Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download

SKU: A0.813842

Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533959. Published by Regis Bookshar (A0.813842).

Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Woodwind Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.

Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.

Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:
  
  I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.

He further explained how Native American music influenced his symphony:

  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.

In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.

Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.

The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, he has made quite a few other arrangements of this.

Woodwind quintet - Digital Download

SKU: IZ.CMW183

Composed by Septimus Winner. Arranged by Judith Katz. Score and Parts. 17 pages. Imagine Music - Digital #CMW183. Published by Imagine Music - Digital (IZ.CMW183).

9 x 12 in inches.

In my search for American composers who were active in the mid to latter part of the 19th Century, I've recently discovered the name, Septimus Winner.

Winner, (1827-1902) was a Philadelphia-based song writer and publisher, credited with over 200 method books for a wide variety of instruments, as well as 1500 easy arrangements, and 2000 arrangements specifically for violin and piano. He teamed up with his brother to publish music, and he, himself, had numerous publications both under his own name, and pseudo names: Alice Hawthorne, Percy Guyer, Mark Mason, Apsley Street, and Paul Stenton.

Some of his compositions have become classics, and helped to seal his fame as a major song writer of the pre, Tin Pan Alley era. He was inducted into the Songwriters Hall of Fame in 1970. Among his most famous compositions are: Listen to The Mockingbird, published under the name of Alice Hawthorne, Oh Where, Oh Where Has My Little Dog Gone, and Ten Little Indians, which was performed a lot in Europe, and later used as an inspiration for Agatha Christie for her book of the same name; sometimes referred to And Then There Were None.

Silver Wedding March was originally written for parlor piano, which ends itself beautifully to small instrumental ensemble combinations. I chose woodwind quintet.

Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download

SKU: A0.845748

Composed by Henry Purcell. Arranged by Robert Newth. Baroque,Opera. 9 pages. Robert Newth #6211621. Published by Robert Newth (A0.845748).

Let us wander was originally written for the opera The Indian Queen. Unfortunately Purcell died before the opera could be completed but he did manage to finish several arias and instrumental sections of the work, including this song.

This arrangement is for standard woodwind quintet of Flute, Oboe, Clarinet in Bb, Horn in F, and Bassoon. The PDF download contains a full score and all five parts.

If you've enjoyed this arrangement, please leave a review!