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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.811822 Composed by W. A. MOZART (1756 - 1791). Arranged by Pat Spence. Classical,Concert,Graduation,Holiday,Wedding. Score and parts. 100 pages. Piper Publications #6657067. Published by Piper Publications (A0.811822). The Divertimento, originally for an orchestra (flute, oboe, bassoon, 4 horns and strings) was completed in June 1772 in Salzburg.  It was probably written for an outdoor performance and Mozart certainly made full use of the opportunity to display his remarkable talents both to his prospective patrons and his talented fellow musicians who would have performed this extensive six movement piece.There are six movements, Allegro, a substantial sonata form piece; Adagio, a  sophisticated piece written for strings only; a gem of a Menuetto with three trios; Allegretto; a Menuetto with 2 trios and a final Adagio - Allegro molto - Allegro assai forms the grand finale. The scale and sophistication of this piece is far beyond that of the early symphonies which Mozart composed around the same time.The arrangement is suitable for advanced and advanced intermediate players.In editing and arranging the Divertimento for flute, oboe, clarinet, bassoon and horn it has been necessary to add phrase marks (shown in dashed lines) and extra staccato dots - not indicated. The lack of dynamic markings especially in the latter movements has been remedied in parentheses ( ). Some octave transpositions both up and down have been necessary and the glory of the four horn sections of the original have been re-scored as sympathetically as I am able.I do hope that quintet players will enjoy this arrangement of a very remarkable piece.
MOZART: DIVERTIMENTO IN D MAJOR K. 131 for woodwind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$24.00 20.57 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Digital Download SKU: A0.870332 Composed by Traditional. Arranged by Markus Plattner (*1952). World. Score and parts. 19 pages. Markus Plattner #2832217. Published by Markus Plattner (A0.870332). Swiss Folk Song - Simelibärg A beautiful traditional melody, describing heartache and loss of a man who went to war as a mercenary sometime in the 16th century, after he erroneously believed that he had killed a rival for the favours of a village girl. Upon returning home he found his rival alive but his beloved girl had died from heartache. Carefully arranged with some more modern arranging techniques. Easy playability for youth orchestras and ensembles.
Swiss Folksong - Simelibärg
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$12.00 10.29 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.811825 Composed by Joseph Haydn (1736 - 1809). Arranged by Pat Spence. Classical,Concert,Graduation,Standards,Wedding. Score and parts. 70 pages. Piper Publications #6689615. Published by Piper Publications (A0.811825). This early symphony (No. 8) was composed in 1761, the last of a set of three - 'Le Matin', 'La Midi' and 'Le Soir' (Morning, Mid day & Evening). The scoring was similar to the Bach Brandenburg concertos in that the wind players (flute, 2 oboes, bassoon & 2 horns) were treated as soloists along with the leaders of the string sections - except the violas. The musical style however, was remarkably well along the road to Haydn's Classical style. The four movements, Allegro molto, Andante,Menuetto & Trio and La tempesta - Presto which represents a storm. Haydn must have been very pleased  with the last movement as he used the broken chord theme which first appears in the flute in his final work, The Seasons, again to represent a storm.The arrangement provides rewarding parts for a quintet of players of advanced intermediate standard and above.
HAYDN: SINFONIA IN G MAJOR 'LE SOIR' for woodwind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$24.00 20.57 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.818162 Composed by Gabriel Faure. Arranged by Philip Le Bas. 20th Century. Score and parts. 113 pages. Philip Le Bas #3590141. Published by Philip Le Bas (A0.818162). Faure’s piano duet entitled Dolly Suite is here arranged by Philip Le Bas for a wind sextet, consisting of a standard wind quintet (flute, oboe, clarinet, horn and bassoon) plus bass clarinet. The bass clarinet gives the music more sonority and it allows the arranger more opportunity to bring out Faure’s sumptuous harmonies. Dolly was the nickname of the baby daughter of Emma Bardac, with whom Faure had a long-running affair, and each of the pieces has a slightly different association with childhood.1)   The Berceuse (lullaby) is best remembered as the theme tune to the BBC’s Listen with Mother, and its tune is indelibly marked into the memories of generations of radio listeners between 1950 and 1982. It was written for Dolly’s first birthday. (An alternative part for clarinet in A is available for this movement, to avoid the otherwise slightly tricky key signature of F sharp major!)2)   Mi-a-ou has nothing to do with cats, but is a version of Dolly’s first attempts to pronounce the name of her brother Raoul. Written for her second birthday, it is a delicate and playful scherzo with lots of cross-rhythms for the instruments.3)   Le Jardin de Dolly is regarded by some as the best piece in the collection, with its gorgeous tune and unexpected harmonies, creating an impressionistic picture of a beautiful, peaceful French garden.4)   Kitty-Valse again has nothing to do with cats but with the family dog Ketty, who whirls round and round, in unrelenting cheerfulness.5)   In Tendresse Faure introduces more chromatic harmonies, used in his later works. As its name and its key of D flat suggests, the music here seems to express deep and shifting emotions associated with intimate relationships, while retaining a sense of calm and comfort throughout.6)   The last piece, Le Pas Espagnole is a thrilling journey across the border into the exotic Spanish world of dance. There is much in common with Chabrier’s Espana, and here the wind players can enjoy playing at full tilt in an exciting and tuneful end to the suite.
Dolly Suite (for Wind Sextet)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$6.99 5.99 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.811768 Composed by Johann Pachelbel (1653 - 1706). Arranged by arranged by Pat Spence. Baroque,Concert,Graduation,Standards,Wedding. Score and parts. 48 pages. Piper Publications #6092455. Published by Piper Publications (A0.811768). The Chaconne was composed for organ but not published during Johann Pachelbel’s lifetime. First Publication was in 1901 by Breitkopf und Härtel. The four bar/measure theme is repeated as are all 25 variations. In almost every instance the repeat would have been more elaborate or played in a different register on the organ.In arranging the Chaconne for wind players I have used the different characteristics of the wind instruments in varying combinations and changes of register to create what I hope is an enjoyable and entertaining concert piece for players of advanced intermediate standard. The three part writing has been expanded to the five instruments of the standard woodwind quintet to give a wider scope for variation of scoring which also enables the players some breathing space.The dynamic markings are editorial so do feel free to use your own.
PACHELBEL CHACONNE IN C MAJOR P. 38 FOR WOODWIND QUINTET
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$20.00 17.15 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.782463 By Pentatonix. By Kevin Olusola, Martin Johnson, Mitchell Grassi, Sam Hollander, and Scott Hoying. Arranged by James Haynor. A Cappella. Score and parts. 17 pages. James Haynor #6664627. Published by James Haynor (A0.782463). Pentatonix is the fourth studio album by American a cappella group Pentatonix, which was released on October 16, 2015. The release date was announced on Twitter by a series of pictures featuring the five band members released over a five-day-span, with one band member added to the picture each day, culminating in the date being revealed on August 28.  It is the group's seventh release overall in their discography. This is the first release of the band to feature predominantly original material. Pentatonix also marks the first time band members receive individual songwriting credits for the majority of the tracks. Sing is a very up tempo cut from this album and makes for a very high energy arrangement - fun for performers and audiences alike. ( Duration - 3:00 ) 
Sing
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Pentatonix
$12.99 11.14 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. Score and parts. 12 pages. Luis Anjos Teixeira #5297057. Published by Luis Anjos Teixeira (A0.889444). I Had Much Grief, Cantata BWV 21. „Ich hatte viel Bekümmernis, BWV 21. „Sinfonia This work marks a transition between motet style on biblical and hymn text to operatic recitatives and arias on contemporary poetry.  Bach catalogued the work as „e per ogni tempo „and for all times, indicating that due to its general theme, the cantata is suited for any occasion. With its distinctive gesture of descent and the plaintive lines of the oboe and violin, the Sinfonia, held in dark minor, sets a tone of pain that is characteristic of the cantata. With its emotional depth and formal wealth, the cantata I had much grief is almost a solitaire in Bach's church music. Performed in Weimar in 1714 and later rearranged several times, it is also suitable as a compositional business card due to its high standards and its shape, which is representative of various types of sentences, and could therefore be related to Bach's application. Bach performed the cantata on 17 June 1714, as his fourth work in a series of monthly cantatas for the Weimar court which came with his promotion to concert master. The Work was transposed to D minor during the Köthen years, and used in November 1720 for a performance in Hamburg to apply for the position as organist at St. Jacobi. As Thomaskantor in Leipzig, Bach performed the cantata again on his third Sunday in office on 13 June 1723. For this performance, he also changed the instrumentation, adding „for example four trombones to double the voices in the fifth stanza of the hymn. This version was used in several revivals during Bach's lifetime and is mostly performed today.  From the plaintive sinfonia to the arias and duets touching in their pain and charm to the speaking rhythmic psalm and chorus choirs, a development arc spans that transforms suffering and grief into consolation and trust and culminates in an apotheosis reminiscent of Handel of the victorious lamb, Hardly ever has Bach put the process of a relentless self-questioning and spiritual healing as convincingly as here. This arrangement of the sinfonia is intended for modern instruments.  The original score was translated into modern music literature standards thus simplifying the approach and helping to understand the legacy of baroque music in our modern times. A few embellishments and interpretation symbols where added thus mostly shortening the length of some notes. Some „fortes and „pianos are also included.  The arrangement is absolutely faithful to Bach`s versions, not adding or omitting any notes from the original sources.  P.S.-  The score was written on Finale. The sound file was produced with samplers from Garritan,  merely as an audio support for the presentation of the score. Thank you very much for taking your time to read this text and to listen to the file. I hope you enjoy the music. Musically Yours, „e per ogni tempo „and for all times Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzeneggerschen, Maria Koboldinha.  For all Living beings on Earth, for all our Ancestors,  Thank You for all of You  All The Love and Compassion. Luis Anjos Teixeira Timeless Life, Love Forever
I Had Much Grief
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$7.94 6.81 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.815322 Composed by Pierre Leemans. Arranged by Mark A. Craig. Contemporary. Score and parts. 31 pages. Mark Craig #5373229. Published by Mark Craig (A0.815322). This is a woodwind quintet arrangement for an advanced high school ensemble, college ensemble, or professional group. It is appropriate for recitals, weddings, ceremonies, pops concerts, European programs, and children's concerts/educational outreach. I have included an alternate bass clarinet part in place of a missing bassoonist. .
March Of The Belgian Paratroops (marche Des Parachutistes Belges)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$15.00 12.86 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.815321 Composed by James Van Heusen. Arranged by Mark A. Craig. Contemporary. Score and parts. 24 pages. Mark Craig #5372149. Published by Mark Craig (A0.815321). This arrangement for WQ was written for upper level college ensembles and professional groups. It works great for a pops concerts, (post) wedding music, background music for events, and children's concerts/educational outreach. I have included an alternate bass clarinet part, in place of a missing bassoonist. If the question comes up: the music is not swung; its Dixie. .
Thoroughly Modern Millie
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$15.00 12.86 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.815314 Composed by Julius Fucik. Arranged by Mark A. Craig. 20th Century,Concert,Graduation,Wedding,World. Score and parts. 47 pages. Mark Craig #3620441. Published by Mark Craig (A0.815314). This is originally an Italian symphonic march from the early 20th century. It's a standard concert band work, known to many music students, and a great part of the band repertoire. This is an adaption for woodwind quintet, and is appropriate for advanced high school and college ensembles, and professional groups. It's great for recitals, graduations, weddings, ceremonies, and dinner/background music gigs. .
Florentiner March
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$15.00 12.86 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.815326 Composed by John Philip Sousa. Arranged by Mark A. Craig. 20th Century,Concert,Folk,Patriotic,Wedding. Score and parts. 25 pages. Mark Craig #6011375. Published by Mark Craig (A0.815326). This arrangement is appropriate for recitals, weddings, special events, background dinner gigs, or children's/educational programs. Great for Americana and/or patriotic programs. It can be performed by both professional and college-level ensembles. I have included an alternate bass clarinet part, in lieu of a missing bassoon. .
Sousa: Nobles of the Mystic Shrine
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$15.00 12.86 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus






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