Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.514959 Composed by John Dowland. Arranged by Kenneth Abeling. Renaissance. 82 pages. LINCOLN MUSIC PUBLICATIONS #4287803. Published by LINCOLN MUSIC PUBLICATIONS (A0.514959). 10 Lachrimae by John Dowland Transcribed for Woodwind Quintet by Kenneth Abeling. These beautiful melodies are suitable for general performance, worship services, Funerals and as warmup exercises that actually have five independent voices. Both intermediate to professional level ensembles will find value in this collection. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com Preview this score on YouTube: https://www.youtube.com/watch?v=e-dV5JJV38s 

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1231466 Composed by JOHN DOWLAND (1562 - 1626). Arranged by Pat Spence. Chamber,Contest,Early Music,Festival,Instructional. 20 pages. Piper Publications #827138. Published by Piper Publications (A0.1231466). This arrangement of Piper's Pavan and Galliard originally written for the lute, is for a woodwind quintet of intermediate standard or above. No dynamics are indicated and the interplay between the parts requires careful balancing.

Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.975917 Composed by Samuel Scheidt. Arranged by Derrick Thom. Lewis. Baroque. 10 pages. Derrick Thom. Lewis #6719761. Published by Derrick Thom. Lewis (A0.975917).   DON'T FEAR PRE-BACH MUSIC! The idea of 'Progress' in art is fallacious (within reason).  Scheidt- Variations on Wehe, Windgen, wehe (Blow Little Winds, Blow) [1624, Halle]  This gem of mid-Baroque German meister Sam Scheidt, who (for reference) was 23 yrs. younger than Shakespeare and 98 yrs. than Bach, sounds not-a-bit strange to today's ears. Donald J. (no, not him) Grout says that John Dowland's songs of 1590's sound entirely modern. Well, they do! STING recorded them, if that means anything to you. So then, what have composers been up to for the last 430 years?!  I jest, but this piece is terrific. Be advised, the 'runs' are modal, in that the 7th degree is usually NOT just a semitone under the 8th/1st, but a whole tone. A bit like bagpipe music, in our day.