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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1226025 By African - American Spiritual. By Traditional Spiritual. Arranged by Dennis Ruello. 20th Century,Historic,Jazz,Spiritual,Traditional. 23 pages. Chicory Music #822026. Published by Chicory Music (A0.1226025). Gospel music has infiltrated the New Orleans jazz repertoire since the very early days of jazz. Although gospel songs were traditionally played by jazz bands at funerals or church, it is now common that these songs are also played in secular venues. “Down by the Riverside†is an example of such a song, adapted by jazz musicians to fit the New Orleans jazz or brass band style. It has been a staple in New Orleans jazz since at least the early 1920s. This arrangement for Woodwind Quintet plus optional Acoustic Bass and Drum Set is written in the style of a New Orleans Brass Band, the kind of tune you might hear at a Second Line Parade or Jazz Funeral. Play this piece with the attitude: Laissez les bons temps rouler ( Let the good times roll ). Performance Time: Approx. 2 minutes 40 seconds
Down by the Riverside - Woodwind Quintet arranged in Trad. New Orleans Brass Band Style
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
African - American Spiritual
$15.99 13.73 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1139982 Composed by Nancy Bachmann. Chamber,Classical,Contemporary. 104 pages. Nancy Bachmann #740242. Published by Nancy Bachmann (A0.1139982). A taste of Americana, these five stand-alone movements for traditional woodwind quintet celebrate the artistic quilts of our foremothers. Appropriate for intermediate and advance players. INCLUDED IN PURCHASE: Full score and complete set of instrumental parts. NOTES FROM THE COMPOSER: Traditional quilting, like chamber music, is a cooperative, communal activity  and the clean crisp lines delineating the sewn patterns bring woodwind sonorities to my mind. This suite celebrates the remarkable needlecraft of our American foremothers. They took scraps, rags and remnants of otherwise worn out garments and household fabrics to stitch together useful (often life saving) “blankets†that were also beautiful works of art. These early quilters favored certain shapes and designs that I have used for my musical inspiration. In these five pieces I have tried to honor the physical shapes of the patterns as well as emotions evoked by their use..
American Quilt Sketches
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$60.00 51.53 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.514749 Composed by Various. Arranged by Kenneth Abeling. Folk,Traditional. 58 pages. LINCOLN MUSIC PUBLICATIONS #3549889. Published by LINCOLN MUSIC PUBLICATIONS (A0.514749). This is a collection of 12 popular American Folk Songs dating from the Mid-1800’s to the early 1900’s arranged in the Barbershop Quartet style for Woodwind Quintet by Kenneth Abeling. The titles include: 1. Jeanie With the Light Brown Hair, 2. Down in the Valley, 3. Aura Lee, 4. My Wild Irish Rose, 5. Shenandoah, 6. Home on the Range, 7. Oh Susanna, 8. Irish Lullaby, 9. The Riddle Song, 10. Red River Valley, 11. Yellow Rose of Texas, 12. My Bonnie Lies Over the Ocean. This is an intermediate level arrangement with numerous performance applications for both the amateur and professional ensemble. The approximate playing time of the entire collection with repeats is 16:15, and 9:10 without repeats. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com  Preview this score on YouTube: https://www.youtube.com/watch?v=AlS-ryCxCvE 
Americana Barbershop Quartet Collection (for Woodwind Quintet)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$14.99 12.87 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1372085 By Johnny Cash and The film 1917. By Trad. American. Arranged by Nathaniel Hontz. Country,Film/TV,Folk,Sacred,Traditional. 12 pages. TigerSong LLC #956309. Published by TigerSong LLC (A0.1372085). An old, mournful American gospel hymn, arranged for brass quintet. Opens with a lonely flute solo, before broadening into fuller harmonies and counterpoint. A great piece for sacred and secular settings. Covered by many great artists, and featured in the film 1917..
Wayfaring Stranger (for Woodwind Quintet)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Johnny Cash and The film 1917
$12.99 11.16 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.753644 Composed by Traditional. Arranged by John Hoesly. Contemporary,Film/TV,Folk. 19 pages. PRS&B #5359155. Published by PRS&B (A0.753644). Wayfaring Stranger- for Woodwind Quintet. Traditional American Folk Song arranged by John Hoesly. Also known as Poor Wayfaring Stranger and I Am A Poor Wayfaring Stranger, this song probably originated in the early 19th century.  It has been recorded numerous times, but most significantly appears in the 2019 film 1917 where a soldier sings this plaintive melody to his fellow comrades just before going into battle. This arrangement is divided into two sections.  Section one is a very haunting scenario, very plain with insistent harmonic devices. The second section is a more elaborate version with more harmonic movement and tempo extensions to create more drama.  It ends as plaintively as it begins.
(I Am A Poor) Wayfaring Stranger- woodwind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$20.00 17.18 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.813842 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533959. Published by Regis Bookshar (A0.813842). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Woodwind Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, he has made quite a few other arrangements of this.
Largo (from "Symphony No. 9") ("From the New World") (Db) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Cla
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$15.00 12.88 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.1150807 By West Coast Wind Quintet. By Ron Levy. 20th Century,Classical,Contemporary. 53 pages. Thinkling Music #750990. Published by Thinkling Music (A0.1150807). Six Pieces for Woodwind Quintet is an essay in style composition. Each piece represents a different composer, stylistic era, or, in the case of Leaning Down (the most accessible of the set), an American folk music tradition. Total duration is about 10 minutes. Here are the six movement titles: 1. Jump and Leap 2. A Strange Meeting 3. Persistence 4. Java Booboo 5. Chocolate Fingers 6. Leaning Down (MP3 Audio Sample).
SIX PIECES FOR WOODWIND QUINTET - score & parts
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
West Coast Wind Quintet
$25.00 21.47 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.956899 Composed by Charles Gonoud, Edward Elgar, Felix Bartholdy Mendelssohn, Peter Ilyich Tchaikovsky, and Richard Wagner. Arranged by Woods Only. Christian,Film/TV,Romantic Period,Wedding,World. 62 pages. Woods Only, Arrangements #6476473. Published by Woods Only, Arrangements (A0.956899). This collection brings the most well-known and appropriate music for wedding ceremonies, arranged for woodwind quintet, where you can find music from beginner to professional levels of performance. They can be performed not only specifically in marriage ceremonies, but also in serenades, concerts, recitals and others. I. Ave Maria, Charles Gonoud/BACH The piece is composed of a melody by French Romantic composer Charles Gounod specially designed to overlap with Prelude No. Although published in instrumental versions and equipped for various texts during Gounod's lifetime, the claim that he never actually wrote it seems to be literally true. The version of Bach's prelude used by Gounod has the addition of a bar found only in the manuscript of Christian Friedrich Gottlieb Schwencke and the printed edition of Nikolaus Simrock which was based on it, but not in the other Bach manuscripts or the printed work of the scholar Bischoff or G. II. Dance of the Sugar Plum Fairy, Tchaikovsky The Dance of the Sugar Plum Fairy is a dance for a ballerina. Tchaikovsky introduced the celesta to Russian music lovers on 19 March 1892 when the Nutcracker Suite was performed for the Russian Musical Society in St. Petersburg. It is heard in other parts of Act 2 of The Nutcracker besides the Sugar Plum Fairy's dance. The Dance of the Sugar Plum Fairy is one of the ballet's best known musical numbers. The complete Nutcracker has enjoyed enormous popularity since the late 1960s and is now performed by countless ballet companies, primarily during the Christmas season, especially in North America. Major American ballet companies generate around 40% of their annual ticket revenues from performances of The Nutcracker. III. Salut d'amour, Elgar It was not published by Schott & Co., a German publisher, with offices in Mainz, London, Paris and Brussels, until a year later, and the first editions were for violin and piano, piano solo, cello and piano, and for small orchestra. As a violin-and-piano piece Salut d'Amour had been recorded for The Gramophone & Typewriter Ltd (predecessor to The Gramophone Company) as early as 1901 by Jacques Jacobs, leader/director of the Trocadero Restaurant orchestra. IV. Nuptial March, Wagner It is a bridal march played at the entrance of many Western wedding ceremonies. In English-speaking countries, it is generally known as Here Comes the Bride or Wedding March, but wedding march refers to any piece in march tempo accompanying the entrance or exit of the bride, notably Felix Mendelssohn's Wedding March. Wagner's piece was made popular when it was used as the processional at the wedding of Victoria the Princess Royal to Prince Frederick William of Prussia in 1858. Unlike the current tradition of it being played at the beginning of the ceremony, the work is performed after the wedding of Lohengrin and Elsa in the opera. V. Wedding March, Mendelssohn Felix Mendelssohn's Wedding March in C major, written in 1842, is one of the best known of the pieces from his suite of incidental music. The first known instance of Mendelssohn's Wedding March being used at a wedding was when Dorothy Carew wed Tom Daniel at St Peter's Church, Tiverton, England, on 2 June 1847 when it was performed by organist Samuel Reay. However, it did not become popular at weddings until it was selected by Victoria, The Princess Royal for her marriage to Prince Frederick William of Prussia on 25 January 1858. The bride was the daughter of Queen Victoria, who loved Mendelssohn's music and for whom Mendelssohn often played while on his visits to Britain.
5 Classical Wedding Music for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$59.99 51.52 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus






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