Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.514888 Composed by African American Spiritual. Arranged by Kenneth Abeling. Jazz,Spiritual. 17 pages. LINCOLN MUSIC PUBLICATIONS #3877305. Published by LINCOLN MUSIC PUBLICATIONS (A0.514888). “Joshua Fought the Battle of Jerichoâ€� arranged for Woodwind Quintet by Kenneth Abeling. This is the final installment in a series of popular African American Spirituals. It is an Intermediate level arrangement and is appropriate for all religious services and Black History events. To view and listen to this piece IN ITS ENTIRETY as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com. Playing time: 2:15  Preview this score on YouTube: https://www.youtube.com/watch?v=Ry4UDUody5s 

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Digital Download SKU: A0.1355316 By Joseph C. Bridge. By Joseph C. Bridge. Arranged by Andrew Lamb. 19th Century,Praise & Worship,Sacred. 20 pages. Andrew Lamb #940034. Published by Andrew Lamb (A0.1355316). � Immerse your audience in the tranquil beauty of 'Song of Peace' with this exquisite Wind Quintet adaptation by Joseph C. Bridge! 🎶 This arrangement, thoughtfully scored for Flute, Oboe, Clarinet, Horn, and Bassoon, offers a medium difficulty level, making it a versatile choice for concerts, recitals, or the serene ambiance of an Ordination Church Service. 🕊�✨With a harmonious blend of woodwind and brass, each instrument contributes to the enchanting tapestry of peace. The expressive nuances and melodic richness of this adaptation capture the essence of the original composition, providing a captivating musical experience for both performers and audiences alike.Elevate your ensemble's repertoire with 'Song of Peace' and explore the dynamic interplay of the Flute, Oboe, Clarinet, Horn, and Bassoon. Order your sheet music today and let the soothing tones of this Wind Quintet adaptation resonate in your next performance. 🎼🌬�Please like and subscribe for more videos and music arrangements. 🙌🎶.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.743404 Composed by Frederick Joseph Ricketts. Arranged by Josef STASTNY. 20th Century,Film/TV,Graduation,Holiday. 18 pages. Josef STASTNY #3490629. Published by Josef STASTNY (A0.743404). The Colonel Bogey March is a British march that was composed in 1914 by Lieutenant F. J. Ricketts (1881–1945) (pen name Kenneth J. Alford), a British Army bandmaster who later became the director of music for the Royal Marines at Plymouth. (Wikipedia)One of the most famous march ever written.Substitute parts: 1 Bb, 2 Bb, 4 BbOther Josef´s arrangements:https://www.sheetmusicplus.com/publishers/josef-stastny-sheet-music/3006800?ac=1Personal webside: www.stastnyjosef.cz

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1211850 By Marcel Handler. By Spiritual. Arranged by Marcel Handler. Jazz,Praise & Worship,Ragtime,Spiritual,Standards. 17 pages. Marcel Handler #809400. Published by Marcel Handler (A0.1211850). Arrangement for Woodwind Quintet, Score and Parts.

Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1515380 Composed by Jacob Smith Jr. 20th Century,Contemporary. 11 pages. Tacypoc #1089737. Published by Tacypoc (A0.1515380). This is an excerpt from a collection called Children's Suite. It's one of seven tunes. The complete collection is also available.

By Adele. Arranged by Joseph Hasper. Score, Set of Parts. 20 pages. Published by Joseph Hasper (H0.130627-269293). - Score,Set of Parts - - Joseph Hasper

Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.905662 Composed by Josue Lopez. Arranged by Bruno Santos. Jazz,Latin. 26 pages. Bruno Santos #5732915. Published by Bruno Santos (A0.905662). Composition of the great Brazilian saxophonist, Josue Lopez recorded in the first album of the Brasilidade Geral group.Here an arrangement for woodwinds quintet. 2 altos, 2 tenors and bas clarinet with baritone sax option.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.764733 Composed by Traditional. Arranged by James Pybus. Folk,Multicultural,Standards,Wedding,World. 18 pages. James Pybus #6204723. Published by James Pybus (A0.764733). Arirang is arguably the most popular and best-known Korean folk song, both inside and outside Korea. Arirang is an ancient native Korean word with no direct modern meaning. 'Ari' means beautiful (For example the native Korean word 아리따운 means beautiful, lovely, charming) 'Rang' can mean dear. Origin of the title Many versions of the song open by describing the travails the subject of the song encounters while crossing a mountain pass. Arirang is one name for the pass and hence the title of the song. Some versions of Arirang mention Mungyeong Saejae, which is the main mountain pass on the ancient Joseon Dynasty road between Seoul and southeastern Gyeongsang Province. This arrangement is playable by a standard Woodwind Quintet. It is suitable for a variety of settings and concert programs. Duration is 4:00 Please contact me at james.pybus56@gmail.com.

Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. Score and parts. 12 pages. Luis Anjos Teixeira #5297057. Published by Luis Anjos Teixeira (A0.889444). I Had Much Grief, Cantata BWV 21. „Ich hatte viel Bekümmernis, BWV 21. „Sinfonia This work marks a transition between motet style on biblical and hymn text to operatic recitatives and arias on contemporary poetry.  Bach catalogued the work as „e per ogni tempo „and for all times, indicating that due to its general theme, the cantata is suited for any occasion. With its distinctive gesture of descent and the plaintive lines of the oboe and violin, the Sinfonia, held in dark minor, sets a tone of pain that is characteristic of the cantata. With its emotional depth and formal wealth, the cantata I had much grief is almost a solitaire in Bach's church music. Performed in Weimar in 1714 and later rearranged several times, it is also suitable as a compositional business card due to its high standards and its shape, which is representative of various types of sentences, and could therefore be related to Bach's application. Bach performed the cantata on 17 June 1714, as his fourth work in a series of monthly cantatas for the Weimar court which came with his promotion to concert master. The Work was transposed to D minor during the Köthen years, and used in November 1720 for a performance in Hamburg to apply for the position as organist at St. Jacobi. As Thomaskantor in Leipzig, Bach performed the cantata again on his third Sunday in office on 13 June 1723. For this performance, he also changed the instrumentation, adding „for example four trombones to double the voices in the fifth stanza of the hymn. This version was used in several revivals during Bach's lifetime and is mostly performed today.  From the plaintive sinfonia to the arias and duets touching in their pain and charm to the speaking rhythmic psalm and chorus choirs, a development arc spans that transforms suffering and grief into consolation and trust and culminates in an apotheosis reminiscent of Handel of the victorious lamb, Hardly ever has Bach put the process of a relentless self-questioning and spiritual healing as convincingly as here. This arrangement of the sinfonia is intended for modern instruments.  The original score was translated into modern music literature standards thus simplifying the approach and helping to understand the legacy of baroque music in our modern times. A few embellishments and interpretation symbols where added thus mostly shortening the length of some notes. Some „fortes and „pianos are also included.  The arrangement is absolutely faithful to Bach`s versions, not adding or omitting any notes from the original sources.  P.S.-  The score was written on Finale. The sound file was produced with samplers from Garritan,  merely as an audio support for the presentation of the score. Thank you very much for taking your time to read this text and to listen to the file. I hope you enjoy the music. Musically Yours, „e per ogni tempo „and for all times Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzeneggerschen, Maria Koboldinha.  For all Living beings on Earth, for all our Ancestors,  Thank You for all of You  All The Love and Compassion. Luis Anjos Teixeira Timeless Life, Love Forever

Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.889437 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. 11 pages. Luis Anjos Teixeira #4741949. Published by Luis Anjos Teixeira (A0.889437). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of the Divi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe,  edited by Wilhelm Rust.  The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying.  The Arrangement is relatively easy to perform, also appropriate for beginners.  It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern woodwind quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. Have fun! It is a piece that can be used in many different kinds of situations, from the serious concert hall to a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great  feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha.  For all Living beings on Earth, for all our Ancestors,  Thank You for all of You  All Your Love and Compassion. Love Forever. Luis Anjos Teixeira

Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.889424 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Christmas,Concert,Standards. 12 pages. Luis Anjos Teixeira #4604487. Published by Luis Anjos Teixeira (A0.889424). Johann Sebastian Bach wrote some song-like, lyrical pieces, often movements in larger compositions for instrumental ensembles, the so called „Airs. This piece, the Air of the second movement of the Suite No.3 in D major, BWV 1068 is one of the most impressive master works ever written in the history of the human being.  The piece does not require virtuoso skills to perform and is appropriate for students or amateurs. Without any doubt very pleasant to listen when played by a dedicated and very well rehearsed ensemble, it has always a very powerful effect on the audience. It can be used in concerts and all sorts of spiritual or religious events. In this arrangement for woodwind Quintet the bass is shared by the fagote and the horn as two independent voices that perform „as one. For a matter of study and comparison the original cello part is included in this work. It could be eventually used if the ensemble decides to double the original bass line with both the fagot and the horn.     I also could not resist not to interchange the role of the flute and the oboe on the „repetition : I have shortened some of the notes and used various interpretation symbols, accents and nuances, they are mere suggestions for an interpretation and are total absent on the original score. The use of the dot over the notes is called „staccato, it means in this case that the note is shortened to approximately half of its length.  Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design tips, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi, Carlinhos, Pontinha, Maria Joaninha, Schwarzenegger, Koboldinha.  For all Living beings on Earth, for all our Ancestors,  Thank You for all the Love  All Your Love and Compassion. Love Forever. Luis Anjos Teixeira Disclaimer:  Most serene Highness and noble performer of the Holy Musical Empire, gracious and dread Artist, the most joyous occasion of your name day may your highness celebrate it in divine grace and enjoy it in complete well-being felicity with the performance of this score. The grandiose musical purchase contest takes place In the month of august. The cheapest price for this score is 15 Dollars.  It would be of the greatest advantage to do your Highnesses gracious musical purchase during the month of august thus that would bring me the possibility of winning this grandiose selling competition. I therefore await your Highnesses gracious musical purchase I hope for your favor and gracious Highness, most humble,  Luis Anjos Teixeira The score was written on Finale and the sound file was produced with Garritan instruments.

Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.889439 Composed by Wolfgang Amadeus Mozart. Arranged by Luis Anjos Teixeira. Baroque,Christmas,Concert,Standards. 12 pages. Luis Anjos Teixeira #4763223. Published by Luis Anjos Teixeira (A0.889439). Menuett No. 6 was originally  written for pianoforte.   Because of its caracter, It can work perfectly as an introduction piece or for a little surprise encore in the end of a concert.  It is also very easy to play, very appropriate for music students and beginners. And of course righten by no other than Mozart it is the perfect  piece for great artists and performers. The original score was written for the pianoforte. I did an arrangement for woodwind quintet and made an extent use of interpretation symbols like fortes and pianos, crescendos etc., wish where total absent in the original score.  I also had to shorten the length of some notes in order to facilitate the interpretation of the piece on woodwind instruments. Otherwise all the original notes are left unchanged.  The score was written on Finale.  The sound file, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus or anywhere else. Thanks to Claudia Eppelt for the all the Love the wonderful Art cover and design. Special Thanks to Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Mary Jane, Schwarzenegger, Maria Koboldinha, Blue Man, Joe…  For all Living beings on Earth, for all our Ancestors,  Thank You for all of You  All Your Love and Compassion. Love Forever. Luis Anjos Teixeira Disclaimer: The score was written on Finale. The sound file was produced with samplers from Garritan and conceived as an audio support for the presentation of the score.

Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.