Woodwind Ensemble,Woodwind Quintet Bass Clarinet,Bassoon,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1447498 By Adoramus Vocal Ensemble Burrows Mark. By Antiphon For Maundy Thursday and Maurice Durufle. Arranged by Mark A. Craig/Craig Music Publishers. 20th Century,Holiday,Multicultural,Sacred,World. 17 pages. Mark A. Craig #1027280. Published by Mark A. Craig (A0.1447498). This setting of Maurice Duruflé's beautiful motet, Ubi Caritas, is from his Quatre Motets and arranged for woodwind quintet. Originally a choral music standard, this transcription is perfect for recitals, background dinner music gigs, funerals, or church services. This arrangement can be performed by most ensembles, ranging from advanced high school ensembles to professional woodwind quintets. I have included an alternate bass clarinet part in lieu of a missing bassoon.The live recording for this piece includes a bass clarinetist in place of a bassoonist. If you would like to hear the original version with bassoon, please visit my YouTube page: https://youtu.be/4w1Fw2fomqcIf you like this arrangement, you might like another one of my choral transcriptions: Charles Villiers Standford's Beati Quorum Via, available on Sheet Music Plus: https://www.sheetmusicplus.com/en/product/stanford-beati-quorum-via-from-three-latin-motets-opus-38-21875273.html and Sheet Music Direct: https://www.sheetmusicdirect.com/en-US/se/ID_No/911720/Product.aspxHere are some links if you'd like to check out my social media pages. Facebook: https://www.facebook.com/craigmusicpublishers/Instagram:  https://www.instagram.com/craigmusicpublishers/YouTube: www.youtube.com/@CraigMusicPublishers.

Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1151130 Composed by Jimmy Buffett. Arranged by Kenneth Abeling. Contemporary,Country,Pop. 25 pages. LINCOLN MUSIC PUBLICATIONS #751309. Published by LINCOLN MUSIC PUBLICATIONS (A0.1151130). Margaritaville by Jimmy Buffet arranged for Woodwind Quintet. This is an intermediate level arrangement of a song that most everybody knows and loves. Playing time approximately 4:00. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/.

Woodwind Ensemble,Woodwind Quintet - Digital Download SKU: A0.594706 Composed by Thomas Augustine Arne. Arranged by Adrian Wagner. Contemporary. 10 pages. Adrian Wagner #3384959. Published by Adrian Wagner (A0.594706). Complete List Of Sheet Music arr. Adrian Wagner

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1475301 Composed by Bach, Haendel, Mozart, Donizetti and others. Arranged by Aurelio Scotto. Baroque,Chamber,Classical,Folk,Patriotic. 97 pages. Aurelio Scotto #1052844. Published by Aurelio Scotto (A0.1475301). E. P. Chédeville – BourréeJ. S. Bach - Jesus bleibet meine freude (from “Cantata BWV 147”)J. S. Bach - Pastoral Symphony (from “Christmas Oratorio”)G. F. Haendel - Pastoral Symphony (from “The Messiah”)T. A. Arne - Rule, Britannia!W. A. Mozart - Andante Cantabile (from “Piano Sonata K. 310”)G. Donizetti – March (from “L'elisir d'amore”)S. C. Foster – Swanee RiverS. A. Ward - America the beautifulTraditional - Auld lang syne

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Digital Download SKU: A0.502627 Composed by Piae Cantiones. Arranged by Ray Thompson. Christmas,Classical,Sacred. 10 pages. Published by RayThompsonMusic (A0.502627). Also known as Unto us a boy is born Puer nobis nascitur, usually translated as Unto Us Is Born a Son, is a medieval Christmas carol found in a number of manuscript sources—the 14th-century German Moosburg Gradual and a 15th-century Trier manuscript. The book became well known in Britain after a rare original copy of Piae Cantiones owned by Peter of Nyland was given as a gift to the British Minister in Stockholm. He subsequently gave it to John Mason Neale in 1852, and it was from this copy that Neale, in collaboration with Thomas Helmore published songs in two collections in 1853 and 1854 respectively, although this carol was not included in either. The carol became popular as a processional hymn following a translation by George Ratcliffe Woodward first published in 1902.[7] Percy Dearmer also translated the hymn for inclusion in The Oxford Book of Carols (1928) as Unto Us a Boy Is Born.Both translations are commonly used. 5 verses, all differnt instrumentation Arranged standard wind quintet.

Woodwind Ensemble,Woodwind Quintet - Digital Download SKU: A0.1021410 Composed by Jim Goodman. Contemporary. 6 pages. Jim Goodman Music #6079615. Published by Jim Goodman Music (A0.1021410). A short graceful Waltz written for a Woodwind Quintet for use in sectional practice for the Britannia Concert Band, Londonderry.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.515080 Composed by Traditional. Arranged by Kenneth Abeling. Religious,Sacred. 15 pages. LINCOLN MUSIC PUBLICATIONS #4758461. Published by LINCOLN MUSIC PUBLICATIONS (A0.515080). Amazing Grace! How Sweet the Sound, Lyrics by John Newton set to the hymn tune New Britain for Woodwind Quintet. This is perhaps the most well-known Hymn of all time reflecting Newton’s path to Christianity and prayer for forgiveness as a former Slave trader. This more contemporary and moderately easy level arrangement is appropriate for a variety of religious events. Playing time 3:15. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com.

Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.850768 Composed by Early American Melody. Arranged by Spike Maiden Müller. Concert,Contemporary,Folk,Sacred,Standards. 18 pages. Spike Maiden Mueller #6506555. Published by Spike Maiden Mueller (A0.850768). The tune New Britain is typical of Appalachian tunes of the United States. It is basically pentatonic, using melodic figures which outline triads. It was first set to John Newton's autobiographical hymn, Amazing Grace, by William Walker in his 1835 publication Southern Harmony. It is possibly the most famous of American folk hymns.

Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.889437 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. 11 pages. Luis Anjos Teixeira #4741949. Published by Luis Anjos Teixeira (A0.889437). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of the Divi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe,  edited by Wilhelm Rust.  The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying.  The Arrangement is relatively easy to perform, also appropriate for beginners.  It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern woodwind quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. Have fun! It is a piece that can be used in many different kinds of situations, from the serious concert hall to a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great  feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha.  For all Living beings on Earth, for all our Ancestors,  Thank You for all of You  All Your Love and Compassion. Love Forever. Luis Anjos Teixeira

Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. Score and parts. 12 pages. Luis Anjos Teixeira #5297057. Published by Luis Anjos Teixeira (A0.889444). I Had Much Grief, Cantata BWV 21. „Ich hatte viel Bekümmernis, BWV 21. „Sinfonia This work marks a transition between motet style on biblical and hymn text to operatic recitatives and arias on contemporary poetry.  Bach catalogued the work as „e per ogni tempo „and for all times, indicating that due to its general theme, the cantata is suited for any occasion. With its distinctive gesture of descent and the plaintive lines of the oboe and violin, the Sinfonia, held in dark minor, sets a tone of pain that is characteristic of the cantata. With its emotional depth and formal wealth, the cantata I had much grief is almost a solitaire in Bach's church music. Performed in Weimar in 1714 and later rearranged several times, it is also suitable as a compositional business card due to its high standards and its shape, which is representative of various types of sentences, and could therefore be related to Bach's application. Bach performed the cantata on 17 June 1714, as his fourth work in a series of monthly cantatas for the Weimar court which came with his promotion to concert master. The Work was transposed to D minor during the Köthen years, and used in November 1720 for a performance in Hamburg to apply for the position as organist at St. Jacobi. As Thomaskantor in Leipzig, Bach performed the cantata again on his third Sunday in office on 13 June 1723. For this performance, he also changed the instrumentation, adding „for example four trombones to double the voices in the fifth stanza of the hymn. This version was used in several revivals during Bach's lifetime and is mostly performed today.  From the plaintive sinfonia to the arias and duets touching in their pain and charm to the speaking rhythmic psalm and chorus choirs, a development arc spans that transforms suffering and grief into consolation and trust and culminates in an apotheosis reminiscent of Handel of the victorious lamb, Hardly ever has Bach put the process of a relentless self-questioning and spiritual healing as convincingly as here. This arrangement of the sinfonia is intended for modern instruments.  The original score was translated into modern music literature standards thus simplifying the approach and helping to understand the legacy of baroque music in our modern times. A few embellishments and interpretation symbols where added thus mostly shortening the length of some notes. Some „fortes and „pianos are also included.  The arrangement is absolutely faithful to Bach`s versions, not adding or omitting any notes from the original sources.  P.S.-  The score was written on Finale. The sound file was produced with samplers from Garritan,  merely as an audio support for the presentation of the score. Thank you very much for taking your time to read this text and to listen to the file. I hope you enjoy the music. Musically Yours, „e per ogni tempo „and for all times Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzeneggerschen, Maria Koboldinha.  For all Living beings on Earth, for all our Ancestors,  Thank You for all of You  All The Love and Compassion. Luis Anjos Teixeira Timeless Life, Love Forever