Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.553875 Composed by Wolfgang Amadeus Mozartt. Arranged by Ray Thompson. Classical. 9 pages. RayThompsonMusic #5214645. Published by RayThompsonMusic (A0.553875). Les petits riens (French for The Little Nothings) is a ballet in one act and three tableaux by Jean-Georges Noverre, with music by Wolfgang Amadeus Mozart and other unknown composers, possibly including François-Joseph Gossec[citation needed], first performed at the Academie Royale de Music in Paris on 11 June 1778.While Mozart was staying in Paris, Noverre asked him to compose a new score for a ballet that he had created in Vienna in 1767. The ballet was to be danced as an interlude in the new opera Le finte gemelle by Niccolò Piccinni.[1] The opera was a flop and closed after four performances. Although the ballet music was well-received,[2] Mozart was not credited with it, and he was at the time little-known in Paris.The score, catalogued as K. 299b, was thought lost, but it was rediscovered in the Paris Opera's archives in the late 19th century[1] and has since entered both the ballet and symphonic repertoire.Arranged wind quintet.This arrangement of no.12 Pantomine is for wind quintetIt has been transposed from A into Bb to aid the clarinet player.The original natural Horn part is in Bb basso (alternative Horn in F)Other mvts are available.

Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.553863 Composed by Wolfgang Amadeus Mozartt. Arranged by Ray Thompson. Classical,Concert. 19 pages. RayThompsonMusic #5042499. Published by RayThompsonMusic (A0.553863). A selection of 3 Pieces: Gavotte, Gavotte Gracieuse and Pantomine.Clarinet part in Bb/AHorn Part in F/ALes petits riens (French for The Little Nothings) is a ballet in one act and three tableaux by Jean-Georges Noverre, with music by Wolfgang Amadeus Mozart and other unknown composers, possibly including François-Joseph Gossec[citation needed], first performed at the Academie Royale de Music in Paris on 11 June 1778.While Mozart was staying in Paris, Noverre asked him to compose a new score for a ballet that he had created in Vienna in 1767. The ballet was to be danced as an interlude in the new opera Le finte gemelle by Niccolò Piccinni.[1] The opera was a flop and closed after four performances. Although the ballet music was well-received,[2] Mozart was not credited with it, and he was at the time little-known in Paris.This arrangement for wind quintetHorn parts are for natural horns in F and A.Clarinet in Bb/A.The score, catalogued as K. 299b, was thought lost, but it was rediscovered in the Paris Opera's archives in the late 19th century[1] and has since entered both the ballet and symphonic repertoire.

Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.553864 Composed by Wolfgang Amadeus Mozartt. Arranged by Ray Thompson. Classical. 7 pages. RayThompsonMusic #5044243. Published by RayThompsonMusic (A0.553864). Les petits riens (French for The Little Nothings) is a ballet in one act and three tableaux by Jean-Georges Noverre, with music by Wolfgang Amadeus Mozart and other unknown composers, possibly including François-Joseph Gossec[citation needed], first performed at the Academie Royale de Music in Paris on 11 June 1778.While Mozart was staying in Paris, Noverre asked him to compose a new score for a ballet that he had created in Vienna in 1767. The ballet was to be danced as an interlude in the new opera Le finte gemelle by Niccolò Piccinni.[1] The opera was a flop and closed after four performances. Although the ballet music was well-received,[2] Mozart was not credited with it, and he was at the time little-known in Paris.The score, catalogued as K. 299b, was thought lost, but it was rediscovered in the Paris Opera's archives in the late 19th century[1] and has since entered both the ballet and symphonic repertoire.Arranged wind quintet.This arrangement for wind quintetHorn part is in Bb bassoOther mvts are available.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.782002 By Queen. By Brian May. Arranged by Aaron Hettinga. Contemporary,Film/TV,Pop,Rock. 12 pages. Aaron Hettinga #6038047. Published by Aaron Hettinga (A0.782002). This fun classic rock anthem from Queen is presented here for Wind Quintet. The form of the original recording is closely followed but does not include the extended guitar solo playout, skipping ahead to the last three punctuated ending hits. This arrangement is one whole step lower than the record.

Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.1278097 Composed by Caleb J. Both. 21st Century,Chamber,Classical,Contemporary,Film/TV. 11 pages. Caleb J. Both #869788. Published by Caleb J. Both (A0.1278097). Winner of the 2020 GSU Wind Band Composition Competition, The Chipmunks and the Alley Cat is heavily inspired by the cartoons of the early 20th Century, such as Peter Pan, Snow White and the Seven Dwarves, and Tom and Jerry. This programatic piece for wind quintet follows two playful chipmunks and their clumsy foe, the alley cat, and is a perfect concert/recital opener!Duration: Approx. 4' 05NOTE: For parts, please email cboth.composer@gmail.com. Thanks!More music and information about the composer can be found here: https://www.calebjbothmusic.com.

Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Bass Clarinet,Bassoon,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1411892 Composed by R. Nathaniel Dett. Arranged by Charles Decker. 20th Century,Chamber,Contest,Festival,Jazz,Multicultural,World. 22 pages. Charles Decker Music Press #994109. Published by Charles Decker Music Press (A0.1411892). This entertaining and playful Juba Dance is from Music in the Bottoms, a collection of five characteristic works by the prominent Canadian-American Black composer Robert Nathaniel Dett. Dett studied with notable teachers including composer Arthur Foote at Harvard, was the first African-American to receive a Bachelor's Degree in Music from Oberlin Conservatory in composition and piano in 1908 and received an honorary Masters Degree from the Eastman School of Music in 1932. Arranged for a traditional woodwind quintet of flute, oboe, clarinet, horn, and bassoon, with alternate parts clarinet in B-flat substitute for oboe, alto saxophone in E-flat substitute for horn, and bass clarinet in B-flat substitute for bassoon, it has great audience appeal. The recording is of the entire edition.To see our Music of Black Composers Series for woodwinds enter “Black Composers Series Woodwinds� in the search box at Charles Decker Music Press for arrangements for mixed woodwind ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.

Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.910442 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern. Arranged by David Heywood. Contemporary. 60 pages. David Heywood #6610079. Published by David Heywood (A0.910442). This arrangement is a saxophone adaptation of the flute chart that I created on this tune, based on the Joe Pass solo version of Jerome Kern's All the Things You Are. You can find out more information under the flute version of the chart about this arrangement, and I have modified the flute concept to make it work for standard big band sax section - two altos, two tenors, and a bari. There are significant differences between the flute and sax versions by necessity, but both are faithful reproductions of the Joe Pass original from his album Virtuoso.

Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.1273406 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Kenneth Abeling. Broadway,Jazz,Musical/Show. 17 pages. LINCOLN MUSIC PUBLICATIONS #865561. Published by LINCOLN MUSIC PUBLICATIONS (A0.1273406). All the Things You Are, music by Jerome Kern and lyrics by Oscar Hammerstein arranged for Woodwind Quintet. This is an advanced intermediate arrangement of a very beautiful song originally written for the 1939 Broadway Musical Warm in May. It has since been recorded both as a vocal and instrumental by numerous artists. The playing time is approximately 3:10. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/.

Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.1493246 Composed by Clarence Williams and Spencer Williams. Arranged by L.C. Harnsberger. Blues,Chamber,Historic,Jazz,Standards. 26 pages. LCH Music #1069899. Published by LCH Music (A0.1493246). “Royal Garden Blues” was written by Clarence and Spencer Williams in 1919, and first became a hit in 1921 when it was recorded by The Original Dixieland Jazz Band. It is considered the first popular song to be based on a riff (a repetitive short rhythmic phrase) and is now a jazz standard.This timeless blues song has since been performed by bands led by Louis Armstrong, Count Basie, Tommy Dorsey, Duke Ellington, Benny Goodman, and Al Hirt; blues artists Mamie Smith, Ethel Waters, and Ella Fitzgerald; legendary performers Bix Beiderbecke, Sidney Bechet, Pete Fountain, Django Reinhardt, Art Tatum; and more recently by Chet Atkins, Herb Ellis, Branford Marsalis, and the Canadian Brass. This woodwind quintet arrangement is based on the upbeat recording by pianist Cliff Jackson, giving it an unmistakable 1940s stride feel with relentless rhythm and colorful harmonies. Each player has interesting parts, making it enjoyable for both performers and the audience. This fun and exhilarating piece is perfect for any concert.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.813957 Composed by German Folk Song. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 8 pages. Regis Bookshar #6632171. Published by Regis Bookshar (A0.813957). Woodwind Quintet - Intermediate - Digital Download. This arrangement of O Christmas Tree, or in German, O Tannenbaum, would be a fabulous addition to any music library and could be performed for Christmas concerts and recitals, and, perhaps, even church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of part (8 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.O Christmas Tree is a German Christmas song based on a traditional folk song which was unrelated to Christmas. The custom of the Christmas tree developed in the course of the 19th century, and the song came to be seen as a Christmas carol. The modern lyrics were written in 1824 by the Leipzig organist, teacher and composer, Ernst Anschutz. A tannenbaum is a fir tree. The lyrics do not actually refer to Christmas or describe a decorated tree. Instead, they refer to the fir's evergreen quality as a symbol of constancy and faithfulness.In this arrangement of O Christmas Tree, Regis Bookshar has kept the basic outline of this familiar song, but has inserted a short interlude, which brings to mind the sound of alphorns, or alpenhorns, instruments which may be made from red pine, or fir trees. and are used by mountain dwellers in the Bavarian Alps. I think that students will enjoy this imitative section in the song. In addition to this version for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, there are also other arrangements of O Christmas Tree available for a variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of O Christmas Tree will continue to entertain both performers ands audiences alike for years to come.

Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.711392 Composed by Henry Wood. Arranged by Tsuyoshi Yoroiguma. 20th Century,Concert,Holiday,Patriotic,World. 42 pages. Tsuyoshi Yoroiguma #4988291. Published by Tsuyoshi Yoroiguma (A0.711392). Fantasia on British Sea-Songs is well known as a program in PROMS Last Night concert. This is unique repertoire for woodwind quintet concert.The arrangement includes these five tunes :Saucy Arethusa / Tom Bowling / Jack's the Lad (Hornpipe) / Home, Sweet Home / See, the conqu'ring hero comesThis arrangement is written for advanced players.Instrumentation: Flute / Oboe / Bb or A Clarinet (Both part sheets included) / F Horn / BassoonPDF file includes 16 pages of score and 26 pages of parts.Playing time is 6min 25 sec.Please visit youtube to watch sample score.

Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.553981 Composed by Bela Bartok. Arranged by Ray Thompson. 20th Century. 6 pages. RayThompsonMusic #6424203. Published by RayThompsonMusic (A0.553981). Ten Easy Pieces, Sz. 39, BB 51 (Hungarian: Tíz könnyű zongoradarab) is a collection of short pieces for piano by Hungarian composer Béla Bartók. It was composed in 1908.The set consists of eleven pieces in total, although the initial dedication is not numbered. It has an overall approximate duration of 17 minutes. The movement list is as follows:Dedication 1. Peasant Song2. Frustration3. Slovakian Boys' Dance4. Sostenuto5. Evening in Transylvania6. Hungarian Folksong7. Dawn  (This One)8. Slovakian Folksong9. Five-Finger Exercise10. Bear DanceIt is arranged for standard wind quintet.It is a chordal piece, and rather than allocating the lines from top to bottom, through flute to bassoon, I have varied the voicing to make the piece more interesting by changing the tone colour.Enjoy!

Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. Published by Lyons Music Services (A0.767553). This brand-new piece for wind quintet came about through the coronavirus lockdown and my observations of our UK politicians and how they behaved (One rule for them...) In terms of the music, each line is related to other lines through patterns of 5, 7 or 9 beats (or half beats). Each repetition of the pattern starts with all the instruments in that particular group playing on the first beat. As the music progresses and develops, motifs appear out of the combinations of these beats with each other. Gradually, these patterns and motifs develop melodies which then form the backbone of the piece. The first section (I hesitate to use the term movement) labelled Plotting develops a character of wiliness. It represents, in its twisting strands, the plotting of politicians to aggrandise themselves. The bottom 3 parts form an 'undercurrent' to the music as the 5,7 and 9 beat counts overlap and process. The flute and oboe, meanwhile, generate the first melodic strand - which becomes important in the later movements. The opening quaver patterns are passed around the whole ensemble, keeping the rhythmic pulse going. It slips between the anchoring notes of the lower 3 parts, as well as being essential to the development of the flute and oboe melodic material and stopping the bassoon part being too boring! The long winding, rising and falling line on the oboe and flute is deliberately ambiguous in its tonality, leading one to feel it strives upwards, but then loses its way. The frequent dissonances as this line crosses itself in the other parts represents the effect of all the plotting on ordinary people. Before letter B, there are a couple of brief hints of Dies Irae, but I didn’t want that idea to dominate too much. After B and into C, we get the day-to-day chitchat in Westminster, with interjections from many voices proclaiming their message, trying to persuade their colleagues and just leading to confusion and tonal extremism. From letter C to the end of the section is an extended accel/stretto as the discussion gets more heated. Section 2 is titled Scheming. The tempo is faster than the previous section, but the pace is slower. More motives have formed and developed organically out of the rhythm and pitch patterns. The 5/7/9 cross rhythms are now at double speed, giving a fiercer drive to the music. The bassoon and horn, for now, adhere to the longer pulse of the first section, providing something of a harmonic underpinning. At bar 101, the long but now slightly broken narrative line of the first movement returns in modified form. This now provides a backdrop for the rhythmic bartering and ‘back and forth’ of the political day. The section reaches a climax as the political bickering becomes rowdier. Section 3 begins in a relatively happy mood. The bassoon has a jolly capering little motif, later taken up by other members of the ensemble. There are hints of English folk tune-ness in the resulting conversation, perhaps emphasised by the overlays of this pleasant melody from letter D. Letter E is a ‘turning point’ as all the rhythmic pulses finally align again. This is the first time all five parts have played on the same beat since the opening. At Letter G, a pulsing drone is added to the mix, using the quaver version of the pulse. Perhaps representing the soring of politicians. There is a parallel drone added at letter H, these drones use the 5 (bassoon) and 7 (horn) beat pulses. The result is a solid underpinning of the rhythmic and melodic ideas in the upper 3 parts. After letter I comes a reprise of the spritely bassoon motif with dissonant harmonies as the discussion becomes more heated. The little semiquaver figures have the rhythm Mr. Speaker as members of the house shout for attention. In the repeat bars, we hear the Speaker shout Order! Letter J provides an altered reprise of the begi.

Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.760990 By The Ventures. By Mort Stevens. Arranged by Arranged by Stephen Rockey. Rock. 14 pages. Stephen Rockey #3588881. Published by Stephen Rockey (A0.760990). A rock version of the theme tune to 'Hawaii Five-0' for Saxophone Quintet, 2 x Alto, 2 x Tenor and Baritone (with bottom A), with optional parts for Bass Guitar and Drum Kit (not essential). This will make a great addition to any big band as a sax feature, or just as an addition to a saxophone ensembles repertoire.