Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.514590 Composed by George Frideric Handel. Arranged by Kenneth Abeling. Baroque,Classical. 59 pages. LINCOLN MUSIC PUBLICATIONS #3454825. Published by LINCOLN MUSIC PUBLICATIONS (A0.514590). This is “Music for the Royal Fireworks� or Royal Fireworks Music by George Frideric Handel transcribed here for Woodwind Quintet. This is an easier advanced transcription of one Handel’s most popular works and may be performed in its entirety or as separate movements. It is quite appropriate for use during segments of religious services. The five movements are: I. Ouverture: Adagio, Allegro, Lentement, Allegro - II. Bourrée – III. La Paix: Largo alla siciliana – IV. La Réjouissance: Allegro – V. Menuets I and II. To view and listen to this piece IN ITS ENTIRETY as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com. Playing time: 13:15  Preview this score on YouTube: https://www.youtube.com/watch?v=8eXa73652qM 

Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.1493246 Composed by Clarence Williams and Spencer Williams. Arranged by L.C. Harnsberger. Blues,Chamber,Historic,Jazz,Standards. 26 pages. LCH Music #1069899. Published by LCH Music (A0.1493246). “Royal Garden Blues” was written by Clarence and Spencer Williams in 1919, and first became a hit in 1921 when it was recorded by The Original Dixieland Jazz Band. It is considered the first popular song to be based on a riff (a repetitive short rhythmic phrase) and is now a jazz standard.This timeless blues song has since been performed by bands led by Louis Armstrong, Count Basie, Tommy Dorsey, Duke Ellington, Benny Goodman, and Al Hirt; blues artists Mamie Smith, Ethel Waters, and Ella Fitzgerald; legendary performers Bix Beiderbecke, Sidney Bechet, Pete Fountain, Django Reinhardt, Art Tatum; and more recently by Chet Atkins, Herb Ellis, Branford Marsalis, and the Canadian Brass. This woodwind quintet arrangement is based on the upbeat recording by pianist Cliff Jackson, giving it an unmistakable 1940s stride feel with relentless rhythm and colorful harmonies. Each player has interesting parts, making it enjoyable for both performers and the audience. This fun and exhilarating piece is perfect for any concert.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.514578 Composed by Frans Mikael Franzen. Arranged by Kenneth Abeling. Baroque,Religious,Sacred. 21 pages. LINCOLN MUSIC PUBLICATIONS #3435825. Published by LINCOLN MUSIC PUBLICATIONS (A0.514578). “Breden Väg För Herranâ€� by Finish composer Frans Mikael Franzen arranged here for Woodwind Quintet. This hymn is the basis for and can be used for instrumental versions of “Prepare the Royal Highwayâ€�, “Prepare the Way to Zionâ€� and “The People Who in Darkness Walkedâ€�. This piece has several performance applications throughout a traditional Christian worship service particularly during Advent. The Organ part is optional but adds a nice touch if available. To view and listen to this piece IN ITS ENTIRETY as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com. Playing Time: 2:35  Preview this score on YouTube: https://www.youtube.com/watch?v=0mjQedNFPKU 

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.514134 Composed by George Frideric Handel. Arranged by Kenneth Abeling. Baroque,Classical. 9 pages. LINCOLN MUSIC PUBLICATIONS #3037473. Published by LINCOLN MUSIC PUBLICATIONS (A0.514134). This is Movement IV. La Rejouissance from George Fredrick Handel’s, Royal Fireworks Music, transcribed here for Woodwind Quintet.  It is perhaps the most performed movement of this suite, is of intermediate to early advanced difficulty and suitable for a variety of performance applications. For hundreds of other arrangements by Kenneth Abeling at discounted prices please visit www.lincolnmusicpublications.com.  Playing Time: 1:30  

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1272734 Composed by Richard E Brown. Chamber,Classical,Contemporary. 63 pages. Dacker Music #864927. Published by Dacker Music (A0.1272734). Royal Court Dances is a set of three dances arranged for wind quintet by the composer from his ballet Arthur: King!. The Grail Motif (based on the traditional Dresden Amen) from Wagner's last music drama Parsifal is quoted in the Epilogue. Each dance is also available individually. Grade 5 - Duration 8:30.

Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.1282325 By H.M. King Bhumibol Adulyadej. By H.M. King Bhumibol Adulyadej. Arranged by Teeraphong Prathumrat. 20th Century,New Age. 48 pages. Teeraphong Prathumrat #873636. Published by Teeraphong Prathumrat (A0.1282325). The music from our past king's rama 9. I did arrange the very three favourite song for woodwind quintet.

Composed by Fred Onovwerosuoke (1960-). 20th Century, Contemporary, World. 20 pages. African Music Publishers #1988637. Published by African Music Publishers

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Download SKU: A0.677494 Composed by Henry John Gauntlett. Arranged by Gert Th. Walter. Children,Christian,Christmas. 11 pages. Gert Th. Walter #3122309. Published by Gert Th. Walter (A0.677494). Christmas Song.

Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.677493 Composed by Henry John Gauntlett. Arranged by Gert Th. Walter. Children,Christian,Christmas. 11 pages. Gert Th. Walter #3122307. Published by Gert Th. Walter (A0.677493). Christmas Song.

By George Frideric Handel (1685-1759). Arranged by Jeanie Murrow. For woodwind quintet. Quintet music. Score and parts. Published by Cimarron Music Press

Composed by Camille Saint- Saens (1835-1921). Arranged by Ray Thompson. Contemporary, Romantic Period, Standards. Score and parts. 11 pages. RayThompsonMusic #4966133. Published by RayThompsonMusic

Woodwind quintet - Digital Download SKU: IZ.CMS1612 Composed by Stephen Foster. Arranged by Judith Katz. Score and Parts. 18 pages. Imagine Music - Digital #CMS1612. Published by Imagine Music - Digital (IZ.CMS1612). 9 x 12 in inches.Jeanie With The Light Brown Hair is one of the most enduring, and popular American songs of all times.Characterized as a parlor song, it was written by Stephen Foster, and published by Firth, Pond & Co. of NewYork, in1854.In 1850, Foster married Jane Denny McDowell, whose nickname was Jennie. However, this was an unhappymarriage, short-lived, with numerous conflicts and separations. Jeanie With The Light Brown Hair, was written asperhaps an attempt to win his wife back. To add to his problems, Foster also ran into deep financial difficulties.Jeanie With the Light Brown Hair was virtually unknown during its time. When it was first published, the royaltieson the ten thousand copies sold, earned just $200 for Stephen Foster. To make ends meet, he had to sell the rights toJeanie, as well as other songs. After his death, the rights to Jeanie With The Light Brown Hair reverted back to hiswife and daughter.It would indeed be a pleasant surprise to Stephen Foster, if he only knew what a wide range of artists have adaptedthis song to different genres. Among solo instrumentalists, Jascha Heifitz, and William Primrose have arranged itfor solo violin and viola. The big bands of Gene Krupa, and Glen Miller have recorded it. The great R & B artist,Sam Cooke used it, as well as opera stars, Marilyn Horne and John McCormick, who added it to their concertrepertoire.The song's frequent airplay in the 1940's, led Spike Jones to create a parody, called, I Dream of Jeanie with theLight Blue Jeans. Les Brown in 1941, created a big band song, Joltin' Joe DiMaggio with the line.....We Dream ofJoey With the Light Brown Bat. Even Bugs Bunny got into the act. The 1960 short, From Hare To Heir, featuresBugs singing, I dream of Jeanie, she's a light brown hareMy arrangement, for woodwind quintet is written to capture a lyric, singing style, which I think Foster had in mind.

Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.553875 Composed by Wolfgang Amadeus Mozartt. Arranged by Ray Thompson. Classical. 9 pages. RayThompsonMusic #5214645. Published by RayThompsonMusic (A0.553875). Les petits riens (French for The Little Nothings) is a ballet in one act and three tableaux by Jean-Georges Noverre, with music by Wolfgang Amadeus Mozart and other unknown composers, possibly including François-Joseph Gossec[citation needed], first performed at the Academie Royale de Music in Paris on 11 June 1778.While Mozart was staying in Paris, Noverre asked him to compose a new score for a ballet that he had created in Vienna in 1767. The ballet was to be danced as an interlude in the new opera Le finte gemelle by Niccolò Piccinni.[1] The opera was a flop and closed after four performances. Although the ballet music was well-received,[2] Mozart was not credited with it, and he was at the time little-known in Paris.The score, catalogued as K. 299b, was thought lost, but it was rediscovered in the Paris Opera's archives in the late 19th century[1] and has since entered both the ballet and symphonic repertoire.Arranged wind quintet.This arrangement of no.12 Pantomine is for wind quintetIt has been transposed from A into Bb to aid the clarinet player.The original natural Horn part is in Bb basso (alternative Horn in F)Other mvts are available.

Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.553863 Composed by Wolfgang Amadeus Mozartt. Arranged by Ray Thompson. Classical,Concert. 19 pages. RayThompsonMusic #5042499. Published by RayThompsonMusic (A0.553863). A selection of 3 Pieces: Gavotte, Gavotte Gracieuse and Pantomine.Clarinet part in Bb/AHorn Part in F/ALes petits riens (French for The Little Nothings) is a ballet in one act and three tableaux by Jean-Georges Noverre, with music by Wolfgang Amadeus Mozart and other unknown composers, possibly including François-Joseph Gossec[citation needed], first performed at the Academie Royale de Music in Paris on 11 June 1778.While Mozart was staying in Paris, Noverre asked him to compose a new score for a ballet that he had created in Vienna in 1767. The ballet was to be danced as an interlude in the new opera Le finte gemelle by Niccolò Piccinni.[1] The opera was a flop and closed after four performances. Although the ballet music was well-received,[2] Mozart was not credited with it, and he was at the time little-known in Paris.This arrangement for wind quintetHorn parts are for natural horns in F and A.Clarinet in Bb/A.The score, catalogued as K. 299b, was thought lost, but it was rediscovered in the Paris Opera's archives in the late 19th century[1] and has since entered both the ballet and symphonic repertoire.

Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Digital Download SKU: A0.839017 Composed by Christoph Willibald Von Gluck. Arranged by Kenneth Martin. Classical,Concert. Score and parts. 15 pages. Martin Music Editions #5214107. Published by Martin Music Editions (A0.839017). Orfeo ed Euridice (French: Orphée et Eurydice; English: Orpheus and Eurydice) is an opera composed by Christoph Willibald Gluck, based on the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the azione teatrale, meaning an opera on a mythological subject with choruses and dancing. The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. Orfeo ed Euridice is the first of Gluck's reform operas, in which he attempted to replace the abstruse plots and overly complex music of opera seria with a noble simplicity in both the music and the drama. The opera is the most popular of Gluck's works, and was one of the most influential on subsequent German operas. Variations on its plot-the underground rescue-mission in which the hero must control, or conceal, his emotions-can be found in Mozart's The Magic Flute, Beethoven's Fidelio, and Wagner's Das Rheingold. Though originally set to an Italian libretto, Orfeo ed Euridice owes much to the genre of French opera, particularly in its use of accompanied recitative and a general absence of vocal virtuosity. Indeed, twelve years after the 1762 premiere, Gluck re-adapted the opera to suit the tastes of a Parisian audience at the Académie Royale de Musique with a libretto by Pierre-Louis Moline. This reworking was given the title Orphée et Eurydice, and several alterations were made in vocal casting and orchestration to suit French tastes.