Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.813433 Composed by Johann Pachelbel. Arranged by Regis Bookshar. Baroque,Multicultural,Standards,Wedding,World. 27 pages. Regis Bookshar #6259513. Published by Regis Bookshar (A0.813433). Canon (Pachelbel) (Bb) (Woodwind Quintet) - Advanced/Intermediate - Digital Download. This selection, Johann Pachelbel's celebrated Canon, is perhaps the most famous canon ever written and has been one of my favorite compositions to arrange. A canon is a polyphonic device in which several voices play the same music, entering in sequence. Pachelbel's Canon, was originally written in the key of D Major and was scored for three violins arranged in canon, accompanied by a basso continuo which repeats the same harmonic progression throughout the entire piece. The common musical term for this is ostinato or ground bass. Regis Bookshar has now arranged this music for a Woodwind Quintet consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon. The Flute, Oboe and Clarinet play the melody in canon while the ostinato accompaniment is played by the French Horn and the Bassoon. This arrangement is suitable for high school and college students but could also be performed by professional performers. It is perfect for concerts and church services, especially for Weddings, but could be performed for any occasion. Included are a score and a complete set of parts (27 pages). This version is written in the key of Bb Major, to make it a little easier for some younger performers, but another version is also available in the key of D Major if you would prefer. Other versions of Pachelbel's Canon have also been arranged by Regis Bookshar and are available for a wide variety of instrumental Quintets and Octets, in both the keys of D Major and Bb Major. I think that String players would probably prefer to play the versions in the key of D Major while the Brass and Woodwind musicians might prefer to play the Bb Major versions. I hope you take the time to compare the different versions to find the right version for you. To help you decide which version, or versions, you may want to choose, I have included several musical samples for you to listen to and to hear what these arrangements may sound like and so that you may compare the various arrangements. Also, just to let you know, the Octets written in the key of Bb Major have full-length recordings while the Octets in D Major and all Quintets have only the first 25 measures, or so, available to hear. Please feel free to search for other arrangements by Regis Bookshar which are also available. There are quite a few other arrangements in a variety of styles and I'm certain you will find something else which might interest you as well. Please keep checking because I plan to continue to add new arrangements as often as I can. I'm certain that this exciting arrangement of Pachelbel's Canon will be a challenge to some performers but will continue to entertain both performers and audiences alike for years to come.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1221309 Composed by Irving Berlin. Arranged by Alex Tinlin. 20th Century,Broadway,Film/TV,Jazz,Musical/Show,Standards. 9 pages. Alex Tinlin #817641. Published by Alex Tinlin (A0.1221309). My arrangement for Wind Quintet of Irving Berlin's 'Anything you can (I can do better)' from the musical 'Annie get your gun'.

Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. Score and parts. 12 pages. Luis Anjos Teixeira #5297057. Published by Luis Anjos Teixeira (A0.889444). I Had Much Grief, Cantata BWV 21. „Ich hatte viel Bekümmernis, BWV 21. „Sinfonia This work marks a transition between motet style on biblical and hymn text to operatic recitatives and arias on contemporary poetry.  Bach catalogued the work as „e per ogni tempo „and for all times, indicating that due to its general theme, the cantata is suited for any occasion. With its distinctive gesture of descent and the plaintive lines of the oboe and violin, the Sinfonia, held in dark minor, sets a tone of pain that is characteristic of the cantata. With its emotional depth and formal wealth, the cantata I had much grief is almost a solitaire in Bach's church music. Performed in Weimar in 1714 and later rearranged several times, it is also suitable as a compositional business card due to its high standards and its shape, which is representative of various types of sentences, and could therefore be related to Bach's application. Bach performed the cantata on 17 June 1714, as his fourth work in a series of monthly cantatas for the Weimar court which came with his promotion to concert master. The Work was transposed to D minor during the Köthen years, and used in November 1720 for a performance in Hamburg to apply for the position as organist at St. Jacobi. As Thomaskantor in Leipzig, Bach performed the cantata again on his third Sunday in office on 13 June 1723. For this performance, he also changed the instrumentation, adding „for example four trombones to double the voices in the fifth stanza of the hymn. This version was used in several revivals during Bach's lifetime and is mostly performed today.  From the plaintive sinfonia to the arias and duets touching in their pain and charm to the speaking rhythmic psalm and chorus choirs, a development arc spans that transforms suffering and grief into consolation and trust and culminates in an apotheosis reminiscent of Handel of the victorious lamb, Hardly ever has Bach put the process of a relentless self-questioning and spiritual healing as convincingly as here. This arrangement of the sinfonia is intended for modern instruments.  The original score was translated into modern music literature standards thus simplifying the approach and helping to understand the legacy of baroque music in our modern times. A few embellishments and interpretation symbols where added thus mostly shortening the length of some notes. Some „fortes and „pianos are also included.  The arrangement is absolutely faithful to Bach`s versions, not adding or omitting any notes from the original sources.  P.S.-  The score was written on Finale. The sound file was produced with samplers from Garritan,  merely as an audio support for the presentation of the score. Thank you very much for taking your time to read this text and to listen to the file. I hope you enjoy the music. Musically Yours, „e per ogni tempo „and for all times Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzeneggerschen, Maria Koboldinha.  For all Living beings on Earth, for all our Ancestors,  Thank You for all of You  All The Love and Compassion. Luis Anjos Teixeira Timeless Life, Love Forever

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.753644 Composed by Traditional. Arranged by John Hoesly. Contemporary,Film/TV,Folk. 19 pages. PRS&B #5359155. Published by PRS&B (A0.753644). Wayfaring Stranger- for Woodwind Quintet. Traditional American Folk Song arranged by John Hoesly. Also known as Poor Wayfaring Stranger and I Am A Poor Wayfaring Stranger, this song probably originated in the early 19th century.  It has been recorded numerous times, but most significantly appears in the 2019 film 1917 where a soldier sings this plaintive melody to his fellow comrades just before going into battle. This arrangement is divided into two sections.  Section one is a very haunting scenario, very plain with insistent harmonic devices. The second section is a more elaborate version with more harmonic movement and tempo extensions to create more drama.  It ends as plaintively as it begins.

Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.747388 Composed by Ludwig van Beethoven. Arranged by Darrell Goforth. Classical,Instructional,Romantic Period. Score and parts. 20 pages. Darrell Harrison Goforth #707861. Published by Darrell Harrison Goforth (A0.747388). Written in 1800, the Septet in E-flat Major has long been a staple of the chamber music literature. I have set it here in an arrangement for Woodwind Quintet which, I think, captures the essence of the original and preserves the unique sound of Beethoven. Because of its length (about 45 minutes), I am presenting it here as separate movements. The entire piece can be heard on my YouTube channel at: https://www.youtube.com/user/dgoforth2 . If you would like to purchase the entire 6 movements, please email me at dgoforth2@comcast.net and I will send it to you. Each individual movement can be seen at my Facebook page: https://www.facebook.com/goforthmusic/ Questions and comments are welcome at my email.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1139982 Composed by Nancy Bachmann. Chamber,Classical,Contemporary. 104 pages. Nancy Bachmann #740242. Published by Nancy Bachmann (A0.1139982). A taste of Americana, these five stand-alone movements for traditional woodwind quintet celebrate the artistic quilts of our foremothers. Appropriate for intermediate and advance players. INCLUDED IN PURCHASE: Full score and complete set of instrumental parts. NOTES FROM THE COMPOSER: Traditional quilting, like chamber music, is a cooperative, communal activity  and the clean crisp lines delineating the sewn patterns bring woodwind sonorities to my mind. This suite celebrates the remarkable needlecraft of our American foremothers. They took scraps, rags and remnants of otherwise worn out garments and household fabrics to stitch together useful (often life saving) “blankets� that were also beautiful works of art. These early quilters favored certain shapes and designs that I have used for my musical inspiration. In these five pieces I have tried to honor the physical shapes of the patterns as well as emotions evoked by their use..

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1459390 Composed by Traditional. Arranged by Christian Morris. Spiritual,Traditional. 18 pages. Hoopla Sheet Music #1038339. Published by Hoopla Sheet Music (A0.1459390). An extended arrangement of the African-American spiritual 'Nobody Knows the Trouble I've Seen.' The melody is heard over a lively bass interspersed with more lyrical sections, the whole building to a satisfying climax.

Composed by African-American Spiritual. Arranged by Kenneth Abeling. Praise & Worship,Religious,Spiritual. 16 pages. LINCOLN MUSIC PUBLICATIONS #768186. Published by LINCOLN MUSIC PUBLICATIONS

Composed by African American Spiritual. Arranged by Kenneth Abeling. Christian, Contemporary, Folk, Spiritual. 10 pages. LINCOLN MUSIC PUBLICATIONS #3859513. Published by LINCOLN MUSIC PUBLICATIONS

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.553661 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical,Holiday,Wedding. 37 pages. RayThompsonMusic #3466544. Published by RayThompsonMusic (A0.553661). The String Quintet in E-flat major, Op. 4, was composed by Ludwig van Beethoven in 1795. It was adapted from his Octet in E-flat major, Op. 103, which, despite its high opus number, was in fact composed by Beethoven in 1792/1793 but was published only in 1837, ten years after the composer's death. The Quintet was published in Vienna in 1796.The quintet has been viewed as a mere transcription of the octet. However, there are a few differences between the two works. In the first movement, there are significant changes in the exposition and substantial ones in the development, reprise, and ending. The ensuing Andante employs new themes and involves significant changes in the ones retained. The Scherzo and finale are also substantially different: among other alterations, a second trio was added to the former and a new alternate theme was inserted in the latter.This arrangement is for wind quintet. (Horn in Eb) but horn in F also provided.

Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Download SKU: A0.1408257 By Classical. By Johan Pachelbel. Arranged by Jhonatan Lucio Viana. Classical,Early Music,Historic,Romantic Period,Traditional. 16 pages. JLVPartitura #990838. Published by JLVPartitura (A0.1408257). Acquire now the CANON IN D a Traditional Song for Woodwind Quartet.- Intermediate or Easy Intermediate level- D major- Canon in d, Canon in d easy intermediate, Canon in d piano sheet, Canon in d sheets, Canon in d pachelbel, Canon in d pachebel, romantic, canon in d intermediate, canon in d woddwind quartet, canon in d quartet, flute, oboe, clarinet in bb, bassoon.Purchase the sheet music today and immerse yourself in the beauty of this composition!I invite you to explore my extensive music collection. Enter Jhonatan Lucio Viana in the search field and discover my variety of arrangements tailored for various instruments, voices, and musical ensembles.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1127691 Composed by Antonin Dvorak. Arranged by Ray Thompson. Romantic Period,Spiritual. 16 pages. RayThompsonMusic #728293. Published by RayThompsonMusic (A0.1127691). 2nd mvt Lento - Arranged wind quintet The String Quartet in F major, Op. 96, nicknamed the American Quartet, is the 12th string quartet composed by Antonín Dvořák. It was written in 1893, during Dvořák's time in the United States of America. The quartet is one of the most popular in the chamber music repertoire. For the London premiere of his New World symphony, Dvořák wrote: As to my opinion I think that the influence of this country (it means the folk songs)) is to be seen, and that this and all other works (written in America) differ very much from my other works as well as in colour as in character,. A characteristic, unifying element throughout the quartet is the use of the pentatonic scale. This scale gives the whole quartet its open, simple character, a character that is frequently identified with American folk music. However, the pentatonic scale is common in many ethnic musics worldwide, and Dvořák had composed pentatonic music, being familiar with such Slavonic folk music examples, before coming to America Specific American influences have been doubted: In fact the only American thing about the work is that it was written there, writes Paul Griffiths.[21] The specific American qualities of the so-called American Quartet are not easily identifiable, writes Lucy Miller, ...Better to look upon the subtitle as simply one assigned because of its composition during Dvořák's American tour. I have NOT simply copied the string parts across to the winds, as other have done. Rather, I have arranged the piece as though it had been written for wind quintet, so have given the horn repeated notes , in the same way as the slow movement of the slow movement Dvorak's wind serenade., and used the horn to sustain. Some of the arpeggio figures remain, but in a simplified form.and are shared between clarinet and bassoon.