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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download

SKU: A0.1314757

Composed by Gustav Holst. Arranged by Ray Thompson. 20th Century,Chamber,Patriotic. 8 pages. RayThompsonMusic #903534. Published by RayThompsonMusic (A0.1314757).

Arranged  wind quintet.

I Vow to Thee, My Country is a British patriotic hymn, created in 1921, when music by Gustav Holst had a poem by Sir Cecil Spring Rice set to it. 

The music originated as a wordless melody, which Holst later named Thaxted, taken from the Jupiter movement of Holst's 1917 suite The Planets. 

The tune is used forWorld in Union – the anthem with lyrics by Charlie Skarbek, introduced at the 1991 Rugby World Cup.

It has been used for many other Christian Hymns.

Notable examples are:

O God Beyond All Praising – Michael Perry, 1982.

We Praise You and Acknowledge You, O God – a paraphrase of the Te Deum Laudamus by Stephen P. Starke in the 2006 Lutheran Service Book

The Answer – song with lyrics by Corrinne May, which appears on her fourth album, The Gift.

For the Splendor of Creation – a hymn sung at Harvard Universitycommencement ceremonies.

Building the Kingdom – a recessional hymn sung at St Aloysius College.

O Spirit All-Embracing – Delores Dufner, 1995.

This is my arrangement for wind quintet of Gustav Holst's orchestral arrangement.
It has an opening section, before the melody begins.

Check out my other Holst arrangements.

Holst: I Vow to Thee my Country (Thaxted) - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$9.95 9.45 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download

SKU: A0.1209582

Composed by Gustav Holst. Arranged by Ray Thompson. Christmas. 9 pages. RayThompsonMusic #807733. Published by RayThompsonMusic (A0.1209582).

This is my arrangement of Gustav Holst's arrangement.
It is arranged for wind quintet

The French composer Marin Marais composed the tune as a dance for his opera Alcyone of 1706, with the title Marche pour les Matelots.

The tune was subsequently included in Raoul Auger Feuillet's 1706 Recueil de contredansealong with a longways proper dance, La Matelotte, which Feuillet had himself written to go with the tune.

In 1710 John Essex (d. 1744) published an English translation of Feuillet's work called, For the Further Improvement of Dancing, in which the dance is given as The Female Saylor.

The words were written around 1860 while William Morris, then 26, was working as an apprentice in the office of the architect, Edmund Street, presumably under the persuasion of his fellow students who at that time had a taste for part-song. It became known as the Christmas Carol Masters in This Hall (alternative title: Nowell, Sing We Clear)

 Gustav Holst incorporated the carol into his work Three Carols H133 (1916–17) along with Christmas Song: On this Day and I Saw Three Ships. Holst wrote the Three Carols for amateurs singing in his Thaxted festivals.

You can check out my arrangemet of this and other
Marin Marais compositions here.

Holst: Masters in this Hall (3 Carols H.133) - wind quintet Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$14.95 14.2 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download

SKU: A0.1323763

Composed by Gustav Holst. Arranged by Ray Thompson. 20th Century,Christmas,Religious. 10 pages. RayThompsonMusic #911949. Published by RayThompsonMusic (A0.1323763).

Lullay, mine liking is a Middle English lyric poem or carol of the 15th century which frames a narrative describing an encounter of the Nativity with a song sung by the Virgin Mary to the infant Christ. The refrain is an early example of an English lullaby; the term lullaby is thought to originate with the lu lu or la la sound made by mothers or nurses to calm children, and by or bye bye, another lulling sound (for example in the similarly ancient Coventry Carol)

There are a number of surviving medieval English verses associated with the birth of Jesus which take the form of a lullaby, of which this is probably the most famous example. Written by an anonymous hand, the text is found uniquely in Sloane MS 2593, a collection of medieval lyrics now held in the British Library.

My arrangement is transcribed from Gustav Holst's setting of the text, which he calls Lullay, My Liking.
It is number 2 from Holst's 4 Carols for Unaccompanied Choir Op.34

Arranged wind quintet

The solo verses are played by oboe, flute, clarinet,oboe and bassoon together and finally horn.
The refrain has been arranged in a differnt instrumental line up each time it is played.

Holst: Lullay My Liking (4 Carols for A Capella Choir Op.34 No.2) - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$9.95 9.45 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download

SKU: A0.943947

Composed by Gustav Holst. Arranged by Clyde Grabski. 20th Century,Christmas,Classical,Romantic Period. 49 pages. Diamond Forest Publishing #4832581. Published by Diamond Forest Publishing (A0.943947).

Gustav Holst (1874-1934) was an English composer of Swedish descent. Famous for his orchestral work The Planets, he wrote Christmas Day for his students at an English school to be performed by voices and orchestra during the holiday season. Several familiar Christmas carols are arranged so that two or three may be heard at the same time. The effect of Holst’s polyphonic treatment becomes even more transparent in the instrumentation provided here.

The arrangement by Clyde Grabski is for the standard woodwind quintet, but also includes substitute parts for the Oboe (Clarinet) and Bassoon (Bass Clarinet). Scores for both ensembles are included.

Holst - Christmas Day - Woodwind Quintet - with Substitute Parts for Oboe and Bassoon
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$21.00 19.95 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download

SKU: A0.1314642

Composed by Gustav Holst. Arranged by Ray Thompson. 20th Century,Chamber,Christmas. 9 pages. RayThompsonMusic #903396. Published by RayThompsonMusic (A0.1314642).

Arranged wind quintet.

A very straighforward arrangement of 5 verses from the the piano original.

BUT I have varied the instrumentation throughout.

(UNLIKE many arrangements you may find)

V1 Oboe melody (with  full quintet)
V2 Clarinet (trio with horn and bassoon)
V3 Flute
V4 Oboe
V5 Melody flute and oboe in octaves, and bassoon in lower octave.

Harmony parts shared around as well.

Additional notes are included where necessary for all verses 

In the Bleak Midwinter is a poem by the English poet Christina Rossetti, commonly performed as a Christmas carol. The poem was published, under the title A Christmas Carol, in the January 1872 issue of Scribner's Monthly, and was first collected in book form in Goblin Market, The Prince's Progress and Other Poems (Macmillan, 1875).

In 1906, the composer Gustav Holst composed a setting of Rossetti's words (titled Cranham) in The English Hymnal which is sung throughout the world.

Sometimes written as In the Bleak Mid Winter

Check out my other wind ensemble
arrangements of Holst's works

Pieces arranged are:

1st and 2nd Suite for Concert Band

St Pauls’ Suite

Brook Green Suite

Two Songs without Words

In the Bleak Midwinter

I vow to thee my country (Thaxted)

Chrissemas Day in the Morning

Christmas Day ( A choral fantasy)

Personent Hodie

Somerset Rhapsody.

Holst: In the Bleak Midwinter (5 verses with different instrumentation) - wind quintet Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$9.95 9.45 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download

SKU: A0.1334962

Composed by Gustav Holst. Arranged by Ray Thompson. 20th Century,Christmas. 17 pages. RayThompsonMusic #920843. Published by RayThompsonMusic (A0.1334962).

This Have I Done for My True Love, or Tomorrow Shall Be My Dancing Day, Op. 34, no. 1 [H128],is a motet or part song composed in 1916 by Gustav Holst.
The words are taken from an ancient carol, and the music is so strongly influenced by English folk music that it has sometimes been mistaken for a traditional folk song itself. It has often been described as a small masterpiece.

Arranged wind quintet.

Holst: This Have I Done For My True Love (4 Carols for Acapella Choir) Op.34 No.1) - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$14.95 14.2 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download

SKU: A0.1325401

Composed by Gustav Holst. Arranged by Ray Thompson. 20th Century,Christmas. 9 pages. RayThompsonMusic #913639. Published by RayThompsonMusic (A0.1325401).

Bring Us in Good Ale is a medieval English drinking song celebrating good drink and honoring Our Lady. For the medieval man, convivial drinking was a part of life, and drinks were enjoyed with nearly every meal. The English beverage of choice was ale. In Bring us in Good Ale the singers jocularly excuse themselves from mutton, eggs and pudding and instead stand firm in their call for their favorite drink. 

As they list all the dishes they refuse, the singers indirectly give thanks for the good season that has led to the plenty they are enjoying.

Gustav Holst arranged it for unaccompanied choir as one of his 4 carols Op.34.
It is quite short.
Arranged here for wind quintet.

Bring us in good ale, and bring us in good ale;
For our Blessed Lady's sake, bring us in good ale.

Bring us in no brown bread, for that is made of bran,
Nor bring us in no white bread, there therein is no game;
But bring us in good ale.

Bring us in no beef, for there is many bones,
But bring us in good ale, for that goes down at once;
And bring us in good ale.

Bring us in no bacon, for that is passing fat,
But bring us in good ale, and give us enough of that;
And bring us in good ale.

Bring us in no mutton, for that is often lean,
Nor bring us in no tripes, for they be seldom clean.

Bring us in no eggys, for there are many shells,
But bring us in good ale, and give us nothing else.

Bring us in no butter, for there are many hairs;
Nor bring us in no pig's flesh, for that will make us bears.

Bring us in no puddings, for therein is all God's good;
Nor bring us in no venison, for that is not for our blood;
But bring us in good ale.

Bring us in no capon's flesh, for that is often dear;
Nor bring us in no duck's flesh, for they slobber in the mere;
But bring us in good ale.


Arranged wind quintet

Holst: Bring Us In Good Ale (4 Carols for A Capella Choir Op.34 No.4 H.131) - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$3.95 3.75 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus


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