Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.1440107 By BYU-I Wind Quintet. By Ryan Terry. 21st Century,Chamber,Christian,Contemporary,Religious. 14 pages. Ryan Terry #1020051. Published by Ryan Terry (A0.1440107). An original piece by composer and clarinetist Ryan Terry. This unstable, suspenseful work details the the prophesied disastrous signs that will precede Christ's Second Coming through the use of asymetrical time signatures, whereas Christ's depicted descent from the heavens is the only part of the piece in 4/4, arguably the most comforting time signature. In fact, the title, Signs of the Times, is actually a play on words of the term time signatures, which is the main gimmick of the piece. The subtitle of the piece is (Matthew 24:29-30) which reads:29 Immediately after the tribulation of those days shall the sun be darkened, and the moon shall not give her light, and the stars shall fall from heaven, and the powers of the heavens shall be shaken:30 And then shall appear the sign of the Son of man in heaven: and then shall all the tribes of the earth mourn, and they shall see the Son of man coming in the clouds of heaven with power and great glory.This piece was originally performed by the Wind Quintet at Brigham Young University-Idaho during the Fall 2023 semester, and has since been polished.Estimated duration of piece: 5 min, 55 secondsEmail me for the sheet music for the individual parts, or let me know if you're going to perform this piece!ryansterry2000@gmail.com.

Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.1213425 By David Catherwood. By David Catherwood. Chamber,Contemporary,Multicultural,World. 12 pages. Opus 3 Music #810610. Published by Opus 3 Music (A0.1213425). Wind Quintet - Scherzo for Bassoon ‘Tembo’ The bass instruments are sometimes overlooked when it comes to solo repertoire so ‘Tembo’ is a fun piece designed to feature the bassoon. Tembo is an African word for elephant and this piece was inspired by the famous bass solo ‘The Elephant’ from Saint-Saëns’ ‘Carnival of the Animals’ This arrangement for quintet allows the bassoon to shine over the whole range of the instrument in a playful way as indicated by the term Scherzo. Parts included in the download: FluteOboeClarinet in BbHorn in FBassoon (soloist)Piano short score (may be used as piano accompaniment for solo work).

Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.914154 Composed by Tom Swafford. Blues,Contemporary,Jazz. 31 pages. Tom Swafford #3585291. Published by Tom Swafford (A0.914154). Fun, energetic, programmatic piece for woodwind quintet. The title comes from signs around Times Square in the early 2000s directing traffic away from Broadway. The piece begins with a depiction of the honking of horns and yelling of motorists, which transforms into a dance-like blues shuffle.  Amidst the chaos is a quote from J. S. Bach's C-sharp minor fugue (BWV 873). The piece is in 12/8, with a written-out swing rhythm, playable by musicians from a classical or jazz background. Duration: 4 minutes. www.tomswafford.com ASCAP .

Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. Score and parts. 12 pages. Luis Anjos Teixeira #5297057. Published by Luis Anjos Teixeira (A0.889444). I Had Much Grief, Cantata BWV 21. „Ich hatte viel Bekümmernis, BWV 21. „Sinfonia This work marks a transition between motet style on biblical and hymn text to operatic recitatives and arias on contemporary poetry.  Bach catalogued the work as „e per ogni tempo „and for all times, indicating that due to its general theme, the cantata is suited for any occasion. With its distinctive gesture of descent and the plaintive lines of the oboe and violin, the Sinfonia, held in dark minor, sets a tone of pain that is characteristic of the cantata. With its emotional depth and formal wealth, the cantata I had much grief is almost a solitaire in Bach's church music. Performed in Weimar in 1714 and later rearranged several times, it is also suitable as a compositional business card due to its high standards and its shape, which is representative of various types of sentences, and could therefore be related to Bach's application. Bach performed the cantata on 17 June 1714, as his fourth work in a series of monthly cantatas for the Weimar court which came with his promotion to concert master. The Work was transposed to D minor during the Köthen years, and used in November 1720 for a performance in Hamburg to apply for the position as organist at St. Jacobi. As Thomaskantor in Leipzig, Bach performed the cantata again on his third Sunday in office on 13 June 1723. For this performance, he also changed the instrumentation, adding „for example four trombones to double the voices in the fifth stanza of the hymn. This version was used in several revivals during Bach's lifetime and is mostly performed today.  From the plaintive sinfonia to the arias and duets touching in their pain and charm to the speaking rhythmic psalm and chorus choirs, a development arc spans that transforms suffering and grief into consolation and trust and culminates in an apotheosis reminiscent of Handel of the victorious lamb, Hardly ever has Bach put the process of a relentless self-questioning and spiritual healing as convincingly as here. This arrangement of the sinfonia is intended for modern instruments.  The original score was translated into modern music literature standards thus simplifying the approach and helping to understand the legacy of baroque music in our modern times. A few embellishments and interpretation symbols where added thus mostly shortening the length of some notes. Some „fortes and „pianos are also included.  The arrangement is absolutely faithful to Bach`s versions, not adding or omitting any notes from the original sources.  P.S.-  The score was written on Finale. The sound file was produced with samplers from Garritan,  merely as an audio support for the presentation of the score. Thank you very much for taking your time to read this text and to listen to the file. I hope you enjoy the music. Musically Yours, „e per ogni tempo „and for all times Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzeneggerschen, Maria Koboldinha.  For all Living beings on Earth, for all our Ancestors,  Thank You for all of You  All The Love and Compassion. Luis Anjos Teixeira Timeless Life, Love Forever

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1083857 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. 16 pages. Regis Bookshar #688055. Published by Regis Bookshar (A0.1083857). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. Woodwind Quintet - Advanced/Intermediate - Digital Download. This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (16 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Bb Clarinet, 1 French Horn and 1 Bassoon. In addition to this arrangement of Tchaikovsky's Coronation March for a Woodwind Quintet, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.

Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.1356476 Composed by Amos Elkana. 21st Century,Chamber,Contemporary. 17 pages. Amos Elkana #941147. Published by Amos Elkana (A0.1356476). Blast, for woodwind quintet, is a reflection of my continuous exploration of both musical innovation and current realities. This piece follows my previous compositions, including Que sais-je?, Echoes of Eíkosi, Roots and Mostly Cloudy, each embodying my commitment to creating music that resonates with contemporary experiences while being rooted in a rich musical tradition. The title Blast emerged from a confluence of meanings and personal reflections. It alludes to the fundamental act of blowing into wind instruments, forming the essence of this quintet. This direct, physical engagement with the instruments creates a visceral connection between the musicians and their art, mirroring the intimate connection I strive to maintain with my creative process. However, the title also carries a deeper, more poignant significance. Living in Tel Aviv, I am constantly reminded of the harsh realities of conflict, where the sounds of blasts are a grim reminder of the ongoing strife in our region. As someone who deeply opposes war and champions human rights and peace, Blast is my artistic response to these troubling times. It is an expression of my longing for a world where the creative and life-affirming act of making music can overpower the destructive sounds of conflict.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1471072 Composed by Frederic Chopin. Arranged by Ray Thompson. Romantic Period,Wedding. 13 pages. RayThompsonMusic #1048696. Published by RayThompsonMusic (A0.1471072). Chopin wrote a number of preludes for piano solo. His cycle of 24 Preludes, Op. 28, covers all major and minor keys.In addition, Chopin wrote three other preludes: a prelude in C? minor, Op. 45; a piece in A? major from 1834; and an unfinished piece in E? minor. These are sometimes referred to as Nos. 25, 26, and 27, respectively.This is my arramgement of No.15. it is the longest and one of the best known of the twenty-four. The key signature switches between D? major and C? minorIt is known as the Raindrop Prelude because an A?/G? sounds throughout.Arranged  by me for wind quintetThe melody is taken mainly by the oboe, and the repeating  A?/G? is shared between the basoon and horn.Enjoy!Check out my Chopin arrangements of other Preludes and of Nocturne No.2.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1185725 Composed by Gabrielle Liriano. 20th Century,Contemporary. 31 pages. Art Haus Music Publishing #785387. Published by Art Haus Music Publishing (A0.1185725). The architect ponders, calculates, and designs monumental structures larger than themselves. They build and they figure how to fit every corner with every square. What the architect does we all do with are lives.Creating and computing skyscrapers, masterpieces out of lifetimes with limitless minds carefully crafting rooms with windows that let in our energy source of light from the sun.The architect blueprints the impossible, but with encouragement from the divine, the architect makes those blueprints a reality. Their creation will take up space in the world and reach for the sun higher than the birds fly in the sky. The architect will look up when it is done and wonder how they did it. The architect is a maker. They make what they are meant to make.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.553919 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century,Holiday,Wedding. 10 pages. RayThompsonMusic #6116239. Published by RayThompsonMusic (A0.553919). Claude Debussy's Préludes are 24 pieces for solo piano, divided into two books of 12 preludes each. Unlike some notable collections of preludes from prior times, such as Chopin's Op. 28, or the preludes from Johann Sebastian Bach's Well-Tempered Clavier, Debussy's do not follow a strict pattern of key signatures.Each book was written in a matter of months, at an unusually fast pace for Debussy. Book I was written between December 1909 and February 1910, and Book II between the last months of 1912 and early April 1913.This is an arrangement of No.5 in Book 2 Bruyères (Heather)

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.777331 By Peggy Lee. By Cy Coleman. Arranged by Carson Yu. Pop. 12 pages. Carson Music Gallery #6088085. Published by Carson Music Gallery (A0.777331). Big Spender is a song written by Cy Coleman and Dorothy Fields for the musical Sweet Charity, first performed in 1966. The song has become one of Shirley Bassey's signature songs. She has performed the song numerous times, most notably for the 80th birthday of Prince Philip. Arranged for Woodwind Quintet by Carson Yu.  Swing Jazz style.  Intermediate level.  Suitable for concert, gigs, party or any occasions.  Score and parts.Published by Carson Music GalleryE-mail: carsonmusicgallery2022@gmail.com.