Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1271473 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Pop,Standards. 12 pages. RayThompsonMusic #863874. Published by RayThompsonMusic (A0.1271473). Arranged standard wind quintet.The melody is taken first by the clarinet, then horn and then the flute. The guitar break is given to the oboe and flute.The melody reprise is taken by all 4 top instruments.Let It Be is a song by the English rock band The Beatles, released on 6 March 1970 as a single, and (in an alternative mix) as the title track of their album Let It Be. It was written and sung by Paul McCartney, and credited to the Lennon–McCartney partnership.The single version of the song, produced by George Martin, features a softer guitar solo and the orchestral section mixed low, compared to the album version, produced by Phil Spector, featuring a more aggressive guitar solo and the orchestral sections mixed higher.At the time, it had the highest debut on the Billboard Hot 100, beginning its chart run at number 6 and eventually reaching the top. It was the Beatles' final single before McCartney announced his departure from the band. Both the Let It Be album and the US single The Long and Winding Road were released after McCartney's announced departure from and the subsequent break-up of the group.YouTube Link is my brass quintet arrangement.

Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.986931 Composed by John Holland. Contemporary. 45 pages. John Holland #2024649. Published by John Holland (A0.986931). As its title suggests, this quirky little piece gives everyone a chance to have their little 'moment', all the while playing 'catch the quavers' with each other; passing and throwing sounds like a childish playground game. A relentless pulse of notes trips through the texture and brief melodies and phrases introduce then excuse themselves, but occasional silences threaten to punch holes in the rhythm - who's turn is it to catch next, and will they succeed?

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.1429221 By The Beatles. By George Harrison, John Lennon, Paul McCartney, and Richard Starkey. Arranged by Ray Thompson. 21st Century,Chamber,Pop. 11 pages. RayThompsonMusic #1009977. Published by RayThompsonMusic (A0.1429221). Now and Then is a song by the English rock band the Beatles, released on 2 November 2023. Dubbed the last Beatles song, it appeared on a double A-side single, paired with a new stereo remix of the band's first single, Love Me Do (1962), with the two serving as bookends to the band's history.Now and Then is a psychedelic soft rock balladthat John Lennon wrote and recorded around 1977 as a solo home demo but left unfinished. After Lennon's death in 1980, the song was considered as a potential third Beatles reunion single for their 1995–1996 retrospective project The Beatles Anthology, following Free as a Bird and Real Love, both based on two other Lennon demos of the same names.Instead, it was shelved for nearly three decades, until it was completed by his surviving bandmates Paul McCartney and Ringo Starr, using overdubs and guitar tracks by George Harrison (who died in 2001) from the abandoned 1995 sessions.Arranged here for wind quintet, the oboe takes most of the melody

Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.

Woodwind Ensemble,Woodwind Quintet - Digital Download SKU: A0.1014452 Composed by Chris Champagne. 20th Century,Folk,Holiday,World. 30 pages. Champagne Music Publishing #5720611. Published by Champagne Music Publishing (A0.1014452). Score & Parts. Flute, Oboe, Clarinet, Horn, Bassoon.An original composition in the style of Irish folk music. It opens with a somber dirge before changing to a bright pastoral theme, then it changes to a lively jig full of variations and fast runs. This piece was first performed at Benaroya Hall in 2000 by members of the Seattle Symphony for the Young Composers Workshop Concert.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.1210867 Composed by Ludwig van Beethoven. Arranged by James Haynor. Romantic Period. 47 pages. James Haynor #808576. Published by James Haynor (A0.1210867). The Violin Concerto in D major, Op. 61, was written by Ludwig van Beethoven in 1806. Its first performance by Franz Clement was unsuccessful and for some decades the work languished in obscurity, until revived in 1844. Since then it has become one of the best-known and regularly performed violin concertos.This arrangement is scored for Woodwind Quintet and makes a lively and exciting addition to any concert or recital. Plenty to play for everyone.( Duration - 8:10 ) 

Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.767417 By The Carpenters. By Roger Nichols. Arranged by Mike Lyons. Pop,Rock. 15 pages. Lyons Music Services #3689601. Published by Lyons Music Services (A0.767417). After a short instroduction, the melody appears first in the horn. Then it is taken over by the clarinet and eventually reaches the flute. This is a new and original arrangement which would fit well within any easy listening programme for a concert.

Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.1126471 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 12 pages. Woods Only, Arrangements #727146. Published by Woods Only, Arrangements (A0.1126471). This arrangement adapted for woodwind quintet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.

Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.886684 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. 37 pages. Panagiotis Theodossiou #3213759. Published by Panagiotis Theodossiou (A0.886684). Egomia, Concert Monologues, for Wind Quintet (2009)Ι. Stasis I, Lento, come un recitativo II. Stasis II, L ‘istesso tempo, molto ritmicoIII. Stasis III, Passacaglia Ritmica, L ‘istesso tempo, grave    A work of free serialism, composed on the ritual of the Egomia, a very famous litany of the Eastern Orthodox Church which takes place on Holly Friday.   It consist of 3 parts, 3 Stasis, according to the traditional ritual. The unaccompanied monologues of the 1st Stasis lead to the virtuosic dialogues of the 2nd and to the general fortissimo tutti of the 3d. The work has a version with narration on the prototype text of the traditional ritual.    It was written on November 2009 for the Q innegal Wind Quintet which gave the premier at the German Evangelic Church in Athens next year and is dedicated to composer’s stepmother, Eleni, who died after the completion of the work. The 3d part has also a dedication to Olivier Messiaen, on the musical style of whom there are intentional references. https://www.youtube.com/watch?v=4BNVUEHBdhg

Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.1303534 Composed by Wolfgang Amadeus Mozart. Arranged by Ander. Chamber,Classical,Wedding. 14 pages. Woods Only, Arrangements #893110. Published by Woods Only, Arrangements (A0.1303534). We present the arrangement of Mozart’s Andante in C, K 315, adapted for a Woodwind Quintet. This unique piece maintains the originality of Mozart’s composition, with the flute performing the solo and the other instruments playing the role of the orchestra. The adaptation was made with the utmost respect for the original work, making it perfect for performances and musical concerts. The fidelity to the original composition allows it to be easily used by professional musicians, students, and music teachers as teaching material. Mozart, one of the greatest composers in the history of classical music, is known for his captivating melodies and complex harmonies. The Andante in C, K 315 is a charming musical piece, composed in 1778, it is known for its soft melody and calm rhythm. In this adaptation for Woodwind Quintet, the flute takes on the role of soloist, while the other instruments play the role of the orchestra. This score allows you to experience Mozart’s genius in a format adapted for a Woodwind Quintet. Acquire this score and add a classic piece to your repertoire. Ideal for those seeking quality, authenticity, and versatility in their musical performances.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.1304437 Composed by Pauline Viardot. Arranged by Ted R. Marcus. 19th Century,Chamber,Classical,Contest,Festival,Romantic Period. 19 pages. Ted R. Marcus #893928. Published by Ted R. Marcus (A0.1304437). Pauline Garcia Viardot's Sérénade is a piquant Spanish dance imbued with Flamenco rhythms and Andalusian cadences. Although she was a French composer, singer, and teacher born in Paris, Viardot's Spanish heritage lends the piece a special authenticity. Sérénade was originally conceived as a virtuosic showpiece for piano. This version for an advanced woodwind quintet retains just enough bravura to make it exciting for players and audiences. But above all, it's a hauntingly melodic and colorful souvenir of a time when French composers and their audiences were infatuated with all things Spanish. Duration: approx. 3:00Please visit my Web site to explore more classics for adventurous woodwind quintets.

Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.948495 Composed by J.W. Heidebrecht. Contemporary. 17 pages. Musician Place #3493295. Published by Musician Place (A0.948495). 2018 Chamber Music Contest EntryThis beautiful light fanfare for the woodwind quintet is perfect for performances of all sorts.  The Bassoon builds the foundation of the song, binding it together with a bouncy, typical Tuba part.  On the other hand, the Flute, Oboe, and Clarinet play the melody, strengthening each other with blending harmonies.  This piece is perfect for students who want to perform a piece as a small group at school, as the song is fairly simple, rhythmically, and pitch-wise.  But, anyone can perform this and it will sound beautiful!

Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.911059 Composed by Gustav Holst. Arranged by Natheniel Siu. 20th Century,Concert,Contemporary,Patriotic,Standards. 18 pages. Notesetter #6354103. Published by Notesetter (A0.911059). Score with parts also available now!!Instrumentation- Flute, Piccolo- Oboe, Cor Anglais- Clarinet in Bâ™­- Horn- BassoonPerformance timeWhole Suite: ~11’ 30I. March (Morris Dance): ~4’ 30II. Song Without Words - I’ll Love My Love: ~2’ 30III. Song of the Blacksmith: ~1’ 15IV. Fantasia on the Dargason: ~3’ 30IntroductionThis faithful adaptation of the beloved Holst concert band suite extract the quintessence of the original and skilfully distribute into the five winds players. The beautiful euphonium solo in the March is given to the horn-the sometimes overlooked member of the ensemble. This arrangement chose the oboe as the solo instrument instead of the clarinet in the 2nd movement. However, it is easy to exchange the parts is the clarinet solo is preferred.For more information (transposition needs, or custom arrangement requests), please contact [ info (at) notesetter.com ]. We are happy to be of service!Notesetter Publishing © 2020NS-KW0006

Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.911056 Composed by Gustav Holst. Arranged by Natheniel Siu. 20th Century,Concert,Contemporary,Patriotic,Standards. 54 pages. Notesetter #6097129. Published by Notesetter (A0.911056). Instrumentation- Flute, Piccolo- Oboe, Cor Anglais- Clarinet in B♭- Horn- BassoonPerformance timeWhole Suite: ~11’ 30I. March (Morris Dance): ~4’ 30II. Song Without Words - I’ll Love My Love: ~2’ 30III. Song of the Blacksmith: ~1’ 15IV. Fantasia on the Dargason: ~3’ 30IntroductionThis faithful adaptation of the beloved Holst concert band suite extract the quintessence of the original and skilfully distribute into the five winds players. The beautiful euphonium solo in the March is given to the horn-the sometimes overlooked member of the ensemble. This arrangement chose the oboe as the solo instrument instead of the clarinet in the 2nd movement. However, it is easy to exchange the parts is the clarinet solo is preferred. For more information (transposition needs, or custom arrangement requests), please contact [ info (at) notesetter.com ]. We are happy to be of service!Notesetter Publishing © 2020NS-KW0006