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Woodwind Ensemble,Woodwind Quintet - Digital Download SKU: A0.886719 Composed by Panagiotis Theodossiou. 20th Century,Children,Concert,Contemporary,Standards. 76 pages. Panagiotis Theodossiou #4780999. Published by Panagiotis Theodossiou (A0.886719). The Flying Hat Scenes of a Fairy Tail, for orchestra op.34 (2006)a. A Little Fanfareb. The Hatlandc. Dad, the Giant Hatd. Dance of the Little Hatse. The Windf. The Flightg. FarewellA fairy tale full of inspiration written by a child was the stimulus for the creation of this polytonal work for orchestra. With humor and innocence, piquant orchestration and cinematic use of the sound, the work is dedicated to the child, Michalis Tillianakis and to Eleftherios Geitonas, director of Geitonas School who gave the idea for this project. The work has been transcribed for piano, 4 hands op.34b, for the Duo Pianismo recital in Benetatou Cultural Center of Psihiko in 2010 and for wind quintet op.34c for the Q innegal Wind Quintet Concerts in Athens in 2011 (Attikon OdeionConservatory, Art Gallery Café, Athens, Perigiali Theater, Korinthos). Excerpts of the work has been transcribed for Chamber Orchestra op.34d and performed by Psychiko Youth Orchestra conducted by the composer at Arssakeion Educational Institute Theater in 2016.
The Flying Hat (Woodwind Quintet version)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$20.00 17.17 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.886665 Composed by Panagiotis Theodossiou. 20th Century,Concert,Contemporary,Standards. 56 pages. Panagiotis Theodossiou #3060625. Published by Panagiotis Theodossiou (A0.886665). . Hellenic Dances, for wind quintet (2010)    I.Dance of the Youngsters, Pentozalis (traditional tune from Crete)    II.Dance of the Elders, Matoklada (rebetiko carsilama tune by Markos Vamvakaris)   III.Dance of the Past, Dance (traditional tune from Heipiros)   IV.Dance of the Future, Pyrihios (traditonal dances from Sera and Shereanit'sa  from Pontos)    Transcription of four parts by Hellenic Suite for viola and piano. Tranciptions for clarinet and piano, flute and piano, oboe and piano, alto saxophone and piano, tenor saxophone and piano, flugelhorn and piano and trombone and piano are available.    The work is dedicated to Stathis Kiosoglou for whom is written and has been performed by Stathis Mavrommatis and Christina Panteli at Pera Multipurpose Hall, Konstantinople in 2011 and twice  by O Ihos os Ehei wind quintet in municipality of Larisa, Greece, 2014)https://www.youtube.com/watch?v=6oXVVj-OFvc
Hellenic Dances (wind quintet version)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$19.99 17.16 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.886684 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. 37 pages. Panagiotis Theodossiou #3213759. Published by Panagiotis Theodossiou (A0.886684). Egomia, Concert Monologues, for Wind Quintet (2009)Ι. Stasis I, Lento, come un recitativo II. Stasis II, L ‘istesso tempo, molto ritmicoIII. Stasis III, Passacaglia Ritmica, L ‘istesso tempo, grave    A work of free serialism, composed on the ritual of the Egomia, a very famous litany of the Eastern Orthodox Church which takes place on Holly Friday.   It consist of 3 parts, 3 Stasis, according to the traditional ritual. The unaccompanied monologues of the 1st Stasis lead to the virtuosic dialogues of the 2nd and to the general fortissimo tutti of the 3d. The work has a version with narration on the prototype text of the traditional ritual.    It was written on November 2009 for the Q innegal Wind Quintet which gave the premier at the German Evangelic Church in Athens next year and is dedicated to composer’s stepmother, Eleni, who died after the completion of the work. The 3d part has also a dedication to Olivier Messiaen, on the musical style of whom there are intentional references. https://www.youtube.com/watch?v=4BNVUEHBdhg
Egomia, for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$20.00 17.17 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.886693 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score and parts. 49 pages. Panagiotis Theodossiou #3575033. Published by Panagiotis Theodossiou (A0.886693). Dance Scenes, for wind quintet, Hear the Voice inside You … (2003). Written in a strict and abstract dodecaphonic style, follows the form of a theme and 12 variations- miniatures   (in the style of Webern) with an epilogue. There is an emphasis between the intervallic and motivic interrelations of the initial tone row and the planning of the work. In its 2008 version has 4 mouvements:I.Riddle (to Yannis Christou)II.Gnome (to Gyorgy Ligeti)III.Fire Dance (to Arnold Scoenberg)IV.Choreograpical Variations (to Anton Webern and Igor Stravinsky) It has a chorographical character and is dedicated to the composers above, following their compositional style.
"Dance Scenes" for wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$25.00 21.46 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. Score and parts. 12 pages. Luis Anjos Teixeira #5297057. Published by Luis Anjos Teixeira (A0.889444). I Had Much Grief, Cantata BWV 21. „Ich hatte viel Bekümmernis, BWV 21. „Sinfonia This work marks a transition between motet style on biblical and hymn text to operatic recitatives and arias on contemporary poetry.  Bach catalogued the work as „e per ogni tempo „and for all times, indicating that due to its general theme, the cantata is suited for any occasion. With its distinctive gesture of descent and the plaintive lines of the oboe and violin, the Sinfonia, held in dark minor, sets a tone of pain that is characteristic of the cantata. With its emotional depth and formal wealth, the cantata I had much grief is almost a solitaire in Bach's church music. Performed in Weimar in 1714 and later rearranged several times, it is also suitable as a compositional business card due to its high standards and its shape, which is representative of various types of sentences, and could therefore be related to Bach's application. Bach performed the cantata on 17 June 1714, as his fourth work in a series of monthly cantatas for the Weimar court which came with his promotion to concert master. The Work was transposed to D minor during the Köthen years, and used in November 1720 for a performance in Hamburg to apply for the position as organist at St. Jacobi. As Thomaskantor in Leipzig, Bach performed the cantata again on his third Sunday in office on 13 June 1723. For this performance, he also changed the instrumentation, adding „for example four trombones to double the voices in the fifth stanza of the hymn. This version was used in several revivals during Bach's lifetime and is mostly performed today.  From the plaintive sinfonia to the arias and duets touching in their pain and charm to the speaking rhythmic psalm and chorus choirs, a development arc spans that transforms suffering and grief into consolation and trust and culminates in an apotheosis reminiscent of Handel of the victorious lamb, Hardly ever has Bach put the process of a relentless self-questioning and spiritual healing as convincingly as here. This arrangement of the sinfonia is intended for modern instruments.  The original score was translated into modern music literature standards thus simplifying the approach and helping to understand the legacy of baroque music in our modern times. A few embellishments and interpretation symbols where added thus mostly shortening the length of some notes. Some „fortes and „pianos are also included.  The arrangement is absolutely faithful to Bach`s versions, not adding or omitting any notes from the original sources.  P.S.-  The score was written on Finale. The sound file was produced with samplers from Garritan,  merely as an audio support for the presentation of the score. Thank you very much for taking your time to read this text and to listen to the file. I hope you enjoy the music. Musically Yours, „e per ogni tempo „and for all times Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzeneggerschen, Maria Koboldinha.  For all Living beings on Earth, for all our Ancestors,  Thank You for all of You  All The Love and Compassion. Luis Anjos Teixeira Timeless Life, Love Forever
I Had Much Grief
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$7.94 6.81 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1488141 Composed by Johannes Brahms. Arranged by Ray Thompson. 19th Century,Romantic Period. 14 pages. RayThompsonMusic #1065023. Published by RayThompsonMusic (A0.1488141). Arranged wind quintetClarinet in A (alternative Bb part provided)Brahms mainly composed the 8 Klavierstücke Op.76 (8 Piano Pieces) in summer 1878 in the summer resort of Pörtschach at Lake Wörth.Theodor Billroth, a close friend, was enthusiastic about the new works: “These are magnificent pieces, beautiful and interesting to play. They lie so well under the hand for those who are a little used to Schumann’s and Chopin’s technique that it is a pleasure to practise them.”This is No.2 Capriccio in B minor, it arranges well for  an advanced wind quintet.Check out my other Brahms arrangements, including other piano works Various Intermezzos, Ballades and a Romanze), and orchestral arrangements - Variations on a theme by Haydn, Lullaby and Hungarian Dance No.5.
Brahms: 8 Klavierstücke Op.76 No. 2 Capriccio in B minor - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$19.95 17.12 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1301423 Composed by J. P. Rameau. Arranged by James Haynor. Renaissance. 10 pages. James Haynor #891047. Published by James Haynor (A0.1301423). Jean Philippe Rameau (1683-1764) was a French theoretician of music and a composer. His theoretical works provided the scientific basis for the development of traditional, functional harmony in the 18th century. His operas were the first national creations to rival those of Lully.Le Tambourin was originally a keyboard piece. Arranged here for Woodwind Quintet, it makes for a lively addition to any concert or recital. Makes a great quick encore.( Duration - 1:17 ).
Le Tambourin for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$10.00 8.58 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1261168 Composed by Anton Reicha. Arranged by Adrian Barnes. Chamber,Classical. 7 pages. Cammerayguy #854237. Published by Cammerayguy (A0.1261168). Anton (Antonín, Antoine) Joseph Reicha (Rejcha) (26 February 1770 – 28 May 1836) was a Czech-born, Bavarian-educated, later naturalized French composer and music theorist. A contemporary and lifelong friend of Beethoven, he is now best remembered for his substantial early contributions to the wind quintet literature and his role as teacher of pupils including Franz Liszt, Hector Berlioz and César Franck.Reicha's 25 wind quintets, composed in Paris between 1811 and 1820, were mostly premiered from 1817 in the foyer of the Théâtre Favart by some of the world's fifinest wind soloists. They were well received and were played al over Europe shortly afterward.Reicha claimed in his memoirs that his wind quintets filed a void:At that time, there was a dearth not only of good classic[al] music, but of any good music at al for wind instruments, simply because the composers knew little of their technique.[Wikipedia]Notes concerning this editionIn preparing this edition various manuscripts were consulted including the facimilies held by the IMSLP and Clarinet Institute. I also acknowledge the excel ent transcriptions prepared by Charles-David Lehrer for the International Double Reed Society.In addition, various editorial markings have been added to facilitate the performance of the quintet in a contemporary ensemble. Editorial additions marked in red in the score and may be considered optional. [Adrian Barnes]
Wind Quintet Op 91 No 4 - Movement 1: Andante. Allegro Assai
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$10.00 8.58 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus






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