equivalent of the old gentlemen who once went about Victorian streets, lighting the gas lamps and generally keeping an eye on things, making sure that all is well. I do not claim that this character is God the Father Almighty, only that he is an old gentleman. But there might very well be something wizard-ish about him!Performance time is approximately seven and a half minutes. The audio excerpt included here is of the last two minutes, where the music comes the closest to being tonal.

Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767557 Composed by Mike Lyons. Concert,Contemporary. 39 pages. Lyons Music Services #5968167. Published by Lyons Music Services (A0.767557). This is a brand new, original piece for wind quintet.I decided that I wanted to create a musical description of summer under lockdown, spending time in the garden (although there are no bird sounds) in the NorthWest of England. The weather here is usually very changeable (it's why we talk about it so much) so, of course, I included a thunderstorm in the middle!The piece opens with a gentle walk in the garden, (bassoon) the beautiful flowers swaying in the slight breeze (clarinet and horn). The oboe melody that enters in bar two expresses my thoughts of delight at the beautiful scene. The melody is passed around the ensemble, there's a duet with the flute and then the bassoon takes charge, with the horn taking over the walking bassline.At letter C there's an abrupt change of scene as I notice the bees busily flitting from flower to flower, pollenating and collecting nectar. The instruments play flutter-tongue to imitate an annoyed buzz every now and again as bees from different hives chance upon the same flower, but all remains peacefully business-like.At Letter D, we have a slight slowing of tempo as some butterflies flit from place to place, aimlessly taking off and landing fluttering for a short while in the sunshine. This section is as carefree as possible and should just amble along. The tempo can be pulled about quite a bit.At Letter F, there's a huge, sudden thunderstorm, jagged lightning and rolling thunder as a downpour drenches the garden. Just as suddenly as it started, the storm ends and rain reduces to a thin drizzle. Out comes the sun and we continue through the garden into the distance.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1043850 Composed by Ludwig van Beethoven. Arranged by G L Harvey. Classical,Contest,Festival,Instructional,Romantic Period,Wedding. 28 pages. G L Harvey #648539. Published by G L Harvey (A0.1043850). This haunting piece of music from Beethoven's 7th Symphony has been carefully abridged and arranged for a standard Wind Quintet (Flute, Oboe, Clarinet, Horn in F and Bassoon). It is sympathetic to the original music and should be easily accessible for intermediate to advanced players. Alternative parts for Horn and Bassoon are also included for non standard ensembles on Tenor Horn in Eb and Bass Clarinet respectively. There is also an optional percussion part on Timpani (A & E) that can easily be played on old fashioned hand tuned instruments, and will lend a bit more gravitas to any performance. The piece is very musically satisfying to play and will sit well on any concert or recital programme. The duration of the piece is about 4:50 minutes. The PDF is 28 pages long (A4 portrait) containing a full score and parts. Printing guidance - Score (pages1-13 print A4 double sided), all parts p14-28 (with the exception of Timpani p28) are designed to fit 2 x A4 pages on A3). Look out for other similar works and arrangements by the same publisher.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1273254 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Pop. 10 pages. RayThompsonMusic #865399. Published by RayThompsonMusic (A0.1273254). Arranged wind quintet: fl, ob, clt, hn and bsnIn My Life is a song by the English rock band the Beatles. It appeared on their 1965 album Rubber Soul. Its lyrics were written primarily by John Lennon, credited to Lennon–McCartney. George Martin contributed the  solo bridge passage.The song was recorded on 18 October 1965, and was complete except for the instrumental bridge. At that time, Lennon had not decided what instrument to use, but he subsequently asked George Martin to play a piano solo, suggesting something Baroque-sounding. Martin wrote a Bach-influenced piece that he found he could not play at the song's tempo. On 22 October, the solo was recorded with the tape running at half speed, so when played back at normal pace the piano was twice as fast and an octave higher, solving the performance challenge and also giving the solo a unique timbre, reminiscent of a harpsichord.According to Lennon, In My Life was his first real major piece of work because it was the first time he wrote about his own life.In 2000, Mojo named In My Life the best song of all time. Rolling Stone ranked it number 23 on its 2004 list of The 500 Greatest Songs of All Time, and number 98 on the 2021 revised list, as well as fifth on its list of the Beatles' 100 Greatest Songs.i have given 1st verse to oboe, and the 2nd verse to the clarinet.The mp3 excerpt is the end of the clarinet verse going into the bridge.

Woodwind Ensemble,Woodwind Quintet Clarinet,Contrabassoon,Flute,Oboe - Digital Download SKU: A0.1363993 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Benzaiten Editions. 21st Century,Film/TV,Pop,Singer/Songwriter,Wedding. 18 pages. Benzaiten Editions #948315. Published by Benzaiten Editions (A0.1363993). Hey there! You want to learn the enchanting melody of What Was I Made For? by Billie Eilish, featured in the Barbie movie? You're definitely in the right spot! What Was I Made For? by Billie Eilish | woodwind quintet sheet music with piano accompaniment (chords) Benzaiten Editions' edition | What are you going to find? By purchasing our edition, You'll be able to download: Full score with all instruments of the arrangement (including piano accompaniment part) Flute part Oboe part Clarinet part Bassoon part Contrabassoon part About the song What Was I Made For? by Billie Eilish, featured in the Barbie movie, is a soulful exploration of purpose and self-discovery. With its introspective lyrics and captivating melodies, the song is a must-listen for both Billie Eilish fans and those who appreciate heartwarming compositions. Prepare for a mesmerizing performance that resonates deeply and touches hearts.

Woodwind Ensemble,Woodwind Quintet Clarinet,Contrabassoon,Flute,Oboe - Digital Download SKU: A0.1363079 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Benzaiten Editions. 21st Century,Film/TV,Pop,Singer/Songwriter,Wedding. 18 pages. Benzaiten Editions #947465. Published by Benzaiten Editions (A0.1363079). Hey there! You want to learn the enchanting melody of What Was I Made For? by Billie Eilish, featured in the Barbie movie? You're definitely in the right spot! What Was I Made For? by Billie Eilish | woodwind quintet sheet music with piano accompaniment Benzaiten Editions' edition | What are you going to find? By purchasing our edition, You'll be able to download: Full score with all instruments of the arrangement (including piano accompaniment part) Flute part Oboe part Clarinet part Bassoon part Contrabassoon part About the song What Was I Made For? by Billie Eilish, featured in the Barbie movie, is a soulful exploration of purpose and self-discovery. With its introspective lyrics and captivating melodies, the song is a must-listen for both Billie Eilish fans and those who appreciate heartwarming compositions. Prepare for a mesmerizing performance that resonates deeply and touches hearts.

Woodwind Ensemble,Woodwind Quintet Clarinet,Contrabassoon,Flute,Oboe - Digital Download SKU: A0.1363077 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Benzaiten Editions. 21st Century,Film/TV,Pop,Singer/Songwriter,Wedding. 14 pages. Benzaiten Editions #947463. Published by Benzaiten Editions (A0.1363077). Hey there! You want to learn the enchanting melody of What Was I Made For? by Billie Eilish, featured in the Barbie movie? You're definitely in the right spot! What Was I Made For? by Billie Eilish | woodwind quintet sheet music with chords Benzaiten Editions' edition | What are you going to find? By purchasing our edition, You'll be able to download: Full score with all instruments of the arrangement Flute part Oboe part Clarinet part Bassoon part Contrabassoon part About the song What Was I Made For? by Billie Eilish, featured in the Barbie movie, is a soulful exploration of purpose and self-discovery. With its introspective lyrics and captivating melodies, the song is a must-listen for both Billie Eilish fans and those who appreciate heartwarming compositions. Prepare for a mesmerizing performance that resonates deeply and touches hearts.

Woodwind Ensemble,Woodwind Quintet Clarinet,Contrabassoon,Flute,Oboe - Digital Download SKU: A0.1363076 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Benzaiten Editions. 21st Century,Film/TV,Pop,Singer/Songwriter,Wedding. 14 pages. Benzaiten Editions #947462. Published by Benzaiten Editions (A0.1363076). Hey there! You want to learn the enchanting melody of What Was I Made For? by Billie Eilish, featured in the Barbie movie? You're definitely in the right spot! What Was I Made For? by Billie Eilish | woodwind quintet sheet music Benzaiten Editions' edition | What are you going to find? By purchasing our edition, You'll be able to download: Full score with all instruments of the arrangement Flute part Oboe part Clarinet part Bassoon part Contrabassoon part About the song What Was I Made For? by Billie Eilish, featured in the Barbie movie, is a soulful exploration of purpose and self-discovery. With its introspective lyrics and captivating melodies, the song is a must-listen for both Billie Eilish fans and those who appreciate heartwarming compositions. Prepare for a mesmerizing performance that resonates deeply and touches hearts.